Posts Tagged ‘Berlin Staatskapelle’
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The new trailer for the ACCENTUS music production of Daniel Barenboim, Pierre Boulez and the Staatskapelle Berlin’s performance at the Philharmonie, Essen, is available to view on YouTube now. The programme is composed of:

Franz Liszt:

Concerto for Piano and Orchestra No. 1

Concerto for Piano and Orchestra No. 2

Consolation No. 3

Valse oubliée No. 1

Richard Wagner:

A Faust Overture

Siegfried Idyll

This exciting DVD is the first of the ACCENTUS Music 2012 new releases – the concert when live received outstanding reviews with The Daily Telegraph describing it as ‘A real miracle, like catching two starts in a rare celestial conjunction…no wonder the audience went into delirium at the end. They knew they’d witnessed something utterly extraordinary.’

The DVD and Blu-ray will be available from 27th February (UK), 20th February (Germany), 28th February (USA) and 6th March (France).

To view the trailer please see below:

(Written on January 18, 2012 )

Every day the WildKat team scan the newspapers and blogs online to bring you a digested list of the day’s classical music news.

LA Times

Cultural Exchange: The diplomatic view of classical music

US State Department cables released by WikiLeaks offer sometimes-vivid glimpses into cultural diplomacy involving musical performances abroad. By Marcia Adair.

Gramophone

The conductor Kurt Sanderling has died

Born September 19, 1912; September 17, 2011

BBC Proms celebrates ticket sales success

More than two-thirds of events sold out.

The Telegraph

Berlin Staatskapelle/Barenboim, Lucerne Festival, review

On its final weekend the Lucerne festival made an extravagant flourish with three concerts by Daniel Barenboim and his Berlin Staatskapelle orchestra. Ivan Hewett Reports.

Don Giovanni, WNO, Wales Millenium Centre, review

John Caird’s new production for Welsh National Opera seems devoid of any thoughtfulness at all, says Rupert Christiansen.

The Arts Desk

Faust, Royal Opera House

Simple but stunning McVicar production achieves a level of profundity that almost had reviewer Igor Toronyi-Lalic in tears.

(Written on September 19, 2011 )