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In today’s news: Composer Oliver Knussen dies aged 66 after a short illness, Jeremy Wright replaces Matt Hancock as DCMS following “Brexodus”, and Love Islanders get a dose of classical music. Hamburg State Opera releases audience numbers for 2017/18 season. Rudolstadt-Festival for folk, world and roots music. The underwater concert to raise environmental awareness. Five finalists for directorship of Palus de les Arts in Valencia. The sound island in Madrid encouraging children to create music as they play.

The Guardian

Composer Oliver Knussen dies aged 66

British composer and conductor Oliver Knussen has died age 66, his publisher has announced.

The Drum

Jeremy Wright appointed new secretary of state for digital, culture, media and sport (DCMS)

The MP used to play the trumpet, “but can barely get a note out of the instrument these days”.

Classic FM

Love Island and classical music: what’s been played on ITV2 so far?

Classic FM have noticed that a few pieces of classical music have cropped up in Series Four of Love Island, 2018. Here are all the pieces they’ve used so far.

EurekAlert

The ideal of equality makes opera thrive in Finland

The number of operas composed during the 21st century is higher than during the 150-years of previous Finnish music history.

Bloomberg

Huawei Takes a Trip to the Opera in a Break From Trade Wars

Deputy Chairman Ken Hu is heading to the French capital to unveil a technology partnership involving a 900,000-euro ($1 million) investment over three years into a content-sharing platform at France’s national opera company.

Süddeutsche Zeitung

Konzert für Fische und Korallen

Tauchausrüstung oder Schnorchel waren ein Muss beim Unterwasser-Festival vor den Florida Keys. Die am einzigen lebenden US-Korallenriff abgespielten Rhythmen sollten die Aufmerksamkeit auch auf den Schutz des Ökosystems lenken.

Klassik Heute

Hamburgische Staatsoper gibt die Besucherzahlen der Spielzeit 2017/18 bekannt

Mit der Vorstellung der 44. Nijinsky-Gala des Hamburg Ballett am vergangenen Sonntag, den 8. Juli 2018, ging die Spielzeit 2017/2018 der Hamburgischen Staatsoper zu Ende.

Bayerische Rundfunk

Ruth-Preis an Ethno-Jazz-Sängerin

Zehntausende sind am vergangenen Wochenende zu rund 300 Konzerten ins thüringische Rudolstadt gereist.

Platea Magazine

Dos españoles, dos italianos, un alemán y un argentino, finalistas para dirigir el Palau de Les Arts

Tal y como publica el periódico Las Provincias, el Palau de Les Arts ya contaría con cinco finalistas para dirigir el coliseo, tras la dimisión de Davide Livermore.

El País

Una isla sonora para jugar a través de la música

Un volcán sonoro se ha instalado en Matadero. Está ubicado en una isla en la que todos los elementos que la conforman hacen ruido y, en conjunto, producen música.

Twitter

© Press Association

(Written on July 10, 2018 )

– “Artistic work is only a pretext for becoming free, and it may be that it is not completely possible in this world to have freedom. In art and in fiction, I can do what I cannot in reality. It is a way to expand on the possibility of freedom.” Hayoun Kwon (participating artist “Non-sense music; borders”) –

We are thrilled to be supporting the upcoming Korean Interdisciplinary Arts Festival „Non-Sense Music #2; Borders“ and many other inspiring projects and events in cooperation with the Korean Cultural Centre in Berlin.

The Korean Cultural Centre is the cultural department of the Embassy of the Republic of Korea in Germany, headquartered in Berlin under the Ministry of Culture, Sports and Tourism of the Republic of Korea (MCST). Its aim is to promote Korean culture and facilitate cultural exchanges to introduce and generate interest in the many diverse aspects of Korean culture.

The Centre organises many programmes, events and courses under the categories of arts, music, literature and film. It creates an active place for cultural mediation. An item of great importance is the organisation and support of cultural events with Korean participation throughout Germany by working closely with the relevant institutions of both countries.

Permanent and alternating exhibitions can be seen in their own premises, at their Gallery damdam and at other external exhibition spaces. In the field of music the Centre curates a wide range of events: from Young Korean talents, the JazzKorea Festival to the International Younghi Pagh-Paan Composition Prize and lunchtime concerts in the “Pavillon der Einheit”.

We begin our campaign with an in-house exhibition by the interdisciplinary and Berlin based, but Seoul born artist, kate-hers RHEE. Her arts project “I like Korea and Korea likes me” will feature at Gallery damdam from 26th April – 16th June 2018.

This solo exhibition is curated by Kahee Jeong and presents two of her projects: the “deutschsprachliche Projekt” and “Transkoreaning” plus some artworks that were especially created for this exhibition. Identity and language are the essential themes in the work of kate-hers RHEE. Her art is transgressive, performative and plays with her “otherness” as an American raised woman with Asian roots in various cultural contexts.

 

 

We look forward to also supporting the Korean Interdisciplinary Arts Festival „Non-Sense Music #2; Borders“. This ten-day interdisciplinary arts festival takes place from 11th May – 20th May 2018 at Kunstquartier Bethanien and explores the politics of space through the micro-history of six Korean artists. Curated by Seoul born Joanne Kim, the artists Nahoon Park (Choreographer, Performance), Soyoung Chung (Video, Performance), Hayoun Kwon (VR), Ryu Biho (Installation, Performance), Helena Parada Kim (Painting) and Kim Hwang (Installation, Documentary film screening) transform the circumstances and conditions of time and space into songs, performance and visual delights.

The multicultural upbringing of Helena Parada Kim – she is half Korean and half Spanish and grew up in Germany – fuels her creative inspiration in various ways. She uses photographs of members of her mother´s family to create her artworks. Using family portraits as fundamental inspiration for her paintings, allows her to present a multidimensional homage to Korean traditions and culture.

 

Helena Parada Kim: Nurses and cranes, 180×250 cm, oil on linen, 2017

 

Artist Hayoun Kwon on the other hand, specialises in film work. At Non-sense music, she exhibits the animated political documentary “489 Years”, a film grounded in personal stories and linked to geopolitical questions of borders and territoriality. With virtual reality glasses, we are being taken to the Korean Demilitarized Zone (DMZ), a strip of land running across the Korean Peninsula to serve as a buffer zone between North and South, immersing us in the personal memories of a soldier. Hayoun Kwon’s film allows us to see a forbidden place, where nature has totally reclaimed its hold.

The WildKat team is very excited to be working alongside the Korean Cultural Centre in Berlin and its many cultural and artistic projects to come, including an in-house exhibition of Thearesa Cha (September 2018), the Grassimesse Leipzig (October 2018) and the Jazz Korea Festival (November 2018).

 

(Written on April 20, 2018 )

The first podcast from Noted has been released, following the Noted Roundtable on Inclusion and Diversity.

Noted Round-ups are short podcasts that follow the Noted Roundtables – an international series which looks to bring about change in the performing arts industry through discussion and implementation. Through Noted, we want to generate new solutions to industry problems, not just with our own industry members and artists, but with brand leaders from different fields, and also—most importantly—the audience! The Roundtables bring together this unique combination of stakeholders on an equal footing.

The very first Noted Round-ups episode is a discussion on what was originally “diversity”, but now referred to as “inclusivity”. Here we discuss minorities in the performing arts industry, focusing on those backstage (not on stage), covering race, gender, background, and more.

We came out of this session with the following action points:

  • When recruiting, be more explicit about what we don’t want or need (e.g. an arts degree), and present the image of our ideal candidate in the advertising
  • Either ensure that job titles clearly state what the position is, or make them more sexy and fun
  • Create inclusive communities in the performing arts administrative sector, spanning across both audiences and potential employees
  • Showcase the exciting elements of our industry, through podcasts, videos, partnerships with mainstream brands
  • Shake up internal systems – reverse mentoring, creative sessions led by interns, engage more with outside the industry

This episode is hosted by Kathleen Alder and Olivia Brown, produced and edited by Olivia.

Listen on all your favourite platforms now!

(Written on March 27, 2018 )

We’re delighted to announce the next Noted Roundtables in Berlin and London on 12th and 14th March 2018 respectively.

Following our initial roundtable on entrepreneurship, which attracted lots of interesting and detailed feedback, we’re very happy to announce our second topic for discussion:

International Women’s Day took places on Thursday 8 March 2018 and with it comes a huge number of initiatives and opportunities for women with the aim of equality across the sector. We want to explore these initiatives and start to develop solutions on how to diversify the administrative structure of the classical music industry to include more minorities.

As part of this discussion we want to find out how to target, engage, and support minorities (including those from BAME backgrounds, low socio-economic backgrounds, those with disabilities, women, and more).

Questions to be answered:

  • How can women in the industry help to diversify the sector even more, helping and supporting other minority groups?
  • What can “woke” male-led companies do to bring in a more diverse workforce?
  • Where does the lack of diversity in the classical music industry start? Is it in the classroom? How can we remedy that?

Rather than discussing the problem, we want to find the solutions.

A huge thank you to our client, the Royal Over-Seas League, for hosting us in one of their beautiful rooms in London. Why not check out ROSL’s Annual Music Competition on Tuesday? Details here.

Also we’re very grateful to Idagio for hosting us in Berlin. We’re sure that you know them already but if you’ve somehow missed this impressive, sleek streaming platform, check them out here.

Sign up for Berlin and London and let’s #PressForProgress!

(Written on March 9, 2018 )

In today’s classical music news, veteran actor Dame Julie Walters will join the presenter lineup at Classic FM for a new Saturday show, Chineke! boosts BME representation in UK musical ensembles, YouTube Red launches internationally and Winnipeg Symphony appoints new Musical Director.

Rhinegold

Julie Walters to present Classic FM series

Actor will host a new six-part Saturday night radio series exploring the biggest moments and changes in the history of classical music.

Yorkshire Young Sinfonia introduces digital programme notes

Audience members at YYS concerts will soon have the option to have ‘real-time’ programme notes sent to their phones.

The Times

Peer swoops in to save opera’s fairies

The director of English National Opera’s production of Iolanthe has revealed that Lord Glendonbrook stepped in at the last minute to foot the bill for some of his creative demands.

The Telegraph

‘Classical music is finally getting somewhere with its race problem’

Chineke! leads the way for much-needed BME diversification among youth and professional ensembles.

Joyce DiDonato: how can we claim opera isn’t political?

Star mezzo-soprano tells reporter Ben Lawrence how researching a work about ‘Death Row’ deepened her love for opera

The Star

Ambition for Sheffield to hit the right notes in classical music

Classical music is thriving locally, with an ‘astonishing amount going on’, a report says – but players, ensembles, schools and charities need support to create ‘a more sustainable industry with a wider and deeper reach across Sheffield, for residents of all ages’.

Pizzicato

Winnipeg Symphony has appointed Daniel Raiskin as Music Director

Canadian Winnipeg Symphony Orchestra (WSO) announced that Russian-born conductor Daniel Raiskin (*1970) has been named Music Director from August 1, 2018, succeeding Alexander Mickelthwate who served as Music Director since 2005.

Concerti

Die offiziellen Top 20 Klassik-Charts im Februar 2018

Riccardo Muti und die Wiener Philharmoniker landen mit ihrer Aufnahme des Neujahrskonzerts 2018 auf dem ersten Platz der Klassik-Charts.

NMZ

Immer mehr Rentner lernen an Thüringens Musikschulen

An Thüringens Musikschulen lernen immer mehr Schüler, die bereits im Rentenalter sind. Zwischen 2012 und 2016 hat sich die Zahl der Erwachsenen über 60 Jahre von 246 auf 420 erhöht, wie der Landesverband der Thüringer Musikschulen auf Anfrage der Deutschen Presse-Agentur mitteilte.

Klassik Heute 

Andris Nelsons: Amtseintritt als Gewandhauskapellmeister in Leipzig

Am 22. Februar tritt Andris Nelsons offiziell das Amt des 21. Gewandhauskapellmeisters an und läutet damit den Beginn einer neuen Ära in der Geschichte des Leipziger Gewandhauses ein.

Le Monde

YouTube va déployer son offre payante en France

YouTube Red, l’offre payante de la plate-forme de streaming musical et vidéo devrait être disponible dans une centaine de pays cette année.

Twitter

@MusicMagazine: Fr Lnt, w hv dcdd t gv p sng vwls n Twttr. W hp y dn’t mnd. http://bit.ly/2BvYfoH 

© Chineke! Juniors

(Written on February 15, 2018 )

It’s been an incredibly busy year at WildKat and we are so excited to continue our successes into 2018. As always, we’ve tried to pack as much as we can into a blog post for you all. The projects and clients mentioned below are a tiny portion of our highlights – Enjoy! 😊

First, a message from our Founder, Kat, who is already in the Austrian alps, ready to start the holidays:

“2017: you beast! I must admit I am quite glad to see the back of it… We launched and worked on so many projects and events, it felt like we somehow skipped the usual “quiet periods”. It has certainly been a challenging year; the uncertainty of the cultural and creative industries was felt across our sector and so internally we had to rethink our offerings, our staffing and general structure.

We have had some fantastic new clients and projects signed up to WildKat. Some personal highlights have been:

And so many more.

Mostly this year has been for me expanding the WildKat offices, opening a new one in Paris next year and working on our non-profit arm, Noted.

I have travelled for both companies to all corners of the world, and have had some great meetings and events take place, centred around the ethos of sharing and forwarding our industry. I think there is amongst all the anticipation on what future events (including Brexit, US etc) will bring a sense of renewed movement forward. I am encouraged to see so many positive ideas. The Noted Fellowship is in the next stage with announcements to follow in the New Year and our roundtables have come to life in Berlin, London and New York with fascinating thoughts and exchanges. My vision of having the newly graduates give the artistic director ideas on the future of our sector, is coming to life and its VERY rewarding!”

 

Internally we also have some great news:
  • Carolin is embarking on the ultimate WildKat perk: a 2 month paid sabbatical to New Zealand. (We are all just a tad jealous (“a tad” is putting it very lightly!! – Olivia)
  • Great staff have joined our teams all over the world, waving at at Eliza, Rachel, Alex, Nicolo, Maddie, Katja, and our continually growing pool of freelancers, consultants, and collaborators
  • Olivia was promoted to our UK Director and is, as expected, thriving in her new role. She also hits the 5 year anniversary mark next year and will at some stage embark on her sabbatical

Olivia says, “2017 has been a pretty turbulent year on all counts – whilst we have celebrated some truly inspiring projects, and championed everything that is BRILLIANT in our sector, and what it has to offer, we have all had to face a heavy and consistent hailstone of, let’s face it, awful news in the general media and across socials.

Saying this, one thing that our sector does best is use these events to inspire creativity, and to reflect and respond using our art and passion. Following the development of the “B-word”, we had the hilarious “The United Kingdom of Earth: A B***** Opera” at Tête à Tête’s 10th festival. Soosan Lolavar’s “ID, please” had its UK premiere at the same festival, reflecting on Trump’s travel ban. Ariana Grande sold out the Manchester arena for a benefit concert, following the bombings. There are many, many more examples, and there will continue to be.

As we look ahead to 2018, it’s important to remember the important of collaboration, cooperation, and participation. We have had such fresh ideas in discussion and have started to make change happen. We want to continue to work together, create conversations, involve diverse & conflicting voices, and create progress for classical music and the arts. I’m so excited for what is to come…”

Olivia visits New York for the first time!

Before Carolin heads off on her travels, she says, “Launching the Noted Fellowship this year was a real highlight, and I was so inspired to see all the innovative ideas that came through the application process. The only downside was choosing who would go on to stage 2. Good luck, everyone!

I’m very excited to make the most of my 2-month sabbatical, part of the WildKat perks, to not only have a long holiday (!) and travel the world, but also to return to the company and the industry with a refreshed and revived perspective.”

We are all really looking forward to 2018, particularly as we are celebrating 10 years of WildKat with a big party (joint with Music in Offices – happy birthday to you too!) and lots of fun events.

Thank you to everyone: clients, industry, friends, colleagues – the ones who champion us, critique us, support and dismiss us. We love you all and we look forward on what’s to come!

Happy holidays! 🎄🎄🎄

(Written on December 22, 2017 )

WildKat PR offers a training fund to all members of staff to help them learn new skills, develop their interests, and also to bring something new back to the team. James Hardie returned to his home city of Edinburgh last month to attend International Festival Encounters. Read about his experience below:

I used my WildKat training fund this year to attend International Festival Encounters.  It is a week-long course run by the Edinburgh International Festival in conjunction with the University of Edinburgh and the Royal Conservatoire of Scotland.  The aim is to bring together artistic entrepreneurs with leading industry members and academics from all over the world.

It was truly ‘international’.  Amongst the participants were producers, writers, actors, programmers, and performers from Australia, America, Russia, South Africa, Denmark, Hong Kong, Singapore, India, and the UK.  It was a wonderful melting pot of different perspectives and experiences from both young and old, all taking place under the watchful eye of Edinburgh Castle.

We were treated to five productions over the week, including dance, theatre, and opera.  My own highlight was seeing the Nederlands Dans Theater, who performed a show in three segments with scores by Max Richter and Philip Glass.  The middle segment—a haunting series of scenes as a dying man recalls his life’s regrets—was like watching a film; the way the dancers manipulated their bodies brought to mind ‘The Exorcist’.

After each performance, we were given the opportunity to reflect critically on what we had experienced.  After seeing Gianandrea Noseda conduct the Teatro Regio Torino in a somewhat confused production of Verdi’s Macbeth, Kate Molleson (music critic for the Guardian) guided us through our reactions, whilst also giving us a fascinating insight into the dual role of the music journalist as both critic and evangelist.

There were two ideas that have really stuck with me from the course.  Firstly, the idea that financial constraint inspires creativity.  This was most effectively expressed for me by a participant from Russia, who used the phrase, ‘the artist must be hungry’, encouraging enterprise from a position of deprivation.  The second idea concerned caring for and looking after an audience.  The creator of a particularly moving production called ‘Flight’ spoke about the audience leaving an incredibly intense and personal experience in the theatre, and re-joining the busy outside world, and the steps they took to ease this often difficult transition.

My fellow participants were a really inspiring bunch, and I learnt just as much from them as I did the experts.  I’m certain I will collaborate with them again in the future. The training fund is an amazing perk to have, available to us all here at WildKat once a year, and I’m very grateful to have been afforded this opportunity.

(Written on September 25, 2017 )

In today’s news: Composer Jeremy Dale Roberts dies aged 83, and Simon Rattle offers his top advice to young conductors. Audio streaming becomes more and more important, Germany financially supports 31 orchestras, and soprano Brenda Lewis has died.

Classic FM

‘Conducting is hard – it doesn’t get easier’

Simon Rattle starts his new role as Music Director at the London Symphony Orchestra this month. So as he packs his pencil case for his first season in charge, we spoke to him about getting over nerves, the best piece of advice he’s ever been given and why the future is bright for classical music.

The Times

Jeremy Dale Roberts: Distinguished composer considered to be the master of miniature compositions

Cannibalism may not be the first word that comes to mind when talking about a classical composer, but it was how Jeremy Dale Roberts described the creative process when writing for gifted musicians in his circle. “[I] draw upon their temperament and behaviour in the narrative of the music: to absorb their presence,” he told a contemporary music website. “A rare form of cannibalism, maybe.”

The New York Times

High Tech Meets High Art in a 3-D Opera

As a boy soprano in the youth opera company that his parents ran in their small town, the Dutch composer Michel van der Aaonce accompanied his father to the clockmaker who was painting a set for them. What he saw, he recalled recently, was revelatory.

Good House Keeping

Target Has Never Played Background Music, Until Now

While the company has avoided it for decades—believing it to be a distraction—they’re introducing a soundtrack of more than 1,500 songs from the likes of Taylor Swift to Stevie Wonder to keep you in stores longer and hopefully revive their flagging sales in the process.

Limelight

Australian guitarist placed third in prestigious ARD Competition

Andrey Lebedev also took the prize for his performance of the commissioned work at Germany’s top music contest.

Pizzicato

Marin Alsop wins 2017 Ditson Conductor’s Award

Marin Alsop, Music Director of the Baltimore Symphony Orchestra, is the recipient of the 2017 Ditson Conductor’s Award for the advancement of American music, Columbia University has announced.

NMZ

IFPI stellt neuen Music Consumer Insight Report vor: Audio-Streaming für Musikkonsum weltweit immer wichtiger

Urheberrechtsverletzungen bleiben für die Musikindustrie weltweit eine zentrale Herausforderung: 40 Prozent der Konsumenten hören Musik über nicht-lizenzierte Angebote.

Kultur Radio

Bund fördert Orchester in Konstanz, Bochum und Jena

31 Projekte öffentlicher Orchester erhalten über das Programm “Exzellente Orchesterlandschaft Deutschland” insgesamt rund elf Millionen Euro Bundesförderung.

Klassik.com

Sopranistin Branda Lewis gestorben

Die US-amerikanische Sopranistin Brenda Lewis ist tot. Sie starb im Alter von 96 Jahren an ihrem Wohnsitz in Westport (Connecticut).

Twitter

Classical Music News   A new direction – and a call for guest posts

Music History   in 1920 Birth of Karen

Classical Music News   Meet the Artist……Jason Rebello, pianist

Image: Jeremy Dale Roberts

(Written on September 19, 2017 )

In today’s news: Opera star Anna Netrebko talks about her life, loves – and cancelling at Covent Garden, and Canadian mezzo Emily D’Angelo wins Cesti Competition 2017. Houstan Grand Opera under water, Staatsoper Hamburg looks for young musicians, and Fabien Gabel new musical director of Orchestre Français des Jeunes.

The Telegraph

Anna Netrebko: ‘My husband just thought I was a crazy prima donna’

Europe’s queen of opera tells Rupert Christiansen about her life, loves – and cancelling at Covent Garden

Teaching Drama

Shakespeare’s Globe launches new apprenticeships

In a fresh bid to enforce its commitment to equal opportunities and arts access for young people, Shakespeare’s Globe in June launched four year-long apprenticeship programmes, to run from September.

Pizzicato

Canadian mezzo Emily D’Angelo wins Cesti Competition 2017

More than 170 young singers from 39 nations applied for the prestigious singing competition for Baroque opera, organized by the Innsbruck Festival of Early Music.

Classic FM

Titanic is the biggest-selling classical album of the last 25 years

The score for the 1997 blockbuster film Titanic, composed by the late James Horner, is the best-selling classical album of the last 25 years, according to the Ultimate Classic FM Chart, the biggest ever countdown of classical music album sales in the UK.

Limelight

Young Virtuoso Award NSW State Finals winner announced

Jennifer Hou will go on to compete at the National finals, while Toby Thatcher is named Patron of Emerging Artists.

NMZ

Sängerin in Bayreuth verletzt – Regie-Assistent spielt Brünnhilde

Ein Regie-Assistent im glitzernden Goldkleid als Brünnhilde auf der Bayreuther Festspielbühne: Zum Abschluss der Richard-Wagner-Festspiele am Montagabend musste improvisiert werden.

Klassik.com

Houston Grand Opera schwer von der Flut getroffen

Der Tropensturm “Harvey”, der im US-Bundesstaat Texas schwere Schäden verursacht hat, hat auch Oper und Ballett in Houston in hohem Maß in Mitleidenschaft gezogen.

Klassik Heute

Staatsoper Hamburg sucht junge Musikerinnen und Musiker für Kinderoper

Die Staatsoper Hamburg sucht für die Kinderoper Die arabische Prinzessin in der Reihe opera piccola Kinder und Jugendliche zwischen 14 und 20 Jahren, die bei den Vorstellungen im Februar 2018 mitwirken wollen.

Le Figaro

Gammes d’été pour l’orchestre français des jeunes

La formation aborde sa session estivale et découvre Fabien Gabel, son nouveau directeur musical.

Twitter

in 1948 Birth of Italian Lucia -Terrani in Padua.  

Canadian mezzo Emily D’Angelo wins Cesti Competition 2017

(Written on August 29, 2017 )

In today’s news: Mass resignation of the Presidential Committee on the Arts and Humanities, Outrage as St Sepulchre’s stops taking bookings from musicians, and what tune does Big Ben chime? Bebersee Festival to open with family concert, Dudamel’s tour in Venezuela has been cancelled, and Andreas Ambühl has to give up music career.

The Times

La Scala’s Riccardo Chailly: how to run an opera house with a diva of an audience

Riccardo Chailly, music director of La Scala, explains how he handles the heckles at home, as his orchestra prepares to play the Proms

International Piano

Yamaha announces best-ever piano upgrade bonus

Yamaha has announced details of its annual piano upgrade promotion, which offers the company’s best ever part-exchange deals.

Apollo

Mass resignation of the Presidential Committee on the Arts and Humanities

In a letter sent on Friday, all the remaining members of the President’s Committee on the Arts and the Humanities resigned in protest at President Donald Trump’s refusal to condemn far-right protests in Charlottesville.

Classical Music Magazine

Outrage as St Sepulchre’s stops taking bookings from musicians

The church, where Sir Henry Wood is buried, is regularly used by ensembles such as the London Youth Choir and City Chorus, but will close its hiring programme from 2018.

Classic FM

What tune does Big Ben chime? And everything else you wanted to know about the country’s most famous bell

Before it’s silenced for four years because of restoration work, we’re delving into the history of the most famous clock tower – and bell – in the world

Limelight

Massenet, The Nose and Meistersinger headline OA’s 2018

Stars on offer include Nicole Car, Jessica Pratt, Leo Nucci, Ferruccio Furlanetto, John Tomlinson and Michael Fabiano.

Broadway World

Following Casting Controversy; Albee Estate Proves Diversity Is Allowed

As BroadwayWorld reported in May, controversy recently erupted over an Oregon production of Who’s Afraid of Virginia Woolf? Shoebox Theatre director Michael Streeter posted the below statement after receiving news from the Edward Albee estate.

Klassik Heute

Das Bebersee Festival eröffnet mit einem Familienkonzert

Das 15. Bebersee Festival eroöffnet in Kürze mit Beethoven und Goldberg-Variationen.

Musik Heute

Nach Maduro-Kritik: Venezuela streicht Tour von Stardirigent Dudamel

Caracas – Nach seiner Kritik an Staatschef Nicolás Maduro hat Venezuelas Regierung eine für September geplante Tour des Stardirigenten Gustavo Dudamel mit dem nationalen Jugendorchester gestrichen.

Codex Flores

Tinnitus beendet Berufsmusikerkarriere

In ungewöhnlicher Offenheit kommuniziert das Ensemble Tritonus über das Karrierende seines Mitglieds Andreas Ambühl – wegen eines unerträglich gewordenen Tinnitus.

Twitter

in 1878 Birth of Canadian Edward

Classical Music Magazine: Photo credit: Making Music

(Written on August 22, 2017 )