Conductor Simon Rattle gives advise to amateurs and defines his “ideal state”.
Sodden but unbowed, the Royal College of Music Chamber Choir encapsulated Sunday’s jubilant spirit.
Andrew Lloyd Webber, doyen of musical theatre, reveals how he joined pop star Gary Barlow and TV choirmaster Gareth Malone to honour ‘an extraordinary monarch’.
Valley Performing Arts Center at Cal State Northridge and Soka Performing Arts Center at Soka University in Aliso Viejo have ambitions for sophomore year.
The pianist, music director for the 66th edition, will perform with Marc-Andre Hamelin.
Classical Music Magazine
Booking has opened for the tenth Clandeboye Festival, taking place 13 – 18 August at the Marchioness of Dufferin and Ava’s Clandeboye estate near Bangor, County Down, Northern Ireland.
Camerata Ireland and its artistic director Barry Douglas launched the musical programme for Derry-Londonderry’s year as the first UK City of Culture with a concert on 30 May in one of the city’s historic churches, Christ Church.
Oliver Knussen’s music packs as much incident and expression into mere minutes than some composers manage in a lifetime.
How do conductors such as Claudio Abbado, Simon Rattle and Valery Gregiev work?
On the centenary of the great countertenor’s birth his grandson recalls how he came to know and love his music.
University cancels booking, saying performance of works by Hitler’s favourite composer would offend Holocaust survivors.
David McVicar talks about the huge challenge of staging Les Troyens.
Musicians in the London Symphony Orchestra will have to mime their performance in the opening ceremony of the London Olympics because a live performance is deemed too risky.
Back catalogue masterpieces and current titles made available in high-quality digital format.
Matching instruments worth millions on permanent loan to the ensemble.
As Scottish Opera turns 50, what does the future hold for the company?