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The first podcast from Noted has been released, following the Noted Roundtable on Inclusion and Diversity.

Noted Round-ups are short podcasts that follow the Noted Roundtables – an international series which looks to bring about change in the performing arts industry through discussion and implementation. Through Noted, we want to generate new solutions to industry problems, not just with our own industry members and artists, but with brand leaders from different fields, and also—most importantly—the audience! The Roundtables bring together this unique combination of stakeholders on an equal footing.

The very first Noted Round-ups episode is a discussion on what was originally “diversity”, but now referred to as “inclusivity”. Here we discuss minorities in the performing arts industry, focusing on those backstage (not on stage), covering race, gender, background, and more.

We came out of this session with the following action points:

  • When recruiting, be more explicit about what we don’t want or need (e.g. an arts degree), and present the image of our ideal candidate in the advertising
  • Either ensure that job titles clearly state what the position is, or make them more sexy and fun
  • Create inclusive communities in the performing arts administrative sector, spanning across both audiences and potential employees
  • Showcase the exciting elements of our industry, through podcasts, videos, partnerships with mainstream brands
  • Shake up internal systems – reverse mentoring, creative sessions led by interns, engage more with outside the industry

This episode is hosted by Kathleen Alder and Olivia Brown, produced and edited by Olivia.

Listen on all your favourite platforms now!

(Written on March 27, 2018 )

Following a successful Kickstarter campaign, guitarist Michael Poll is releasing his album “7-String Bach”  on 6 April 2018, and WildKat is delighted to be promoting this release in Germany.

Michael’s “Bach Project” brings Bach’s music to life here in the 21st century, fusing modern instrumental practice with historical techniques and doing it all on an instrument that is built specially for the job by American master luthier Robert Ruck.

Bach left manuscripts for two complete instrumental suites for Lute, the predecessor of the modern classical guitar, and for the Bach Project Michael has recorded them using state of the art technology in one of the world’s iconic recording studios: Abbey Road.

A seven string guitar is a special musical creature: the range of the modern guitar plus five notes taken from the double bass. This instrument makes it possible to play Bach’s music in its original register, as he heard it.

Classical guitarist and conductor Michael Poll has performed across North America, South America, and Europe, including in Barbican Hall, Wigmore Hall, and the National Theatre of Panama. Active both as a performer and a conductor, Poll’s 2016-2017 season includes headline concerts for the Wilderness Festival with Yijia Zhang, the Bloomsbury festival as both guitarist and conductor, six engagements conducting the Goodensemble orchestra in London including a Gala Performance in honour of Queen Elizabeth II, and guitar recitals in Boston, Washington, San Francisco, London, Philadelphia, and New York. Poll’s collaborators have included pianists Stephan Ciric, David Malusa, John Fisher, and Jason Bae, tenor Peter Devoran, barritone Jake Muffett, and his brother conductor Edward Poll.

The CD, which will be released on Orchid Classics, is available from 6th April 2018.

 

 

(Written on March 14, 2018 )

In today’s news: blind musicians to pilot braille machine e-reader at RNIB, CMF opens Artist Programme applications, the best London events to mark International Women’s Day, a look back at the life of enigmatic soprano Nancy Storace, the Austrian avant-garde componist Thomas Pernes died and the redevelopment of Bonn’s Beethovenhall gets behind schedule.

Rhinegold

Blind musicians to pilot ‘world first’ braille machine

More than a dozen professional musicians – all of them blind – will gather at the RNIB in London on 16 March to demonstrate the world’s first multi-line braille e-reader.

Applications for CMF Artist Programme now open

The City Music Foundation provides professional musicians in the UK in the early stages of their careers with expert advice, guidance and support to help them to build successful careers in music.

Evening Standard

The best events in London this week to mark International Women’s Day

HeForShe Arts Week, Women of the World Festival included in the lineup of events in the capital.

BBC News

7 candid photos of jazz legends

Over six decades, Val Wilmer has become “a world figure in the history of African-American musical culture”. Her remarkable career has seen her interview and photograph almost every significant and influential figure in post-war jazz, blues and R&B.

BBC Music Magazine

More than Mozart’s muse

Last year marked the bicentenary of the death of one such singer; a remarkable soprano called Nancy Storace (1765 – 1817). Dr Anna Maria Barry tells the story of the enigmatic soprano.

klassik.com

Komponist Thomas Pernes gestorben

Der österreichische Komponist Thomas Pernes ist tot. Er starb am Tag nach seinem 62. Geburtstag nach schwerer Krankheit an seinem Wiener Wohnsitz.

pizzicato

Bonn: Sanierung der Beethovenhalle stark in Verzug

Das Scheitern des Zeitplans bei der Sanierung der Beethovenhalle zeigt ebenso wie die seit Monaten anhaltende Kostenexplosion, dass hier eine gravierende Fehlentscheidung getroffen wurde », teilt die Vereinigung ‘Bürger für Beethoven’ (BFB) aus Bonn mit.

klassik heute

Deutscher Musikwettbewerb beginnt mit 182 Künstlern

Beim Deutschen Musikwettbewerb (DMW) messen sich seit Montag in Bonn junge Künstler in zwölf Solo- und Kammermusikkategorien.

france musique

Le violon d’Albert Einstein mis en vente aux enchères

La maison Bonhams s’apprête à mettre en vente, le 9 mars 2018, le violon ayant appartenu à Albert Einstein.

Platea Magazine

La Ritirata, Premio de Cultura de la Comunidad de Madrid en su modalidad de música clásica

Junto a Isabel Coixet, Joan Manuel Serrat, Morante de la Puebla, Javier Marías o Abraham García, entre otros, la Ritirata ha sido galardonada en el marco de los Premios de Cultura de la Comunidad de Madrid, en su caso en la modadlidad de música clásica.

Twitter

@MusicMagazine: It’s International Women’s Day this week. Peruse our guide to the best female-focussed concerts taking place in the next few days.

© National Portrait Gallery

(Written on March 6, 2018 )

We are very pleased to be working alongside the Royal Over-Seas League on their 66th Annual Music Competition, which is taking place at Over-Seas House on Greek Park, London.

The AMC is the centrepiece of ROSL Arts’ year-round programme of music, art and literary events. Offering upwards of £75,000 in grants and awards, the AMC is widely-regarded in industry circles for its prestige and heritage. Recent winners of the Gold Medal include guitarist Sean Shibe, baritone Jonathan McGovern and saxophonist Huw Wiggin, each having gone on to achieve outstanding success in the early stages of their career.

Winners are offered life-changing performing opportunities after the competition, including bookings at the likes of Wigmore Hall and British music festivals. Past winners have benefited from concerts organised in countries including Singapore, Canada, Australia and Zimbabwe.

Founded in 1910 as the ‘Over-Seas Club’, ROSL aimed to unite a ‘far-flung brotherhood of individual men and women of diverse creed and races living widely apart under differing conditions, in different latitudes’ (Sir Evelyn Wrench). ROSL continues to champion international friendship and cultural understanding throughout the Commonwealth and beyond. A non-profit private members’ club, the Grade I listed clubhouse hosts regular music and arts events and offers under-35s a heavily discounted membership fee and networking opportunities.

A full list of section finals, and details of winners so far, is below:

13 February Wind and Brass (Jonathan Radford, saxophone)
20 February Voice (Michael Mofidian, bass-baritone)
27 February Strings (Emmanuel Bach, violin)
6 March Keyboard
13 March Ensembles A
20 March Ensembles B
22 March Overseas Award

The prestigious Gold Medal final, carrying an award of £15,000, will be held on 4 June at the newly reopened Queen Elizabeth Hall on the South Bank. Tickets can be purchased here.

(Written on February 28, 2018 )

In today’s classical music news, veteran actor Dame Julie Walters will join the presenter lineup at Classic FM for a new Saturday show, Chineke! boosts BME representation in UK musical ensembles, YouTube Red launches internationally and Winnipeg Symphony appoints new Musical Director.

Rhinegold

Julie Walters to present Classic FM series

Actor will host a new six-part Saturday night radio series exploring the biggest moments and changes in the history of classical music.

Yorkshire Young Sinfonia introduces digital programme notes

Audience members at YYS concerts will soon have the option to have ‘real-time’ programme notes sent to their phones.

The Times

Peer swoops in to save opera’s fairies

The director of English National Opera’s production of Iolanthe has revealed that Lord Glendonbrook stepped in at the last minute to foot the bill for some of his creative demands.

The Telegraph

‘Classical music is finally getting somewhere with its race problem’

Chineke! leads the way for much-needed BME diversification among youth and professional ensembles.

Joyce DiDonato: how can we claim opera isn’t political?

Star mezzo-soprano tells reporter Ben Lawrence how researching a work about ‘Death Row’ deepened her love for opera

The Star

Ambition for Sheffield to hit the right notes in classical music

Classical music is thriving locally, with an ‘astonishing amount going on’, a report says – but players, ensembles, schools and charities need support to create ‘a more sustainable industry with a wider and deeper reach across Sheffield, for residents of all ages’.

Pizzicato

Winnipeg Symphony has appointed Daniel Raiskin as Music Director

Canadian Winnipeg Symphony Orchestra (WSO) announced that Russian-born conductor Daniel Raiskin (*1970) has been named Music Director from August 1, 2018, succeeding Alexander Mickelthwate who served as Music Director since 2005.

Concerti

Die offiziellen Top 20 Klassik-Charts im Februar 2018

Riccardo Muti und die Wiener Philharmoniker landen mit ihrer Aufnahme des Neujahrskonzerts 2018 auf dem ersten Platz der Klassik-Charts.

NMZ

Immer mehr Rentner lernen an Thüringens Musikschulen

An Thüringens Musikschulen lernen immer mehr Schüler, die bereits im Rentenalter sind. Zwischen 2012 und 2016 hat sich die Zahl der Erwachsenen über 60 Jahre von 246 auf 420 erhöht, wie der Landesverband der Thüringer Musikschulen auf Anfrage der Deutschen Presse-Agentur mitteilte.

Klassik Heute 

Andris Nelsons: Amtseintritt als Gewandhauskapellmeister in Leipzig

Am 22. Februar tritt Andris Nelsons offiziell das Amt des 21. Gewandhauskapellmeisters an und läutet damit den Beginn einer neuen Ära in der Geschichte des Leipziger Gewandhauses ein.

Le Monde

YouTube va déployer son offre payante en France

YouTube Red, l’offre payante de la plate-forme de streaming musical et vidéo devrait être disponible dans une centaine de pays cette année.

Twitter

@MusicMagazine: Fr Lnt, w hv dcdd t gv p sng vwls n Twttr. W hp y dn’t mnd. http://bit.ly/2BvYfoH 

© Chineke! Juniors

(Written on February 15, 2018 )

We are very pleased to welcome two fantastic new clients, and welcome back another, as we begin the new year!

The Gstaad Menuhin Festival & Academy is now in its 61st iteration, and its outstanding programme will take place between 13th July and 1st September 2018. In 1957, Yehudi Menuhin moved with his young family to Gstaad, Switzerland, and was overwhelmed by the beauty and power of the bucolic Alpine village. After being asked by the then head of tourism for Gstaad, Paul Valentin, to support the summer tourist season with some concerts, Menuhin rang in the inaugural festival in the summer of  the following year. Two of the performers in those first concerts were Benjamin Britten and Peter Pears! The high-calibre bookings continue, and in 2018 the festival looks to welcome Jonas Kaufmann, Hélène Grimaud, Nigel Kennedy, Sol Gabetta and Juan Diego Flóres, among a stellar line-up of stars from the opera, choral and instrumental worlds. WildKat PR is delighted to be leading their press campaign again in 2018.

The eminent Italian pianist and composer Roberto Cacciapaglia has enjoyed a varied and successful career to date. He performs his own compositions in the most prestigious theatres and institutions all over the world, sharing his innovative and inspiring compositions. Roberto blends electronic experimental music with the classical tradition, and for many years has been researching the powers of sound. He founded the Educational Music Academy in 2013, giving a voice to young musical talents, composers, musicians and pianists by way of support and mentorship. Roberto recently released the 10th Anniversary edition of his QUARTO TEMPO album, which was mastered at London’s Abbey Road Studios.

© Roberto Cacciapaglia

Lithuanian composer Gediminas Gelgotas embodies a unique musical language built upon modern, multi-stylistic influences that with a dream that combines austere melodic beauty with a stunning rhythmic drive. Once praised by Terry Riley for his ‘unique and compositional voice’, he embarked on the journey to creating his own legacy with works showcased and premiered all across Europe, while establishing his own ensemble – the New Ideas Chamber Orchestra (NICO) – and working closely with Kristjan Järvi of the Baltic Youth Philharmonic along the way. Adopting a traditional work ethic, Gediminas proudly works with pen and paper across all his compositions. He grows, chases and explores an organic idea when it comes to mind and injects his own unique blend of pop and classical cultures. With many of his pieces already performed at a number of prestigious events, Gediminas’ work defies all genres and makes it accessible to a wide audience.

© Gediminas Gelgotas

“Having myself worked on the Gstaad Menuhin Festival press campaign in both 2015 and 2016, I am delighted to welcome the festival team to work with us again,” our London Director, Olivia Brown, comments. “They present an inspired programme, in a truly beautiful setting, year on year.

“I’m also very pleased to be expanding our roster of contemporary composers by welcoming Roberto and Gediminas. We look forward to introducing their music to UK and European audiences, reaching and expanding on the broadening new audience of contemporary classical music.”

Keep up to date on new clients and others news via our socials:

TwitterFacebookInstagram

(Written on January 11, 2018 )

It’s been an incredibly busy year at WildKat and we are so excited to continue our successes into 2018. As always, we’ve tried to pack as much as we can into a blog post for you all. The projects and clients mentioned below are a tiny portion of our highlights – Enjoy! 😊

First, a message from our Founder, Kat, who is already in the Austrian alps, ready to start the holidays:

“2017: you beast! I must admit I am quite glad to see the back of it… We launched and worked on so many projects and events, it felt like we somehow skipped the usual “quiet periods”. It has certainly been a challenging year; the uncertainty of the cultural and creative industries was felt across our sector and so internally we had to rethink our offerings, our staffing and general structure.

We have had some fantastic new clients and projects signed up to WildKat. Some personal highlights have been:

And so many more.

Mostly this year has been for me expanding the WildKat offices, opening a new one in Paris next year and working on our non-profit arm, Noted.

I have travelled for both companies to all corners of the world, and have had some great meetings and events take place, centred around the ethos of sharing and forwarding our industry. I think there is amongst all the anticipation on what future events (including Brexit, US etc) will bring a sense of renewed movement forward. I am encouraged to see so many positive ideas. The Noted Fellowship is in the next stage with announcements to follow in the New Year and our roundtables have come to life in Berlin, London and New York with fascinating thoughts and exchanges. My vision of having the newly graduates give the artistic director ideas on the future of our sector, is coming to life and its VERY rewarding!”

 

Internally we also have some great news:
  • Carolin is embarking on the ultimate WildKat perk: a 2 month paid sabbatical to New Zealand. (We are all just a tad jealous (“a tad” is putting it very lightly!! – Olivia)
  • Great staff have joined our teams all over the world, waving at at Eliza, Rachel, Alex, Nicolo, Maddie, Katja, and our continually growing pool of freelancers, consultants, and collaborators
  • Olivia was promoted to our UK Director and is, as expected, thriving in her new role. She also hits the 5 year anniversary mark next year and will at some stage embark on her sabbatical

Olivia says, “2017 has been a pretty turbulent year on all counts – whilst we have celebrated some truly inspiring projects, and championed everything that is BRILLIANT in our sector, and what it has to offer, we have all had to face a heavy and consistent hailstone of, let’s face it, awful news in the general media and across socials.

Saying this, one thing that our sector does best is use these events to inspire creativity, and to reflect and respond using our art and passion. Following the development of the “B-word”, we had the hilarious “The United Kingdom of Earth: A B***** Opera” at Tête à Tête’s 10th festival. Soosan Lolavar’s “ID, please” had its UK premiere at the same festival, reflecting on Trump’s travel ban. Ariana Grande sold out the Manchester arena for a benefit concert, following the bombings. There are many, many more examples, and there will continue to be.

As we look ahead to 2018, it’s important to remember the important of collaboration, cooperation, and participation. We have had such fresh ideas in discussion and have started to make change happen. We want to continue to work together, create conversations, involve diverse & conflicting voices, and create progress for classical music and the arts. I’m so excited for what is to come…”

Olivia visits New York for the first time!

Before Carolin heads off on her travels, she says, “Launching the Noted Fellowship this year was a real highlight, and I was so inspired to see all the innovative ideas that came through the application process. The only downside was choosing who would go on to stage 2. Good luck, everyone!

I’m very excited to make the most of my 2-month sabbatical, part of the WildKat perks, to not only have a long holiday (!) and travel the world, but also to return to the company and the industry with a refreshed and revived perspective.”

We are all really looking forward to 2018, particularly as we are celebrating 10 years of WildKat with a big party (joint with Music in Offices – happy birthday to you too!) and lots of fun events.

Thank you to everyone: clients, industry, friends, colleagues – the ones who champion us, critique us, support and dismiss us. We love you all and we look forward on what’s to come!

Happy holidays! 🎄🎄🎄

(Written on December 22, 2017 )

In today’s news, Carnegie Hall welcomes youngest ever concert series curator, new survey highlights public concern on secondary ticketing sites, UK music venues are still not being inclusive enough for less able performers, audience members and staff. Making music in urban spaces, and musicians envisage a borderless world post-Brexit.

The Guardian

UK music venues still exclude disabled performers, audience members and staff

Why are so many disabled staff, performers and guests having to fight for access to music venues? The sector and the government needs to do more.

Music Week

New survey ‘highlights public concern on secondary ticketing’

A new consumer survey has found that 80% of the British public consider secondary ticketing to be a “rip-off”.

Classic FM

Cecilia Bartoli becomes first woman to record with the Sistine Chapel Choir

“Being the first woman to sing with the choir, and to record in the Sistine Chapel, is an immense privilege, I am at a loss for words. I am in seventh heaven, may I say that?” said Cecilia.

Varsity

Car park concerts, balcony bands and subway singing 

Thea Sands charts the social implications of music making in urban spaces.

Broadway World

Daniil Trifonov to Offer Seven-Concert Perspectives Series at Carnegie Hall

At 26 years of age, Mr. Trifonov is the youngest artist ever to curate a Perspectives series at Carnegie Hall.

Süddeutsche Zeitung

Je spektakulärer der Bau, desto höher die Aufmerksamkeit

Allein um die beste Kunst geht es beim Konzertsaalbau nicht. Oft zählen nur Aussehen und Aufmerksamkeit. Dieser Wettlauf wird weitergehen.

Berliner Zeitung

Konzerthaus München Keine kulturelle Sensation

Das also soll der lang ersehnte neue Münchner Konzertsaal werden: Eine von dem aus Vorarlberg stammenden Büro Cukrowicz Nachbaur entworfene, im Grundriss nach Vorgabe des Grundstücks streng rechteckige, steil, glatt und weich geschwungen ansteigende Glashaube, unter der die drei Säle, die Foyers und Probenräume, Restaurants und Tiefgaragen aufgestapelt sind.

Pizzicato

Eröffnung eines Gamelan-Ausbildungszentrums in der Schweiz

Zehn Jahre nach der Gründung einer aus jungen Studenten bestehenden Gruppe von javanesischen Gamelan-Musikern, wird die von Nicole Coppey gegründete und geleitete Pädagogische Schule für Musikalische Kunst ‘Un, Deux, Trois, Musiques …’ in Sion im November dieses Jahres ein Ausbildungs- und Leistungszentrum für Gamelan eröffnen.

Musicians against Brexit

With viola player Timothy Ridout and cellist Jacob Shaw, two excellent British musicians proudly took part in Alpenarte’s European Journey, representing their country in this exciting international ride through a border-less music world.

Le Figaro

Dans les pas de Stravinsky à l’Opéra Garnier

Soirée Royale. Le ballet de l’Opéra de Paris interprète Agon et Le sacre du Printemps, tandis que Teshigawara signe une création sur une partition de Salonen.

Twitter

@StevenIsserlis: When as a boy I refused to practice, my parents used to insist, adding: “Some day you’ll thank us.’ And the annoying thing is – I do!

@STNMC1 This from @PrivateEyeNews, doesn’t look good for Diocese of London: ‘Staggering vacuity’

© Burkhard Bartsch (c): Governatorato SCV – Direzione dei Musei

(Written on October 30, 2017 )

The digital revolution is still proceeding and affecting nearly every aspect of our everyday life. Talking about music industry, we consider streaming, podcasting concerts and interviews, social media campaigns and online music magazines. The majority of our generation is used to Spotify, Youtube, Instagram and Snapchat.

But what is the impact of digitalisation on classical and contemporary music? One may think that the classical music domain is archaic, old fashioned and still follows old standards. It is undoubtedly a big challenge to apply new technologies to an established sector. Then again, we should consider that new technologies might also bring new opportunities and even encourage the creativity.

Streaming

Music streaming is immediately overtaking downloading as the favoured method of accessing music digitally. Streaming has changed the way the majority of people now listens to music but also the way musicians, agents and companies deliver music to their recipients. Nowadays one can find a big amount of classical and contemporary music on platforms like Spotify and Apple Music. On the other hand there are also services that specialise in classical music streaming only, including Primephonic.

The main challenge in classical music streaming is the correct use of metadata. This field of music industry has some of the most complex metadata regulations. The rules are sometimes not clearly defined. Although, the information tagged to each file, is important for searching, matching and allocating music.

Networking

We are facing diverse and connecting times. Internet and peer-to-peer technology is essential in sharing ideas and creating more perspectives. Everyone is talking about communities and peer-to-peer. Networking on this new level connects different types of music genres and also encourages collaborations between different types of musicians on an international level.

There are several networking platforms for musicians like Hello Stage and Reverbnation to help musicians to collaborate and unfold their potential and creativity.

Podcasting

One more way to reach an auditory is podcasting. Podcasting is a digital recording of music, news or other media that can be downloaded from the Internet to a portable media player.

A popular synonym for podcasting is audio-videoblogging. Spotify, Google Play and some major labels are already benefiting from music podcasts. Classical and other musicians are using podcasts to transmit concerts, interviews and music sessions to their auditory. The advantage of podcasting is building a closer relationship to recipients, appearing more personal providing a face-to-face connection. A popular classical music podcast is Sticky Notes.

There are many ways digitalisation affects classical music. Also disciplines like archiving, composing, teaching etc. are driven by computer-based methods nowadays. Increasing number of musicians is using iPads instead of music sheets and musicologists are digitally combining early editions and manuscripts to get to the bottom of composer’s intentions. Some of the tools can help musicians, teachers, researchers or agents to work more dynamic and efficient. Any other may confuse some people or even slow down the creative process. Nonetheless, it’s necessary to acknowledge that the world is different from even 20 years ago. The digital age is networked, global, and constantly changing. Digitalisation has a huge impact on society, culture and music culture in particular and the utilisation of digital tools and computer-based methods in classical music may bring challenges but also benefits for all the participants.

________________________

See some our clients using digital tools in their creative process:

Corre (a marriage of sounds and visuals)

Inclusive Creativity (performance and composition for less able musicians through the development of new technologies and methodologies)

(Written on October 25, 2017 )

In today’s news: Cellist Daniel Pezotti has died, Rome’s opera house increases it’s intake and number of visitors, and composer Unsuk Chin wins “Wihuri-Sibelius-Prize”. Can classical music give people with Alzheimer’s a new lease of life, and Soho radio gets its first classical music show courtesy of Manners McDade’s Harriet Moss.

Classic FM

Was Mozart’s sister actually the more talented sibling?

On ‘International Day of the Girl’, Classic FM celebrate Nannerl Mozart, the oft-forgotten sister of the eminent Wolfgang.

Telegraph

Can music give people with Alzheimer’s a new lease of life?

Whether it’s singing, humming or playing the piano, for people with dementia music really can be the key to memory.

M Magazine

Tileyard Education announces Women in Music Now event

Tileyard Education has announced details of Women In Music Now (WIMN) – a one-day all-female event which will host talks, panels, networking and workshops for women aspiring to work in music.

Soho Radio launches classical music show

London community channel Soho Radio is launching its very first classical music programme, with Manners McDade’s global creative manager Harriet Moss presenting.

Limelight

Adelaide Festival to host Akram Khan’s final solo performance

The dancer-choreographer will appear in XENOS in 2018, a fitting bookend to his Australian appearances.

Klassik Heute

Bewerbungsphase für Festivalorchester 2018 beim SHMF beginnt

In der kommenden Woche startet die Bewerbungsphase für das Festivalorchester 2018 des Schleswig-Holstein Musik Festivals.

Klassik.com

Schweizer Cellist Daniel Pezzotti gestorben

Der Schweizer Cellist Daniel Pezzotti ist tot.

Pizzicato

Roms Opernhaus steigert Einnahmen und Besucherzahlen

Das Opernhaus der italienischen Hauptstadt meldet für den Zeitraum 2014 bis 2016 ein Plus von 51 Prozent bei den Einnahmen.

France musique

La compositrice sud-coréenne Unsuk Chin a été récompensée du Prix Sibelius de Wihuri.

Décerené en Finlande par la Foundation Jenny et Antti Wihuri, il est doté de 150,000€.

Twitter

@Archivist_Liz So is digging a hole and here’s what was found and now has pride of place in the Hall’s Archive

© Getty/Unsuk Chin

(Written on October 12, 2017 )