Posts Tagged ‘Academy of Ancient Music’
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In today’s news: BBC Symphony Orchestra gets new home in East London, Grace Davidson to release a new recording with the Academy of Ancient Music, the director of Glyndebourne’s latest production of Madama Butterfly discusses its darkest aspects, and in Scotland parents and teachers call for children’s music tuition to be protected. Additionally, German project TONALi offers young talents a stage and the possibility to organise their own concert formats, and Leipzig announces a new music fair.

Classical-Music.com

BBC Symphony Orchestra to get new home in East London

BBC Symphony Orchestra to leave iconic Maida Vale studios and open a new hub in Stratford in 2022/2023.

Rhinegold

Grace Davidson and the Academy of Ancient Music launch new recording

Soprano Grace Davidson and the Academy of Ancient Music will celebrate the release of a new recording on 29 June with a live performance at St Jude’s Church in Hampstead Garden.

The Guardian

Sex, betrayal, suicide: is Madama Butterfly too sordid to stage today?

Puccini’s Orientalist story of the sexual exploitation of an Asian woman may seem repulsive in the #metoo era – but we shouldn’t flinch from a masterpiece’s savagery, says the director of Glyndebourne’s latest production.

Classic FM

Parents in Scotland can’t afford music lessons for their children

Teachers will call for children’s music tuition in Scotland to be protected, as authorities in Clackmannanshire confirmed plans this week to double the cost of musical instrument lessons to £524 a year.

Complete Music Update

Apple Music launches new team to enhance songwriter and publisher relationships

Apple has promoted one of its long-term music-focused legal directors to the new role of Global Director Of Music Publishing. Elena Segal will head up a new team that will manage relationships between the Apple Music streaming service and the mysterious world of music publishing and songwriting.

Concerti

Kulturmanager von morgen

Das Projekt TONALi bietet jungen Talenten eine Bühne und darüber hinaus die Möglichkeit, eigene Konzertformate zu organisieren. Bevor musikalische Talente vor ein Publikum treten können, ist eine umfangreiche Organisationsarbeit zu leisten. Finanzplanung, Sponsoren-Akquise, Marketingmaßnahmen und Buchungen von Spielstätten – all das sind Herausforderungen, an denen auch junge Menschen wachsen können.

Nmz

Komponist Lachenmann setzt auf Hörner – Uraufführung in München

Die Avantgarde-Musikreihe «musica viva» des Bayerischen Rundfunks präsentiert ein neues, großes Orchesterwerk von Helmut Lachenmann. Der erteilt politischer Musik eine Absage. Wird es mit acht Solo-Hörnern dieses Mal vielleicht romantisch?

Pizzicato

Leipzig kündigt neue Musikmesse an

In Leipzig wird im November 2019 eine Musikmesse unter dem Namen ‘musicpark’ statfinden. Ähnlich wie ‘Musicora’ in Paris soll sich die Publikumsveranstaltung an Musikbegeisterte, Hobbymusiker, Musikschüler und Einsteiger wenden, die Instrumente ausprobieren, kaufen oder live erleben möchten.

BR Klassik

Folkert Uhdes letzte ION “Momente, die in Erinnerung bleiben”

Am 6. Juni beginnt die 67. Internationale Orgelwoche Nürnberg. Für den künstlerischen Leiter Folkert Uhde wird es seine letzte Saison sein. Im BR-KLASSIK-Interview verrät der Konzertdesigner, ob er in den sechs Jahren Musica Sacra seine Ziele erreichen konnte und was er von Nürnberg gelernt hat.

Twitter

BBC Symphony Orchestra

(Written on June 6, 2018 )

In today’s news: Street musicians are to be paid with contactless cash, a piece on Spotify and censorship, King’s College appoint a new director of music, new YCAT artists are announced and in Washington D.C. 10 Stradivarius instrument are brought together. Sir Simon Rattle says farewell to Berlin, in Halle this years Händel Festival was opened and there is new research about the Spanish roots of Beethoven.

The Times

Where will Spotify’s censorship end?

The announcement this month that Spotify had instituted a new policy to deal with “hate content and hateful conduct” led some to ask: “Where will this end?”

The Telegraph

Buskers to be paid with contactless cards under world’s first scheme of its kind 

Busk in London, a Mayor of London initiative, has partnered with technology company iZettle to hand performers readers that allow them to set a fixed amount of money to donate and accept contactless payments from passers-by.

Link between personalities and music taste unearthed: Opera lovers more likely to be imaginative, study finds

People who like easy-listening music are likely to be talkative and energetic, while opera lovers are more insightful and imaginative, according to scientists.

Choir & Organ

King’s College appoints new director of music

King’s College, Cambridge has appointed Daniel Hyde as new director of music, to take office in October 2019. He will succeed Stephen Cleobury, who has held the post since 1982.

Classical Music

New YCAT artists announced

The Young Classical Artists Trust (YCAT) has selected three new artists for representation following a final round of auditions at Wigmore Hall.

Early Music Today

Academy of Ancient Music announces new Hogwood fellow

The Academy of Ancient Music (AAM) has announced that Sandy Burnett is the new Hogwood fellow for 2018-19.

The Strad

Ten Stradivarius instruments brought together for D.C. concert

Washington DC audiences are well acquainted with the concerts presented at the Library of Congress as well as the famed ensemble of Stradivari instruments presented to the Library by Gertrude Clarke Whittall.

Der Tagesspiegel

In ausgelassener Stimmung

Bilanz aus 16 Jahren: Simone Rattle dirigiert in der Waldbühne eines seiner letzten Konzerte als Chef der Berliner Philharmoniker.

Musik heute

Händel-Festspiele Halle mit Feierstunde eröffnet

Mit der traditionellen Feierstunde am Händel-Denkmal auf dem Markt in Halle (Saale) haben am Freitag die Händel-Festspiele in der Geburtsstadt des Barockkomponisten begonnen.

BR-Klassik

Ausgezeichnete Streichinstrumente

Das oberbayerische Mittenwald blickt auf eine lange Geigenbauhistorie zurück. Alle vier Jahre findet dort ein Wettbewerb für die besten Violinen, Violen und Violoncelli statt. Zahlreiche Preise gingen an Werkstätten in Cremona – ebenfalls eine Bastion des Instrumentenbaus.

El País

La abuela española (y alcohólica) de Beethoven

El libro ‘España en los grandes músicos’ explica la influencia de María Josefa Poll en el interés del compositor por la Península.

The New York Times

Interest Grows in a Master of Choral Mystery and Power

The composer Frank Martin (1890-1974) wrote choral works that are perhaps his crowning achievements, including the Mass for Double Choir.

 

Twitter

 

Sir Simon Rattle (c)Monika Rittershaus

(Written on May 28, 2018 )

In today’s news: the funding for the next European youth choir festival in Basel is secured, Academy of Ancient Music announces partnership with Chiltern Arts. In Munich, faculty members of music colleges are protesting low wages. The Columbus Symphony Orchestra is extending its contract with Rossen Milanov. A feature on composing and political stance and sexual misconduct at Berklee Music College. Spotify starts selling Makeup.

Classical Music

Academy of Ancient Music and Chiltern Arts announce partnership

The Academy of Ancient Music is to become orchestra in residence at Chiltern Arts Festival.

Choir and Organ

Leicester MusicFest organ competition

The second Leicester MusicFest will include a pipe organ competition.

Opera Now

Glyndebourne Tour to visit Liverpool in 2019

The Glyndebourne Tour is to visit Liverpool’s Empire Theatre – the biggest two-tier theatre in the country – for the first time in 2019.

Classic FM

Flight of the Bumblebee for a marimba and 4 mallets is crazier than you’re expecting

Rimsky-Korsakov’s notoriously fiendish piece sounds absolutely mad in this one-man arrangement for marimba and four mallets.

Forbes

Spotify Is Selling Makeup Now, And That Could Change Things For The Music Industry

Spotify isn’t known primarily as a retailer, even though music fans can purchase items from the streaming site, but as of today, it has taken another step towards becoming more of a shopping destination of sorts.

Pizzicato

Columbus Symphony extends contract of Rossen Milanov

Rossen Milanov’s contract as Music Director of the Columbus Symphony has been extended through the 2024-25 season, the orchestra announced.

New York Times

Three Composers on the Necessity and Pitfalls of Political Music

When classical music composers get political, they often do it at the risk of preaching to the proverbial choir.

WCVB5

Berklee says 11 faculty members were fired over 13 years for sexual assault, harassment

A prestigious music school in Boston will hold a campus forum following a newspaper investigation that found the college allowed three professors to quietly leave the school after students complained the men had sexually harassed or assaulted them.

Codex flores

Finanzierung des 11. Europäischen Jugendchor Festivals Basel gesichert

Die Finanzierung des 11. Europäischen Jugendchor Festival Basel (EJCF) – es findet über die Auf­fahrtstage vom 9. Mai – 13. Mai 2018 in Basel und der Region statt – ist gesichert.

Klassik.com

Lehrbeauftragte an bayerischen Musikhochschulen demonstrieren

Lehrbeauftragte bayerischer Musikhochschulen haben mit einer Demonstration gegen Pläne der bayerischen Landesregierung protestiert. 

Neue Musikzeitung

Braunschweiger Sing-Projekt mit Kulturpreis ausgezeichnet

Das Braunschweiger Schulprojekt «Klasse! Wir singen» ist mit dem Initiativpreis Deutsche Sprache ausgezeichnet worden. 

Twitter

 

Image: Choir and Organ

(Written on November 14, 2017 )

The Academy of Ancient Music have today announced that Robert Levin will inaugurate the Hogwood Fellowship. Established in honour of the Academy of Ancient Music’s founder Christopher Hogwood, the Fellowship is designed to further the ensemble’s commitment to providing historical insight and cultural context to the music they perform.

Christopher Hogwood was once asked if he spent half his time as a musician, and the other half as a musicologist; his response was that he spent 100% of his time as both.  Setting the AAM apart from other ensembles is the creativity and spontaneity of their performances that are grounded in scholarship, with a constant exploration of music in its broadest cultural context.

Robert Levin is a consummate musician, much loved by audiences around the world as a soloist and conductor.  He is also a renowned scholar, holding positions at institutions including Harvard and Cambridge University.  He enjoyed a long and close association with Christopher Hogwood and the AAM, which continues now with Richard Egarr as Music Director. Robert’s tenure as the first Hogwood Fellow for the remainder of this season, and the 2017-18 concert season, will include performances with the orchestra. Robert will provide insights into the music the AAM perform through interviews, talks, articles and concert programme notes.

WildKat had the great privilege of attending an interview with Robert Levin in Salzburg, where he was recording Mozart’s Piano Sonatas, on the composer’s own fortepiano.

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Music Director Richard Egarr commented: ‘I’m so pleased that Robert Levin will be our very first Hogwood Fellow.  I’ve worked with him for many years, and what he stands for really represents all that Christopher Hogwood stood for as well.  Robert Levin is a most incredible mind, has an encyclopedic knowledge of Mozart and Bach, and total recall over information. But not only that, he has the ability to transform this information into extraordinary live performance.’

Beyond 2017-18, Richard Egarr will be leading the process to seek out the next Hogwood Fellow. They may be a musician and musicologist like Robert, or perhaps an academic, or an artist – anyone from any discipline who can provide greater insight into the AAM’s music and music-making.

Robert Levin will next perform with the Academy of Ancient Music at the Barbican Centre’s ‘Sound Unbound’ weekend, taking place 29-30 April 2017.

wildkat-pr-robert-levin

 Image: Robert Levin, Ascherman

(Written on February 13, 2017 )

2016 – what a year it has been! 

It’s been a year full of political and cultural changes and we look forward what 2017 holds in store. 

We have also had to adapt WildKat’s set up and services towards the current climate. Artists and organisations, as well as independent projects, look for even more value for money, and for smarter, more effective approaches towards reaching audiences. 2016 is the year we truly went into number crunching, exploring what and how coverage converts into ticket sales, which platform drives different types of traffic, what will guarantee a sell-out and what is worth an investment for the future. 

We have brought in a new set of Account Managers and created new roles to cater to a renewed interest in broader press and online targets. 

I am optimistic about 2017. Change always means opportunity. It means we are in motion, and the arts are the first place we will see that. I look forward to new pieces being created, new companies being formed and new ideas coming to fruition.

Thank you to all our partners, clients, journalists and the wonderful staff across all our WildKat offices. We finish the year on a high with our annual skiing trip to Austria! Let’s slide merrily into the New Year.

Managing Director, Kat Alder

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Photo of London Team

In 2016, WildKat PR continued to expand our roster with lots of diverse projects and campaigns, from Ancient Academy of Music to Metal’s production of Steve Reich’s Different Trains with the London Contemporary Orchestra. We also worked with a wide range of fantastic organisations on unique projects, including projects with The European Union Youth Orchestra, Help Musicians UK and Live Music Now. Also, across the Atlantic Ocean in our New York office, we began campaigns with the world-renowned The Cliburn and Cincinnati Symphony Orchestra.

WildKat

Here are some highlights from our fantastic year:

In Spring 2016, Sacconi Quartet and Sacconi Chamber Music Festival returned to WildKat, and it was another very successful year for them, highlights include a 5-star review by The Guardian and also an awesome review by Financial Times. They also premiered Jonathan Dove’s ‘In Damascus’, a brand new work for Tenor and String Quartet.

Photo: Emilie Bailey

In Summer 2016, another year, another weird and wonderful set of Tête a Tête performances, including Toni Castells‘ ‘2045: The Year Man Becomes Immortal?‘, which featured in The Guardian‘s top classical picks, and on BBC Radio 3: In Tune, amongst other outlets. They also ran six productions, forming part of the Cubitt Sessions at the heart of King’s Cross this year. Looking ahead to 2017, lots are going to happen in January with Tête a Tête, so keep reading our blog to follow their latest news!

Photo: Tête a Tête

In August, BitterSuite launched their crowd-funding campaign on Kickstarter, and successfully reached their target. They were featured in Vice, and they also debuted in New York at Brooklyn Academy of Music in December.

Photo: BitterSuite

In Autumn 2016, we worked with Metal Liverpool on Steve Reich’s Different Trains. We gained a huge range of alternative coverage, including The Sunday Times, live-streaming on Boiler Room, and BBC Radio 6 Music.

wildkat-pr-martin-godwin-steve-reich-composer-007

Photo: Martin Godwin

In Winter 2016, Ailie Robertson‘s classical debut single ‘Haven’ was a big hit, reaching No.2 on iTunes Classical Chart. She also made appearances on BBC Radio Scotland and BBC Radio 3: In Tune.

wildkat-pr-ailie-haven

The Academy of Ancient Music received a very strong set of reviews for our first concert with them, recording 4 and 5 stars.  They also continue to receive excellent reviews for their disc of music by Dario Castello, which proves to be increasingly popular following the concert and broadcast and is encouraging in supporting their aim to bring neglected music to a wider audience.  We now very much look forward to the release of the second volume in 2017.

wildkat-pr-front_cover-aam

Accentus Music also has had an incredible year with us, with over 50 pieces of coverage throughout the year, and several productions nominated in several categories for the International Classical Music Awards 2017, including a CD by the Polish National Radio Symphony Orchestra and Alban Berg’s opera ‘Wozzeck’ DVD performed by Opernhaus Zürich. We look forward to further collaborations with Accentus in the new year.

wildkat-pr-berg-wozzeck

Photo: Accentus Music/ Berg Wozzeck

We also had a great year with Dartington – this year’s festival saw musicians, writers and artists of all ages and abilities descend upon the beautiful medieval Dartington estate, to take part in courses, watch and participate in masterclasses, create new works, and attend concerts and performances, of which there were over eighty over the four week period!  We are excited to have the chance to work with them again for their International Summer School and Festival 2017, which promises to be just as, if not even more exciting.

wildkat-pr-dartington

Besides our usual Press and Promotion service, we are also developing a wider range of services. We introduced our full Social Media packages and more Creative Campaigns.

We have recently worked with ECC100, a vinyl-only record label founded by Lush, on their release of ‘Set in Stone‘, music inspired by ancient stone circles in Dorset, UK. As well as a press campaign, we also organised a creative campaign, inviting journalists and bloggers to travel on a journey through their senses, with fragrances created by Gorilla Arthouse, which were inspired by the music from the album, live performance from Simon Richmond and John Metcalfe, and the screening of a film by Patrick Dunn.

wildkat-pr-set-in-stone

Photo: ECC100

Now that the year is almost over, we are very much looking forward to announcing new partnerships in January 2017! To follow our latest news and updates, keep reading WildKat PR Blog, or follow us on our Facebook page and Twitter.

Have a very Merry Christmas and a great start to 2017!

(Written on December 21, 2016 )

Classical News

In today’s classical news, in order to break the bottleneck on the top of the charts caused by the inclusion of streaming datas, The Official Chart Company is changing the way it calculates to reflect the rise in music streaming. Academy of Ancient Music is collaborating with Mid Wales Opera and Royal Welsh College of Music and Drama on MWO’s tour in Wales. The Royal Northern College of Music has announced partnership with Zhejiang Conservatory of Music in Hangzhou, China. English National Opera finished its financial year with a surplus of £308,000. Also, read about the Stradivari violins, the mystery that even Sherlock Holmes failed to solve.

BBC News

Chart company changes formula to reflect rise in streaming

The Official Chart Company is changing the way it calculates the Top 40 to reflect the rise in streaming.

Early Music Today Magazine

Academy of Ancient Music to collaborate with RWCMD and Mid Wales Opera

Mid Wales Opera’s second co-production with the Royal Welsh College of Music and Drama is to tour Wales in association with the Academy of Ancient Music.

Music Teacher Magazine

RNCM announces partnership with Zhejiang Conservatory of Music

The Royal Northern College of Music (RNCM) has announced a partnership with the Zhejiang Conservatory of Music (ZJCM).

Opera Now Magazine

English National Opera reports 75% capacity for 2015/16

English National Opera ended the 2015/16 financial year with a surplus of £308,000, the company’s annual review has revealed.

The Times

Stradivari’s secret could be a drop of fungicide

Even Sherlock Holmes himself couldn’t solve the mystery of Stradivari violins. Florian Leonhard says that Stradivari is still way ahead of his modern rivals and researchers believe an ancient fungicide may be the secret of the violins’ unique acoustics.

Der Tagesspiegel

Deutsche Theater- und Orchesterlandschaft soll Welterbe werden

Deutschland hat seine Theater- und Orchesterlandschaft für die internationale Unesco-Liste des Immateriellen Kulturerbes nominiert. Deutschland verfüge über die weltweit höchste Theaterdichte, hieß es dazu. Die Orchesterdichte zähle zu den höchsten der Welt.

nmz

ECHO 2017: Verleihung des Musikpreises des Bundesverbandes der Musikindustrie wird im nächsten Jahr neu gestaltet

Die Neuausrichtung wird sowohl den Aufbau der Sendung als auch die Rolle der Jury betreffen und darüber hinaus eine inhaltliche Überarbeitung der Regularien einschließen.

kulturradio vom rbb

Alvis Hermanis inszeniert nicht in Bayreuth

Der lettische Regisseur hat sich aus den Verhandlungen mit den Bayreuther Festspielen zurückgezogen. Hermanis war für den “Lohengrin” 2018 im Gespräch gewesen. Hermanis ist wegen seiner Aussagen zur Flüchtlingspolitik umstritten.

Codex Flores

Haimor Chef der Württembergischen Philharmonie Reutlingen

Die Württembergische Philharmonie Reutlingen (WPR) hat mit dem Amerikaner Fawzi Haimor einen neuen Chefdirigenten. Er tritt sein Amt zum Spielzeitbeginn 2017/18 an.

WELT

Die unterkühlte Monarchin der Oper steigt vom Thron

Renée Fleming ist eine der größten Sängerinnen der Welt. Sie trat in der Sesamstraße auf, beim Super Bowl, sogar ein Dessert ist nach ihr benannt. Nun plant sie ihren Abschied. Es wird Zeit.

Twitter

Cmuse.org @cmuseorg Boy battling #leukemia gets chance to conduct symphony #orchestra http://www.cmuse.org/7-year-old-boy-battling-leukemia-gets-chance-to-conduct-orchestra/ … #music

Classical Music News @ClassicalMusic Breaking: Andrea Bocelli pulls out of Trump inauguration http://dlvr.it/MwdgSz #ClassicalMusic

Help Musicians UK @HelpMusiciansUK Learn how we’ve supported artists this year through our Creative Programme. RT & share the word

wildkat-pr-zhejiang-conservatory-of-music

Photo: Zhejiang Conservatory of Music/ 浙江音乐学院

(Written on December 20, 2016 )

We are looking for an Intern to join WildKat PR in London from January 2017.

Do you think you would be suitable for this position? Have a read through our job description below.

WildKat PR
WildKat PR is a creative agency for classical music and the arts. We are a dynamic, forward thinking agency offering full services for public relations, marketing, artistic consultancy, event management, social media, and creative campaigns, specialising in both classical and contemporary music. We are a young, enthusiastic, creative, and music-loving company and our expertise and creativity allows us to devise innovative campaigns tailored to individual artists’ needs. With offices currently established in London, Berlin, and New York, and clients including the Ancient Academy of Music, Bamberg Symphony Orchestra, Dartington International Summer School, Gstaad Menuhin Festival, and Cincinnati Symphony Orchestra, our reach extends internationally to offer professional PR support worldwide.

Job Description
WildKat PR is offering an exceptional opportunity for a motivated, intelligent, and confident individual to join our London team. Working with the Director, Head of Creative & Marketing, and fellow Account Managers on creative PR campaigns across the classical music and cultural industries, they will be expected to assist their colleagues in all aspects of the campaigns, to quickly establish an understanding of the industry and begin to build working relationships with press to generate media coverage for our clients.  This position will provide an overview of all clients, demonstrating the different stages of PR campaigns, along with a range of different styles and approaches to press. Through assisting all account managers in an array of different tasks, the intern will acquire the core skills and abilities of a publicist.  

Key duties
As an Intern your role will be:
– Summarising classical music and industry news on the WildKat PR blog each day and posting to social media
– Research-based tasks to assist Account Managers
– Updating social media for WildKat PR and our clients, e.g. Facebook, Twitter, websites
– Uploading listings to websites for clients’ upcoming concerts
– Writing blogs for our website and for clients’ websites or newsletters
– Writing and proofreading press releases for clients
– Creating and uploading interesting and new content for our social media platforms
– Recording and producing video blogs of our clients for WildKat PR YouTube
– Inviting critics, journalists, and industry contacts to concerts
– Contacting critics, journalists, bloggers, and radio or TV producers to gain features or reviews for clients
– Attending events of our clients, and possibly helping out at the events, such as selling CDs or page turning
– Daily maintenance and upkeep of the office
– Buying flowers, office stationery, kitchen supplies, etc., via petty cash
– Tidying the office before/after meetings and at end of the week
– Filing daily newspapers in storage
– Organising large CD/DVD collections

Opportunities of working with WildKat PR:
– Friendly, open-plan office
– Chance to do diverse things within the role, and expand your skill set quickly
– Gain wider industry experience, not just PR
– Supportive colleagues and management welcoming your fresh ideas
– Personalised creative skills training and coaching
– Collaboration with mainstream brands and projects
– Office yoga, Friday drinks, the offer of several 6-hour working days per month

Person Specification
Essential
– A keen interest and passion in classical music
– Strong written and verbal communication skills
– Feel they will improve quickly and efficiently throughout the internship
– A creative mind
– An interest in new media
– Confidence and enthusiasm to share new ideas
– Self-motivated and keen to use initiative
– Sense of urgency, with skills to prioritise effectively
– Strong organisation skills

Desirable
– Previous experience in our industry
– Speak another language
– Study music, English or marketing/PR

Expenses: £400 per month

To apply, please send your CV and covering letter to james@wildkatpr.com with the subject title ‘WildKat PR Intern application’ by 5pm on 12th December 2016.

(Written on November 15, 2016 )

WildKat PR is extremely proud to announce our partnership with the Academy of Ancient Music, one of Britain’s foremost period-instrument ensembles.

Founded over 40 years ago, AAM boasts a discography of 300 recordings, and has been an associate ensemble of the Barbican Centre since 2012. It is led by Music Director Richard Egarr—who celebrates 10 years at the helm during the 2016-17 season—and regularly collaborates with celebrated scholars and performers including Robert Levin, and Alina Ibragimova.

wildkat-pr-egarr

AAM and Egarr are known for their vibrant playing—‘transmitting the kick of an energy drink’ (Financial Times)—alongside the informed and crafted approach they bring to all they do. Its principal players (including Pavlo Beznosiuk, Bojan Čičić, and Joseph Crouch) take a leading role, giving the AAM its distinctive character, with many experienced voices adding to the mix.

AAM remain at the forefront of the historically-informed performance movement, and pride themselves on sharing little-known gems with a wider audience, evidenced in their latest release, the sonatas of Dario Castello.

wildkat-pr-aam

We look forward to working with AAM over the coming months as they look ahead to the launch of their 2017-18 season, and performances of Handel’s Messiah, Bach’s St John Passion, and Purcell’s opera King Arthur.

See Academy of Ancient Music’s website, Facebook, Twitter and YouTube, as well as WildKat PR Blog, for their latest news.

(Written on October 13, 2016 )

Gramophone

Jonathan Manners named chief executive of Academy of Ancient Music

Jonathan Manners replaces Michael Garvey, who leaves to become director of the BBC National Orchestra of Wales in December

Classic FM Online

Runners encouraged to ‘Beat Beethoven’ in charity race

Classical music-loving runners are being encouraged to run 5k or walk 2.75k in the time of Beethoven’s Symphony No. 5.

Ocarina-playing world record attempt under threat

A choir of schoolchildren hoping to break the record for the greatest number of ocarina players gathered together at one time are desperately seeking volunteers to help their attempt take place

The Telegraph

The Battle of Ideas: are we still able to listen to music properly?

The noise all around us is robbing us of our ability to hear, says Ivan Hewett

Let’s be upstanding for our hymns of praise

‘Worship songs’, feebly crooned to the sound of strummed guitars, are no substitute for the inspiring paeans of the past

CRI English

Experts Urge Classic Music Traditions Back in China

Scholars specializing in Chinese music traditions recently gathered in Beijing to discuss how the decline of classical music education, which also emphasizes ethical education, may cause many problems in contemporary Chinese society

The New York Times

As Downloads Dip, Music Executives Cast a Wary Eye on Streaming Services

As sales of CDs have plunged over the last decade, the music industry clings to one comfort: downloads continue to sell briskly as people fill their computers and iPods with songs by the billions

The Washington Post

Valentina Lisitsa: The pianist who won the Internet

Ukrainian pianist Valentina Lisitsa, 43, has dared to tamper with traditional formula, using YouTube as her empty stage

Klassik.com

Spannungen zwischen Stadtführung und Festspielleitung?

Diskussion um Einfluss der Stadt Bayreuth auf Richard Wagner-Festspiele

Classic FM Online

Classic FM Online

(Written on October 21, 2013 )

Guardian

Australian Chamber Orchestra unveils interactive tablet experience 

New musical experience involves screening a pre-recorded performance during which spectators use an app on a tablet console to control which musicians can be seen and heard.

Science Daily

Professional French Horn Players in Danger of Developing Noise-Induced Hearing Loss

A new study found new evidence that French horn players are one of the most at-risk groups of developing noise induced hearing loss among professional orchestral musicians.

The Star Tribune

Talks intensify as Minnesota Orchestra dispute faces weekend deadline

As the two sides engage in confidential talks, new private and public fundraising efforts are being explored as a bridge.

The Telegraph

Why the early music movement got it wrong

Richard Egarr, the director of the Academy of Ancient music, talks to Ivan Hewett of new thinking on old composers.

BBC News

Classical music is ‘all in the mind.’

A Brazilian computer scientist and composer has remixed Beethoven to try to demonstrate how individuals hear things in varying ways.

Charlotte Church to deliver BBC 6 Music Peel Lecture

Singer Charlotte Church will tackle the role of women in the music industry when she delivers BBC Radio 6 Music’s Peel Lecture next month.

Classical Music Magazine

Yamaha piano selection days: returning to Southbank, and coming to Liverpool

Following the success of last year’s Yamaha piano selection sessions initiative, at which Yamaha took over a section of London’s Southbank Centre to showcase its range of pianos to potential buyers, the company will be running sessions at the Southbank Centre on 11&12 October and at Liverpool’s St George’s Hall on 17&18 January 2014.

Die Zeit

Hinterhäuser übernimmt Salzburger Festspiele

Die Salzburger Festspiele haben einen neuen Leiter: Ab 2017 führt Markus Hinterhäuser das renommierte Festival. Mit ihm soll wieder mehr Qualität kommen.

Science Daily

Science Daily

(Written on September 26, 2013 )