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We are delighted to announce our continued collaboration with the exceptional and award-winning pianist, Dmitry Masleev.

Dmitry, the 2015 first prize winner of the International Tchaikovsky Competition, has performed all over the world in countries including Russia, Japan, USA, Italy, China and the UK. He has delighted audiences at the Berlin Konzerthaus, the Paris Philharmonie and Carnegie Hall in New York, and collaborated with leading conductors such as Valery Gergiev and Yevgeny Svetlanov. Dmitry has been joined onstage by orchestras such as the Orchestra of Radio France, Munich Symphony and Moscow Chamber Orchestra Musica Viva, captivating audiences who travel to see him from all around the world.

Among Dimitry’s notable competition prizes and gold medal awards are the 7th International Adilia Alieva Piano Competition in Gaillard France (2010), the 21st Chopin Premio Piano Competition in Rome (2011) and the Antonio Napolitano Piano Competition in Salerno (2013).

(c) Alikhan Photography

WildKat PR previously worked with Dmitry on the release of his self-titled piano album under the Russian label Melodiya in October 2017, which was recently honoured by the “Bestenliste” – Quarterly Critics’ Choice of the deutsche Schallplattenkritik – German Record Critics Award in January 2018.

The album, which includes an extraordinary selection of Domenico Scarlatti’s sonatas, alongside Prokofiev’s Piano Sonata No. 2 in D minor and Shostakovich’s Piano Concerto No. 2 in F major, deserves the highest recognition in its own right. His flawless playing exudes elegance; as Christoph Vratz states: “Masleev transports always the messages of warmth, provocation and barbed wit.”

“The way he negotiates the twists, turns and subtle cornerings of the harmonic invention [in his Scarlatti sonatas] is totally disarming and without a trace of self-consciousness. This is not merely competition-winning pianism but highly accomplished and communicative musicianship.“ 
Gramophone Magazine

“[Masleev’s] debut solo recording went straight onto our Recordings of the Year shortlist, thanks not only to the clarity and energy of Masleev’s playing but also the intriguing parallels which he draws between two superficially very different sound-worlds.“Presto Classical 

“Dmitry Masleev […] displays a steel-fingered monster technique. An Über Virtuoso.“ 
South Florida Classical Review

(c) Alikhan Photography Uomo Collezioni

Following this success, we are proud to continue working with Dmitry on his coming projects in 2018. Among the highlights will be his Artistic Residency at the Bodenseefestival in Germany in May (5th – 15th May 2018), featuring solo, chamber and orchestral performances, a two-piano recital with his teacher Mikhail Petukhov, and a concert with the SWR Symphonieorchester and the Borodin Quartet.

We are thrilled to be working with Dmitry on his upcoming collaborations with the Nice Philharmonic Orchestra and conductor Phillippe Auguin in April, the Ural Philharmonic Orchestra as part of a series of concerts in May and on his debut with the Vienna Orchestra at Konzerthaus Wien in October.

Here is his latest appearance on Arte’s TV show Stars von Morgen.

(Written on March 28, 2018 )

A warm welcome to the latest artist joining the WildKat family, classically-trained pianist Theodosia Ntokou.

Often you hear people talking about artists being passionate and determined about their art, but it isn’t always obvious what that actually means. If you look at the life and work of Theodosia you get a glimpse of what it means to truly be an artist dedicated to their craft. Growing up in Greece, she travelled nearly every weekend from Rhodes to Athens for a one-hour music lesson at the National Conservatory, a 600km journey across land and sea.

Foto: Vesna Dakic

After graduating with honours, Theodosia continued her studies with Hungarian pianist Laszlo Simon at the Universität der Künste Berlin and while undertaking a postgraduate degree from the Franz Liszt Academy of Budapest. She then moved to the USA where she completed her master’s degree with Russian pianist Oxana Yablonskaya at the Juilliard School in New York City, followed by an assistantship at the University of Hartford (The Hartt School).
In 2009, Theodosia met legendary pianist Martha Argerich for the first time and since then has become her protégé and remains under her guidance to this day. Together, they perform around the globe and are celebrated by audiences and critics alike.

Theodosia has won awards at several competitions such as the Young Artists International Piano Competition (2006) and the Bradshaw & Buono International Piano Competition (2007). In 2008, she received the Evelyn Bonar Scholarship Award. She performs in festivals across Europe, collaborating with famous orchestras such as the Amsterdam Sinfonietta and made her debut at the Carnegie Hall and the Berliner Philharmonie, amongst many others.
 
In the spring and summer of 2018, Theodosia will perform at prestigious venues including Gasteig Munich on March 18th and the Gewandhaus Leipzig and festivals including the Athens & Epidaurus Festival and the 55th International Piano Festival of Brescia and Bergamo.

(Written on March 16, 2018 )

We are delighted to welcome celebrated classical guitarist Artyom Dervoed.

Image: © Kirill Karetin

Having won 16 prestigious awards in various international competitions, Artyom Dervoed is in a class of his own – or in the words of Universe Guitare, he truly is the “Tsar of the guitar”.

Born in Russia, Artyom learnt to play the guitar at the age of six with Sergey Annikov, then studied with Elena Svetozarova and Leonid Reznik. He later studied at several high-profile music schools, such as the Schnittke Music College and Gnesin Academy (Moscow), Koblenz Guitar Academy (Germany) with Aniello Desiderio, and Accademia Chigiana (Italy) with Oscar Ghiglia.

A milestone of his career was the release of his album in 2008, featuring Russian guitar music. Released by Naxos, it became one of the top ten bestselling chamber music records worldwide. Artyom Dervoed is a regular guest on the world’s most prestigious stages, including the Berliner Philharmonie, Carnegie Hall and Bunka Kaikan.

Among Artyom’s many awards is the first prize at the 39th Michele Pittaluga International Classical Guitar Competition in 2006, as well as the H.R.H. Princess Cristina 18th International Guitar Competition in 2009, making him the first Russian to win both competitions.

Image: © Kirill Karetin

His efforts in the classical music scene are not only limited to performing and recording amazing interpretations of works – one of his main ambitions is stepping into the footsteps of cellist Rostropovich and violinist Bashmet to present the classical guitar as a first-class solo instrument.
 He also regularly commissions new works and transcriptions to expand repertoires for the classical guitar, leading to world premieres.

Artyom is the founder of the Moscow Guitar Chamber Music Festival in the Bashmet Center and co-founder of one of the most important classical music festivals in the world – the annual Guitar Virtuosi Moscow International Festival, presented by the Moscow Philharmonic Society at the Tchaikovsky Concert Hall. As Artistic Director, Dervoed puts together an exciting program of national and international soloists, chamber and orchestral performances. For this year’s 13th edition, which will take place from 20th – 24th March, he will perform the world premiere of a new concerto for guitar and orchestra by contemporary Russian composer Alexander Tchaikovsky.

We are delighted to promote his upcoming performances at the Constella Festival in Cincinnati on February 23rd, 2018 and at the Embassy of the Russian Federation in Berlin on March 28th.

Moreover, Artyom Dervoed is the head of the classical guitar department at the Bashmet Center in Moscow and he teaches at the well-known Gnesin Academy.

“An outstanding figure.” La Provence — Dimanche (France)

(Written on February 23, 2018 )

WildKat PR is delighted to welcome award-winning composer Douglas Knehans to our roster of artists.

Image: Douglas Knehans © Tina Gutierrez Photography

 

Knehans’ music is about immediacy, drama, power, playfulness, architecture, harmonic structure, melodic expressiveness and more importantly depth and dimension. His music is about both love and life and a number of important critics see it that way too when they say his music “… tells an exciting story, ever- intensifying in color, thematic ideas, texture and tempo.” (The Washington Post)

His latest release Unfinished Earth is inspired by the relationship between nature and mankind. The disc features two works – “Tempest” and “Unfinished Earth” – represent contrasting views of how the external metaphors of wind and earth reflect more intimate internal worlds of the human heart and mind. The release is brought to life by the Brno Philharmonic Orchestra, conductor Mikel Toms, and features soloists Gareth Davies, Principal Flautist of London Symphony Orchestra.” 

Knehans’ works have been released on various record labels which earned him numerous commissions, awards and fellowships in Australia and the United States from the Victorian Council, MacDowell Colony and Leighton Artist Colony. He has also worked with leading ensembles including the Canberra Symphony Orchestra, the Melbourne Symphony Orchestra, and soloists like soprano Merlyn Quaife throughout his career. Once hailed by Fanfare Magazine for his “incisive, hauntingly beautiful recordings”, it’s no wonder that Knehans has garnered the attention and warm appreciation of audiences and performers around the globe.

We’re excited to be running a UK press campaign for the release of Knehans’ new release Unfinished Earth. The recording will be available to stream on NAXOS MUSIC LIBRARY and purchase on Ablaze Records from 6 April 2018. 

(Written on January 30, 2018 )

In today’s news, Carnegie Hall welcomes youngest ever concert series curator, new survey highlights public concern on secondary ticketing sites, UK music venues are still not being inclusive enough for less able performers, audience members and staff. Making music in urban spaces, and musicians envisage a borderless world post-Brexit.

The Guardian

UK music venues still exclude disabled performers, audience members and staff

Why are so many disabled staff, performers and guests having to fight for access to music venues? The sector and the government needs to do more.

Music Week

New survey ‘highlights public concern on secondary ticketing’

A new consumer survey has found that 80% of the British public consider secondary ticketing to be a “rip-off”.

Classic FM

Cecilia Bartoli becomes first woman to record with the Sistine Chapel Choir

“Being the first woman to sing with the choir, and to record in the Sistine Chapel, is an immense privilege, I am at a loss for words. I am in seventh heaven, may I say that?” said Cecilia.

Varsity

Car park concerts, balcony bands and subway singing 

Thea Sands charts the social implications of music making in urban spaces.

Broadway World

Daniil Trifonov to Offer Seven-Concert Perspectives Series at Carnegie Hall

At 26 years of age, Mr. Trifonov is the youngest artist ever to curate a Perspectives series at Carnegie Hall.

Süddeutsche Zeitung

Je spektakulärer der Bau, desto höher die Aufmerksamkeit

Allein um die beste Kunst geht es beim Konzertsaalbau nicht. Oft zählen nur Aussehen und Aufmerksamkeit. Dieser Wettlauf wird weitergehen.

Berliner Zeitung

Konzerthaus München Keine kulturelle Sensation

Das also soll der lang ersehnte neue Münchner Konzertsaal werden: Eine von dem aus Vorarlberg stammenden Büro Cukrowicz Nachbaur entworfene, im Grundriss nach Vorgabe des Grundstücks streng rechteckige, steil, glatt und weich geschwungen ansteigende Glashaube, unter der die drei Säle, die Foyers und Probenräume, Restaurants und Tiefgaragen aufgestapelt sind.

Pizzicato

Eröffnung eines Gamelan-Ausbildungszentrums in der Schweiz

Zehn Jahre nach der Gründung einer aus jungen Studenten bestehenden Gruppe von javanesischen Gamelan-Musikern, wird die von Nicole Coppey gegründete und geleitete Pädagogische Schule für Musikalische Kunst ‘Un, Deux, Trois, Musiques …’ in Sion im November dieses Jahres ein Ausbildungs- und Leistungszentrum für Gamelan eröffnen.

Musicians against Brexit

With viola player Timothy Ridout and cellist Jacob Shaw, two excellent British musicians proudly took part in Alpenarte’s European Journey, representing their country in this exciting international ride through a border-less music world.

Le Figaro

Dans les pas de Stravinsky à l’Opéra Garnier

Soirée Royale. Le ballet de l’Opéra de Paris interprète Agon et Le sacre du Printemps, tandis que Teshigawara signe une création sur une partition de Salonen.

Twitter

@StevenIsserlis: When as a boy I refused to practice, my parents used to insist, adding: “Some day you’ll thank us.’ And the annoying thing is – I do!

@STNMC1 This from @PrivateEyeNews, doesn’t look good for Diocese of London: ‘Staggering vacuity’

© Burkhard Bartsch (c): Governatorato SCV – Direzione dei Musei

(Written on October 30, 2017 )

In today’s news, have you ever wondered why people don’t clap between movements in a symphony? Classic FM investigates. Lang Lang relies on his assistant to lend a hand mid-performance, and a Welsh opera company is under fire for its racist casting. Orchestra carries on without a conductor, and Delnon and Nagano extend their contracts in Hamburg.

The Guardian

Assistant lends a hand to Lang Lang

Pianist plays Gershwin at the New York concert hall with a 14-year-old protege literally his left-hand man.

Classic FM

Why don’t we clap between movements?

There’s a bit of a tradition in classical music that you only clap after a piece has finished – and never in between movements. But why does this ‘rule’ actually exist?

The Stage

Welsh opera under fire for racist casting

Industry figures, including the artistic director of Yellow Earth Theatre Kumiko Mendl and actor Daniel York, have slammed “yellowface” casting in the touring production.

The Sun

Writer of hit BBC drama ‘Doctor Foster’ has plans to make it into an opera

Playwright Mike Bartlett has written 17 works for the stage, including hits in the West End and on Broadway.

Codex Flores

Delnon und Nagano verlängern ihre Hamburger Verträge

Der Aufsichtsrat der Hamburgischen Staatsoper hat die Verträge mit dem Schweizer Georges Delnon und Kent Nagano an der Hamburgischen Staatsoper um fünf Jahre zu verlängert.

Broadway World

Shortlist Announced For The 2017 BroadwayWorld UK Awards; Voting Now Open!

Today, the shortlist is announced for the 2017 BroadwayWorld UK Awards, celebrating the best long-running West End productions and best new productions from around the country.

NMZ

Klang der Revolution – Orchester spielen ohne Dirigent

So klang die Oktoberrevolution: Im Jubiläumsjahr der russischen Revolution von 1917 ist in Düsseldorf das Experiment des «herrschaftsfreien Musizierens» neu zu erleben.

Twitter

@TrinityLaban  is today! Find out why ballet is good for everyone! http://bit.ly/2yIzQHW

@BBCIntroducing Think Introducing only supports indie music? Think again. 

© Zack Seckler/Getty

 

(Written on October 5, 2017 )

We are always thrilled when artists return to us to promote their exciting new projects. This is the case with Dmitry Masleev, one of the most promising, rising piano talents of our time. This is our third collaboration and this time Dmitry not only has concerts and debuts around the world, but will also release his highly anticipated debut album on the legendary label Melodiya.

After winning the International Tchaikovsky Competition in 2015, he went on to fascinate audiences all over the world, playing at the Berlin Konzerthaus, the Paris Philharmonie and Carnegie Hall, amongst many others. He has been joined on stage by orchestras such as the Orchestra of Radio France, Munich Symphony and Moscow Chamber Orchestra Musica Viva, also seeking artistic friendship with, Boris Berezovsky and Gidon Kremer.

In the past two years of successful concerts, Dmitry has enjoyed performing in front of a live audience, which has not only given him invaluable experience but has also allowed him to speak and engage with concertgoers directly. It quickly became clear that they highly anticipated a debut recording so, gladly responding to the audience’s demand, Dmitry is now announcing the release of his debut album under the Russian label Melodiya this October. WildKat PR will be supporting Dmitry for this release.

This debut album titled, in pure simplicity, “Piano” will include a selection of Domenico Scarlatti’s sonatas, alongside Prokofiev’s Piano Sonata No. 2 in D minor and Shostakovich’s Piano Concerto No. 2 in F major. Even though Dmitry stated in an interview that Russian music was very appealing to him because of the freedom he feels while playing it, it is no coincidence that the Italian Baroque composer Scarlatti can be found on his album. Scarlatti had an important impact on the development of Classicism, which largely shaped the way Shostakovich and Prokofiev composed.

The release of ‘Piano” will coincide with Dmitry’s debuts at the Concertgebouw in Amsterdam and St. Johns Smith Square in London, as part of the Blüthner Piano Series. He will be touring in the US, playing at the Schloss Elma and with the Bamberger Symphoniker at the end of the year. Stay tuned for more details as it will be – yet again – an exciting year for Dmitry!

Dmitry Masleev © Alikhan

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(Written on September 11, 2017 )

In today’s news many comment on the emotional One Love Manchester concert that took place last night, two weeks after the terror attack at Ariana Grande’s concert. The Beatles’ Sgt Pepper’s Lonely Hearts Club Band is back at the top of the charts for the first time in 50 years, and The New York Times looks at the best moments in classical music last week.

BBC News

One Love Manchester: The most emotional moments

There were high emotions at a benefit concert staged by Ariana Grande in Manchester less than two weeks after the terror attack following her gig in the city. But the show also demonstrated the power of pop music to bring people together

Sir Jeffrey Tate: Conductor with spina bifida dies at 74

Sir Jeffrey, who was born with spina bifida, was the principal conductor of the English Chamber Orchestra and the Royal Opera House in the 1980s

The Guardian

Liam Gallagher attacks brother Noel for absence at One Love Manchester concert

Oasis brothers’ feud continues as Liam says he is ‘very disappointed’ after Noel fails to join him for concert following Manchester Arena attack

Independent

Manchester One Love: Police dance with members of crowd at tribute concert

Footage of officer dancing with children in a circle at concert goes viral

New York Times

An Ice Cream Truck at Carnegie Hall: This Week’s 8 Best Classical Music Moments

In addition to reviews, features and news during the week, our critics and reporters collect the best of what they’ve heard: notes that sent shivers down their spines, memorable voices, quotations that cut to the heart of the story

Uncompromising Music Survives on the Brooklyn Waterfront

There is so much new life and affluence crowding the Brooklyn waterfront that traditionalists like Mark Peskanov, the master violinist who runs the Bargemusic concerts of chamber music aboard a handsomely converted coal barge, hard by the Brooklyn Bridge, might be tempted to move. Which he has no intention of doing

Dallas News

Mozart piano concertos begin at the Cliburn competition

Starting Saturday, the semifinal round of the Van Cliburn International Piano Competition switched to a half-and-half format each day: two solo recitals each afternoon, four performances of Mozart piano concertos each evening, with Nicholas McGegan conducting the Fort Worth Symphony Orchestra

Classical Source

Royal Opera cast amendment, Otello, Ludovic Tézier

It is with deep regret that French baritone Ludovic Tézier will no longer be making his role debut as Iago in Otello on 21, 24 and 28 June, and on 2, 6 and 10 July

M Magazine

Sgt Pepper’s Lonely Hearts Club Band back at number one

The Beatles’ classic album Sgt Pepper’s Lonely Hearts Club Band is back at the top of the charts 50 years after it was first number one

Washington Post

Can listening to nature improve how we listen to music?

As a species, we have a lot more experience listening to the wind than we do listening to our favorite songs

Twitter

: A view from backstage

: “It is striking how Mancunians have turned to poetry and music” http://bit.ly/2qPpBhh

Where Is The Love? – Black Eyed Peas and Ariana Grande. Photo: BBC News

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(Written on June 5, 2017 )

In today’s news: a new building for the Frankfurt Theatre is becoming more probable, and Sufi mystic meets Parisian colours at the Konzerthaus Berlin. Ludwig Güttler receives Saxonian medal, and Nicola Benedetti is the Queen’s Medal for Music. Elle picks its top female classical musicians to watch and are Millennials making classical music great again?

Telegraph

Herbert Blomstedt “on magnificent form” as he conducts the Philharmonia

Five star review for Blomstedt as he approaches his 90th birthday, showing no signs of slowing down his conducting career.

Elle.com

Four female classical musicians in the spotlight

Elle’s pick of the top female musicians to watch, from a dazzling soprano to a woman who made her Carnegie Hall debut aged just 14.

The Jakarta Post

Millennials are making Classical music great again

Classical music should be, like other art, with the product itself, not with the person behind the product.

NMZ

Frankfurter Theater-Misere: Ein Neubau wird wahrscheinlicher

Frankfurt/Main – Schauspiel und Oper in einem Haus: Frankfurt hat einen der größten Theaterkomplexe Europas.

Tagesspiegel

Sufimystik mit Pariser Farben

Im Konzerthaus führt die Berliner Cappella Ahmed Adnan Sayguns Oratorium „Yunus Emre“ auf. Ein Brückenschlag zwischen Orient und Okzident.

Klassik.com

Sächsischer Verdienstorden für Trompeter und Dirigent Ludwig Güttler

Ludwig Güttler hat den Sächsischen Verdienstorden erhalten. Der Trompeter und Dirigent wurde zusammen mit 13 weiteren Personen durch den Ministerpräsidenten des Freistaates Sachsen, Stanislaw Tillich (CDU), ausgezeichnet.

Pizzicato

Gergiev Declared A Revenue Of € 2.31 million In 2016

In 2016, Valery Gergiev was the best earning cultural personality in Russia, according to the Russian Ministry of Culture. His declared annual income was 154.45 million rubles (€ 2.31 million).

Classic FM

Nicola Benedetti awarded Queen’s Medal for Music 

The brilliant violinist has become the youngest ever recipient of the medal, which is awarded each year to a musician, or group of musicians, who has had a major influence on the musical life of the nation. 
Twitter

Beatrice Rana @BeatriceRana
Feels so much more relaxing to make the from my sofa 🙂 follow it on webcast, @medicitv  is doing a great coverage! http://bit.ly/2rAp6M2

Edward George @Edward_George_
Due to sickness, # today within excerpts from Acts 1-3. Nobody expects the Spanish Inquisition  http://bit.ly/2r6ympM 

 

© Elle.com

 

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(Written on May 30, 2017 )

In today’s classical news: The Womadelaide festival makes efforts to become more environmentally conscious as the issue headlines as the festival’s theme this year. For their 2017-18 program the Arts Council of Korea and the Arts Council of England collaborate on a new series of artist partnerships. Seventeen year old cellist Sheku Kanneh-Mason is quickly building an international reputation as an emerging young soloist, and Victoria Bond becomes the first woman conductor to be awarded a doctorate from Juilliard’s orchestral conducting program. A brief history of opera business, and German Musikwettbewerb announces winners in Leipzig.

The Guardian

Music to our ears: sustainability headlines Womadelaide festival

From encouraging bike riding and compostable plates to better recycling, organisers have diverted 98% of waste from landfill – and they want to do more.

Golden Plains: cult music festival brings dreamy wonder to a family farm

Neil Finn, Nicolas Jaar and Cash Savage are highlights as fans pay tribute to ‘a farmer of happiness’.

International Arts Manager

New partnerships for Korean and UK artists

Arts Councils from Korea (ARKO) and England (ACE) are funding a new series of artist partnerships, as part of the UK-Korea 2017-18 cultural season. In total 21 performing and visual arts projects will receive just over €1.6m in grants.

Classical Music Magazine

Nikita Mndoyants to make New York debut

Nikita Mndoyants, winner of the 2016 Cleveland International Piano Competition (CIPC), will make his New York debut at Carnegie Hall on 7 June.

Pizzicato 

Fedoseyev Named Principal Guest Conductor Of Moscow’s Helikon Theatre

Moscow’s Helikon Theatre announced the appointment of Vladimir Fedoseyev, 84, as Principal Guest conductor.

The Violin Channel

VC YOUNG ARTIST | Cellist Sheku Kanneh-Mason – 2016 BBC ‘Young Musician of the Year’

17 year old cellist Sheku Kanneh-Mason is quickly building an international reputation as an emerging young soloist of outstanding potential.

Frankfurter Allgemeine

In der Dunkelloge wird soupiert

Sprechen wir nicht von berühmten Stimmen, sondern erst einmal über die gezahlten Gagen: Michael Walter legt eine gut geerdete und überaus detailreiche Geschichte des Opernbetriebs vor.

klassik-heute.de

Zum Tod von Karl Korinek

Die Wiener Staatsoper trauert um das ehemalige langjährige Aufsichtsratsmitglied und den ehemaligen Präsident der Freunde der Wiener Staatsoper Univ.-Prof. Dr. Karl Korinek, der am vergangenen Donnerstag, 9. März 2017, 76-jährig einem Herzleiden erlegen ist

kulturradio rbb

Wichtigster Preis für musikalische Nachwuchsprofis vergeben 

In Leipzig sind die Gewinner des deutschen Musikwettbewerbs gekürt worden: das sind der Berliner Hornist Tillmann Höfs, der Hannoveraner Oboist Juri Schmahl und der Regensburger Komponist Steven Heelein.

WXQR

Write Me a Concerto: Yo-Yo Ma and Esa-Pekka Salonen on Their New Work

CHICAGO — A few years ago, after they had shared more than a couple post-concert martinis, Yo-Yo Ma had a request for the composer and conductor Esa-Pekka Salonen: Write me a concerto.

The New York Times

A Thousand More Will Rise: Victoria Bond Finds Inspiration in Women Past and Present 

As the very first woman conductor to be awarded a doctorate from Juilliard’s orchestral conducting program, Victoria Bond  knows what it means to take that first courageous step into uncharted territory.

Twitter

Classical Music News  English National Opera launches ENO Studio Live

Music History   in 1847 FP of ‘s opera Macbeth at the Teatro della Pergolain Florence.

Image: The Guardian

(Written on March 14, 2017 )