Posts Tagged ‘Bill Bankes-Jones’
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We are delighted that tickets for Tête à Tête: The Opera Festival 2018 are now on sale and the programme is as daring and “scream-worthy” as ever.

“The Modern Prometheus” theme extends into the festival with more of a Black Mirror edge, following Tête à Tête’s collaboration with Royal College of Music earlier this year: WEAR is an immersive opera about time travel, high fashion, ecological disaster and love, taking place in The Crossing at King’s Cross; NIBIRU!, a concept album about the apocalypse, social networking and conspiracy theories; Vicky & Albert is the story of an app, which convinces people that the user has a boyfriend…

In what promises to be both hilarious and thought-provoking, audiences are given an insight into the trials and tribulations of being two and three quarters, with a double bill of two operas: I Do Need Me explores the intensity of emotion that small children experience; I’m Not A Bit Like A Clown is a playful work that captures the joy and freewheeling energy of a toddler, whilst exploring and exploding our received ideas of gender, offering a delightful child’s eye view of the world.

More opera, this time for children the story of a fossilised hippo from 250,000 years ago, involving an interactive workshop and opera, The Lost Box of Stories, presenting new music and storytelling with Mid Wales Music Trust.

Tête à Tête welcomes its first Artist-in-Residence, with Li-E Chen’s Proposition for a Silent Opera at an Invisible Museum – I am a museum, a development of the 2017 work that encompasses an art exhibition in the foyer of The Place between 16th – 18th August, plus performances throughout the week.

Cubitt Sessions open the festival again this year, offering free servings of opera for the King’s Cross area with BISHI, Errollyn Wallen, Juice Vocal Ensemble, plus Aubergine from Muziektheater Transparent, and Tête à Tête’s very own operatic disaster, TOSCATASTROPHE!

As always, taking a journey through the past with new opera eyes on, Mary’s Hand is an immersive, biographical take on Mary “Bloody Mary” Tudor (featuring playing cards); Love Me To Death is based upon Ruth Ellis, the last woman hanged in Britain, plus a new collaboration with the Wellcome Collection for Dear Mary Stopes, a story told through letters, responding to her controversial sex manual ‘Married Love’.

This year’s festivals offers operatic treats, both reflective and pioneering, from both long-standing Tête à Tête alumni and new companies and artists. With a focus on Artist Development and support, with the “For Artists” hub on the website, the company continues to provide more opportunities for artists worldwide.

Tickets are now on sale! Where tickets are required we recommend booking early for the best price online at tete-a-tete.org.uk. Early Bird Online until 10th July £5.00 /  In Advance Online £7.50 / In Person, On Phone, On The Door at the venue £9.50. Lots of shows are free so just turn up and enjoy!

(Written on June 20, 2018 )

In today’s news: Yamaha launches Silent Piano concert season, Caledonian Sleeper train hosts opera performance, and Greg Morris to perform complete Bach organ works. Russian violinist sentences to 20 hour of community service, Domingo to conduct in Bayreuth in 2018, and “Klassik am See” has been rescheduled.

International Piano

Yamaha launches Silent Piano concert season

Yamaha Music London has announced its inaugural Silent Piano concert season.

The four-concert series will see Thomasz Zyrmont, Eren Önsoy, Andrew Zolinsky and Varvara Tarasova perform on Yamaha’s Silent Pianos, with the audience experiencing the music through headphones, remotely and wirelessly.

Music Teacher

Sound and Music announce composers selected for HCMF schools project

Three composers have been selected to take part in a new education project designed by Sound and Music in partnership with Huddersfield Contemporary Music Festival and Heritage Quay.

Early Music Today

English Concert announces 2017/18 season

The English Concert’s 2017/18 season will see the ensemble celebrate ten years with Harry Bicket as music director.

Classical Music Magazine

Caledonian Sleeper hosts opera performance

An opera has been performed on the Caledonian Sleeper for the first time as part of the Tête à Tête Opera Festival 2017. Belongings, inspired by items of luggage carried by railway passengers, received its premiere on the service from Aberdeen to London on 24 July. The opera’s music was written by Samuel Bordoli and its libretto by Bill Bankes-Jones.

Choir and Organ

Greg Morris to perform complete Bach organ works

Greg Morris, associate organist of the Temple Church in London, is to perform Bach’s complete organ works over a ten month period, beginning in October 2017.

France Musique

Un violoniste russe arrêté en pleine répétition

La BBC a diffusé un reportage sur Andrey Osipov, violoniste russe engagé contre la corruption dans son pays.

The Irish Times

Frank McNamara gives a masterclass in how to handle mistakes

The pianist shows students how to handle the pressure of improvisation

Der Tagesspiegel

Zeit, Schweiß und Gold

Am 1. August werden Bühne und Besucherraum an Technik und Künstler der Staatsoper übergeben. Besuch bei den letzten Arbeiten.

Pizzicato

Domingo dirigiert in Bayreuth, Netrebko sagte ab

Der Tenor, Bariton und Dirigent Placido Domingo (76) wird im  Jahr 2018 in Bayreuth Wagners ‘Walküre’ dirigieren.

Klassik Heute

Programmänderung und Verschiebung von “Klassik am See” in Erlangen

Andreas Ottensamer hat seinen Auftritt bei Klassik am See« in Erlangen nach dem plötzlichen Tod seines Vaters abgesagt.

Twitter

in 1892 Birth of French Philipp

Classical Music Magazine: Belongings

(Written on July 26, 2017 )

Bold opera pioneers Tête à Tête has announced its upcoming plans for the 2017 season, 20 years since the company was founded.

“What amazing adventures we have enjoyed across these the past two decades, realising bold and brave experiments, creating opera really up close, establishing a really strong and intimate relationship with our audiences and revelling in the theatricality of the form”

– Bill Bankes-Jones, Founder and Artistic Director

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2017 also marks the Anniversary of the company’s first Opera Festival. To celebrate, they have planned the 10th Anniversary of Tête à Tête: The Opera Festival. It will take place at King’s Cross from 24 July – 13 August 2017, at both The Place and King’s Place. They are also delighted to announce that the well-received Cubitt Sessions will be back as a centre-piece of the festival. Full details on productions and tickets will be announced in May 2017. Watch this space!

Besides announcing its 2017 season, Tête à Tête also released a Tête à Tête: The Opera Festival 10th anniversary report, demonstrating their outstanding commitment to inclusivity and diversity: 22% of composers in 2015 were BAME or coming from minority backgrounds.

You can read the full report here.

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This year, they will also be launching ‘MyNewOpera’, a global platform featuring the work of producers from all over the world, ready to watch. They already have an archive of over 400 videos for the launch, with many more to be added before then. It turns out that the explosion of small-scale new opera and music theatre is a global trend, and online, without barriers, it can start to happen worldwide.

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WildKat PR is very excited to be working with Tête à Tête again this year. For the latest news and releases on this year’s festival, follow WildKat PR on Twitter, and Tête à Tête on Twitter. Also, check out their brand new website and full announcements here.

(Written on January 19, 2017 )