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Classical News

In today’s news: BBC Radio 3 and the Arts and Humanities Research Council (AHRC) have announced ten academics selected for the 2017 New Generation Thinkers scheme, and the Edinburgh International Festival has announced the programme for its 70th anniversary season. A portait of 25-year old cellist Harriet Krijgh, and the New York Philharmonic announced next president and chief executive officer: Deborah Borda, and conductor Kurt Masur wants the International Kurt-Masur-Institute to subsist for younger generations.

Classical Music Magazine

New Generation Thinkers 2017 revealed

BBC Radio 3 and the Arts and Humanities Research Council (AHRC) have announced ten academics selected for the 2017 New Generation Thinkers scheme.

Edinburgh International Festival announces 70th anniversary season

The Edinburgh International Festival has announced the programme for its 70th anniversary season, which will take place 4-28 August.

Music Business Worldwide

Abbey Road Studio Launches Two New Recording Spaces

Abbey Road Studios is bidding to attract “a whole new generation of artists” with a pair of new studios which open in London this week.

The Stage

Disney to fund black musical theatre students at Royal Academy of Music

Three students will receive full scholarships for the school’s one-year postgraduate course, thanks to money from Disney Theatrical Productions.

Die WELT

Das sind die schönsten Stellen der Beethoven-Sinfonien

Hier klopft nicht nur das Schicksal: Ein subjektives Listical unserer Lieblingspassagen der neun Sinfonien Beethovens.

concerti

Kein Wunderkind

In aller Bescheidenheit erarbeitet sich die 25-jährige Cellistin Harriet Krijgh großen Ruhm

Durch die Kraft der Musik

Über Generationen hinweg war der Dirigent Kurt Masur mit seinem humanistischen Gedankengut ein wichtiger Impulsgeber. Seine Überzeugung will das Internationale Kurt-Masur-Institut auch für nachfolgende Generationen lebendig halten

Die Morgenpost

Ensemble saust mit angelegten Ohren durchs Finale

Dirigent Teodor Currentzis mit MusicaAeterna im Konzerthaus

The New York Times

A New York Philharmonic Coup: Deborah Borda Is Named the New Leader

So it was nothing short of a coup for the troubled Philharmonic to announce on Wednesday that it had poached one of the most successful arts administrators in the nation to become its next president and chief executive officer: Deborah Borda

The Charlotte Observer

Unclassifiable Black Violin keeps kicking down musical walls

The answer for Black Violin has always been all of the above.

Twitter

Music History @today_classical in 1894 FP of ‘s opera Thais at the Paris Opéra, in Paris.

Klassik in Berlin @KDCBerlin Berliner Bühnen mit leichtem Besucherrückgang

Kurt Masur © Christian Steiner

(Written on March 16, 2017 )

Ensemble BPM are proud to announce the brilliant performers that will be joining them for their production of Steve Reich’s video opera in April.

Incorporating live orchestra and singers, sampled audio, re-processed historical film and interviews with prescient cultural thinkers, Three Tales is a video opera that examines man’s deepening relationship with technology.

Joining Ensemble BPM on 22nd and 24th April will be the Ligeti Quartet (Patrick Dawkins, Phillip Granell, Richard Jones and Valerie Welbanks), percussionists Dave Burgoyne and Oliver Butterworth as well as vibraphone players Oliver Lowe and Tom Lee, and pianists Nathan Mercieca and Katherine Tinker.

The group are also proud to be working with Sound Intermedia and Synergy Vocals on the production.

The production will be presented in association with a conference at the Institute of Historical Research entitled Being Modern: Science and Culture in the early Twentieth Century. The first performance, on 22 April 2015, will mark the centenary of the first use of chemical weapons in warfare.

Ensemble BPM is only the second group to stage Three Tales since the work’s 2002 premiere. The production will be conducted by Artistic Director Nick Sutcliffe, directed by Matthew Eberhardt and produced by Amanda Carrick. It is supported by the London Science MuseumArts Council EnglandArts and Humanities Research Council – AHRC and The Hinrichsen Foundation.

 

(Written on March 30, 2015 )