Posts Tagged ‘arcola theatre’
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We’re very pleased to be working with composer Keith Burstein on a PR campaign ahead of the world premiere of his new work The Prometheus Revolution, performed as part of the Grimeborn Opera Festival 2018 (Arcola Theatre).

Keith Burstein was born in Brighton to a musical family; both his parents were classical violinists who played for Sadlers Wells Ballet, Royal Philharmonic Orchestra, BBC Ulster Orchestra, Orchestra of the Royal Opera House and the Hallé Orchestra.

Burstein held two scholarships at the Royal College of Music in London where he studied composition with Bernard Stevens and John Lambert. Post-graduation, he continued his composition studies with Jonathan Harvey. Between 1983 and 1991, Burstein led contemporary music ensemble the Grosvenor Group. He has since won the very active support of major mentors to him, Vladimir Ashkenazy and Arvo Pärt.

Described by The Telegraph as “an ardent new romantic post-modernist”, Burstein composes uniquely tonal music, reflecting his optimism for the future of humanity. His controversial views on modern contemporary music have earned him notoriety amongst his contemporaries, having stated previously that “tonality is the universal alphabet of music”.

Burstein’s opera Manifest Destiny premiered in 2004 in London, garnering controversy for its handling of the topic of Middle Eastern suicide bombers renouncing violence.

© Fulham Opera 2018

The Prometheus Revolution has been inspired in part by the 2012 Occupy movement’s “99% vs the 1%” ideology, and with a focus on peace and disarmament, will commemorate the centenary year of the end of World War I.

Set in the near future, the opera opens with the UK in meltdown in the aftermath of the fascistic Prime Minister and his wife taking poison, soon replaced by another shadowy authority figure. When two trillion pounds go missing from the City of London, the army is poised to take control of the anticipated mayhem.

Presented by Fulham Opera, performances will be on the 7, 8 and 10 of August, and tickets can be purchased from the Grimeborn website. Keith has completed a commission for the London Chamber Orchestra which will be premiered in their 2019-2020 season.

(Written on June 21, 2018 )

WildKat PR are excited to announce our new client BitterSuite!

“BitterSuite symphonies allow you to remain powerfully in the moment by teasing your senses in time with the music…This is a concert where you don’t just listen to the music – you taste it, smell it and feel it as well.” Lyndsey Winship, The Guardian

BitterSuite are exploring how to re-imagine the classical concert through the use of all of the senses. Inspired by graphic notation and synaesthesia, Creative Producer Stephanie Singer created the company to explore new ways of thinking about and approaching classical music. Their concerts are intimate: audience members are blindfolded and led by a performer through a personal multi-sensory experience.

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Collaboration is key to BitterSuite’s ethos – partnerships to date include creating a multi-sensory experience by and for deaf and blind audiences with Sense UK, and engaging vulnerable young people and disadvantaged communities through workshops using innovative sensory techniques. All their performances have sold out including venues such as Vaults in London, Wilderness 2015, Nesta’s Future Fest 2015, Arcola Theatre, Round House 2015 and Rich Mix London. Their next concert will be on 23rd July at The Other Art Fair in Bristol. Further performances will be at  Wilderness Festival, Old Truman Brewery London and Brooklyn Academy of Music.

BitterSuite_Concert

Keep up to date with news from BitterSuite through their websiteTwitter, Facebook, Instagram and, as always, through the WildKat PR blog.

(Written on June 20, 2016 )

Summer is always a busy time of year in the music world. With the Proms in full flow and festivals popping up everywhere, the past few weeks have been pretty busy for all of us here at WildKat PR too! We wanted to share with you select highlights of what we’ve been up to in our London and Berlin offices…

Festivals

One of the most exciting events we have been working on this summer is the Tête-à-Tête Opera Festival. With over 100 performances, from Tim Benjamin‘s dark double-bill Life Stories to a flashmob in King’s Cross, it’s no wonder the festival was listed as number one on BBC Music Magazine’s Unmissable Events for August 2015.

Tete-a-Tete blog

Tête-à-Tête pop-up opera

Next came Grimeborn and Constella Ballet & Orchestra‘s Clown of Clowns – a circus-themed operatic and balletic spectacular featuring Schoenberg’s Pierrot Lunaire followed by Leo Geyer‘s jazz-inspired Sideshows. Despite the tube strikes, we battled our way across London to the Arcola and are very glad we did, as this show received glowing reviews from audience members and journalists alike.

Clown of Clowns blog

Clown of Clowns, Arcola Theatre

We were lucky to have two clients performing at this year’s Wilderness Festival, Matthew Sharp and Avi Avital. Matthew’s performance with Opera North was exhilarating, featuring devils and fire dancers and Avi left the audience calling for an encore!

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Wilderness Festival, Cornbury Park

Proms

The Mahler Chamber Orchestra has had a busy season at the BBC Proms this year. We were stunned to see the connection between the musicians and the wonderful Leif Ove Andsnes directing from the piano. It was also a very emotional evening since this was the last time they were performing the Beethoven journey together.

MCO blog

Mahler Chamber Orchestra at BBC Proms. Credit: Paco Varoch

And the promming fun didn’t stop in London… We travelled down to the Bristol Proms to see the Sacconi Quartet in Heartfelt – an extraordinary production which allowed audience members to hold a robotic heart or ‘chestahedron’ and monitor the musicians’ heart rates as they performed.

Heartfelt blog

Sacconi Quartet ‘Heartfelt’ concert

We have also been making the most of £5 promming tickets and particularly enjoyed Prom 35, The Story of Swing – described by Rhian as one of the best concerts she’s ever been to!

Office News

And life inside the office has been almost as busy as our concert schedule!

With both the London and Berlin offices recruiting, it has been a month of advertising vacancies, reading CVs and interviewing. Now that the whole process is over, we are pleased to welcome new account manager Anja in Berlin and look forward to Victoria joining us next month.

We have been darting around, accompanying clients to In Tune, Resonance FM and London Live broadcasts, our new in-house photographer has been taking photos at events and we’ve run industry open sessions at Handel House and Guildhall.

Open sessions blog

WildKat PR Industry Open Session at Handel House

We’ve also been travelling further afield, with Carolin in New York with the Mahler Chamber Orchestra, Sarah in Amsterdam with enoa and Olivia and Carolin off to Switzerland for the Gstaad Menuhin Festival.

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New York. Credit: Carolin Denz

It has been a summer of new beginnings, with new and returning clients David Pearl, Constella Ballet & Orchestra, Marina Baranova, Yijia Zhang, Nina Brazier, Katherine Bryan, JSL, Rachael Young, Ensemble Perpetuo, Damian Marhulets, Raymond Yiu, Anneleen Lenaerts and Hideko Udagawa.

We also celebrated the birth of two beautiful babies – Anna’s little girl Greta and Kat and Alan’s baby boy Charlie!

We have a lot of exciting events coming up in the next few weeks, so as always keep an eye on our blog and Twitter for updates!

All photos in this post (excluding credited images) were taken by in-house photographer Rhian Hughes.

(Written on August 20, 2015 )

WildKatPR is excited to introduce our newest client, Constella Ballet & Opera in the run up to their performances of ‘Clown of Clowns’ as part of the Grimeborn Opera Festival this August.

This two-part operatic and balletic circus spectacular ‘Clown of Clowns’ takes the audience on a rollercoaster ride of emotions, following  Pierrot the clown’s quest to gain a place amongst the other Sideshows acts – a story told through new choreography and Schoenberg’s iconic score.

Sideshows features conductor and composer Leo Geyer‘s explosive jazz-inspired score. Broadcast on Radio 3, it was also described as, ‘what modern opera should be, complex yet approachable, highly characterised and brilliantly realised’ by Planet Hugill in 2014.

Dancers, singers and instrumentalists will come together on the stage, all in character – just an arm’s reach from the audience, promoting an immersive and intimate experience for all involved as this show spirals out of control!

We are very much looking forward to working with Constella on this exciting and innovative project. Keep checking the WildKat PR blog for updates as well as the Constella website.

Performances will take place at 20.00 every night from 4th – 8th August at the Arcola Theatre and can now be purchased on the Arcola Theatre website.

Clown of Clowns

Photo credit: Constella website

(Written on June 26, 2015 )

Having been performed in Todmorden, Halifax and London, reviews for Tim Benjamin’s latest opera Madame X have come flooding in. Madame X is a highly entertaining and theatrical opera, inspired by art works and music spanning not only musical history, but also the world. We have put together a selection of audience reviews to give you a taste of the show, ahead of the performance in Manchester on the 25th September.

B Stevenson said that Madame X was ‘Very funny, very dark and very moving’, deserving ‘wide recognition’, while Chris Bennett said that having seen Madame X it ‘will encourage me to see contemporary opera in the future’, which is fantastic news for festivals that promote new works such as Grimeborn. 

S Lester gave 4 stars and said ‘A very entertaining and enjoyable pastiche of 18th century opera with modern overtones’, picking up on Madame X’s stylistic influences. E Hancock suggested that Madame X was ‘witty and bitingly satirical’ and J Finnerty wrote that ‘several days after the performance and I’m still thinking about issues raised and revisiting parts of the opera in my head to enjoy them again’.

And the highest praise yet comes from Ray McArthy who said ‘the harshest critic I know, my mum, thoroughly enjoyed the show. High praise indeed’!

Many of those who have given feedback awarded 4 or 5 stars to Madame X, and you can leave your own feedback here.

The next performance of Madame X will take place on 25th September 2014 at the RNCM Theatre. You can purchase tickets here.

For more updates on Madame X visit the website, Twitter or Facebook.

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(Written on September 1, 2014 )