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In today’s classical music news, veteran actor Dame Julie Walters will join the presenter lineup at Classic FM for a new Saturday show, Chineke! boosts BME representation in UK musical ensembles, YouTube Red launches internationally and Winnipeg Symphony appoints new Musical Director.

Rhinegold

Julie Walters to present Classic FM series

Actor will host a new six-part Saturday night radio series exploring the biggest moments and changes in the history of classical music.

Yorkshire Young Sinfonia introduces digital programme notes

Audience members at YYS concerts will soon have the option to have ‘real-time’ programme notes sent to their phones.

The Times

Peer swoops in to save opera’s fairies

The director of English National Opera’s production of Iolanthe has revealed that Lord Glendonbrook stepped in at the last minute to foot the bill for some of his creative demands.

The Telegraph

‘Classical music is finally getting somewhere with its race problem’

Chineke! leads the way for much-needed BME diversification among youth and professional ensembles.

Joyce DiDonato: how can we claim opera isn’t political?

Star mezzo-soprano tells reporter Ben Lawrence how researching a work about ‘Death Row’ deepened her love for opera

The Star

Ambition for Sheffield to hit the right notes in classical music

Classical music is thriving locally, with an ‘astonishing amount going on’, a report says – but players, ensembles, schools and charities need support to create ‘a more sustainable industry with a wider and deeper reach across Sheffield, for residents of all ages’.

Pizzicato

Winnipeg Symphony has appointed Daniel Raiskin as Music Director

Canadian Winnipeg Symphony Orchestra (WSO) announced that Russian-born conductor Daniel Raiskin (*1970) has been named Music Director from August 1, 2018, succeeding Alexander Mickelthwate who served as Music Director since 2005.

Concerti

Die offiziellen Top 20 Klassik-Charts im Februar 2018

Riccardo Muti und die Wiener Philharmoniker landen mit ihrer Aufnahme des Neujahrskonzerts 2018 auf dem ersten Platz der Klassik-Charts.

NMZ

Immer mehr Rentner lernen an Thüringens Musikschulen

An Thüringens Musikschulen lernen immer mehr Schüler, die bereits im Rentenalter sind. Zwischen 2012 und 2016 hat sich die Zahl der Erwachsenen über 60 Jahre von 246 auf 420 erhöht, wie der Landesverband der Thüringer Musikschulen auf Anfrage der Deutschen Presse-Agentur mitteilte.

Klassik Heute 

Andris Nelsons: Amtseintritt als Gewandhauskapellmeister in Leipzig

Am 22. Februar tritt Andris Nelsons offiziell das Amt des 21. Gewandhauskapellmeisters an und läutet damit den Beginn einer neuen Ära in der Geschichte des Leipziger Gewandhauses ein.

Le Monde

YouTube va déployer son offre payante en France

YouTube Red, l’offre payante de la plate-forme de streaming musical et vidéo devrait être disponible dans une centaine de pays cette année.

Twitter

@MusicMagazine: Fr Lnt, w hv dcdd t gv p sng vwls n Twttr. W hp y dn’t mnd. http://bit.ly/2BvYfoH 

© Chineke! Juniors

(Written on February 15, 2018 )

We are very pleased to welcome two fantastic new clients, and welcome back another, as we begin the new year!

The Gstaad Menuhin Festival & Academy is now in its 61st iteration, and its outstanding programme will take place between 13th July and 1st September 2018. In 1957, Yehudi Menuhin moved with his young family to Gstaad, Switzerland, and was overwhelmed by the beauty and power of the bucolic Alpine village. After being asked by the then head of tourism for Gstaad, Paul Valentin, to support the summer tourist season with some concerts, Menuhin rang in the inaugural festival in the summer of  the following year. Two of the performers in those first concerts were Benjamin Britten and Peter Pears! The high-calibre bookings continue, and in 2018 the festival looks to welcome Jonas Kaufmann, Hélène Grimaud, Nigel Kennedy, Sol Gabetta and Juan Diego Flóres, among a stellar line-up of stars from the opera, choral and instrumental worlds. WildKat PR is delighted to be leading their press campaign again in 2018.

The eminent Italian pianist and composer Roberto Cacciapaglia has enjoyed a varied and successful career to date. He performs his own compositions in the most prestigious theatres and institutions all over the world, sharing his innovative and inspiring compositions. Roberto blends electronic experimental music with the classical tradition, and for many years has been researching the powers of sound. He founded the Educational Music Academy in 2013, giving a voice to young musical talents, composers, musicians and pianists by way of support and mentorship. Roberto recently released the 10th Anniversary edition of his QUARTO TEMPO album, which was mastered at London’s Abbey Road Studios.

© Roberto Cacciapaglia

Lithuanian composer Gediminas Gelgotas embodies a unique musical language built upon modern, multi-stylistic influences that with a dream that combines austere melodic beauty with a stunning rhythmic drive. Once praised by Terry Riley for his ‘unique and compositional voice’, he embarked on the journey to creating his own legacy with works showcased and premiered all across Europe, while establishing his own ensemble – the New Ideas Chamber Orchestra (NICO) – and working closely with Kristjan Järvi of the Baltic Youth Philharmonic along the way. Adopting a traditional work ethic, Gediminas proudly works with pen and paper across all his compositions. He grows, chases and explores an organic idea when it comes to mind and injects his own unique blend of pop and classical cultures. With many of his pieces already performed at a number of prestigious events, Gediminas’ work defies all genres and makes it accessible to a wide audience.

© Gediminas Gelgotas

“Having myself worked on the Gstaad Menuhin Festival press campaign in both 2015 and 2016, I am delighted to welcome the festival team to work with us again,” our London Director, Olivia Brown, comments. “They present an inspired programme, in a truly beautiful setting, year on year.

“I’m also very pleased to be expanding our roster of contemporary composers by welcoming Roberto and Gediminas. We look forward to introducing their music to UK and European audiences, reaching and expanding on the broadening new audience of contemporary classical music.”

Keep up to date on new clients and others news via our socials:

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(Written on January 11, 2018 )

It’s been an incredibly busy year at WildKat and we are so excited to continue our successes into 2018. As always, we’ve tried to pack as much as we can into a blog post for you all. The projects and clients mentioned below are a tiny portion of our highlights – Enjoy! 😊

First, a message from our Founder, Kat, who is already in the Austrian alps, ready to start the holidays:

“2017: you beast! I must admit I am quite glad to see the back of it… We launched and worked on so many projects and events, it felt like we somehow skipped the usual “quiet periods”. It has certainly been a challenging year; the uncertainty of the cultural and creative industries was felt across our sector and so internally we had to rethink our offerings, our staffing and general structure.

We have had some fantastic new clients and projects signed up to WildKat. Some personal highlights have been:

And so many more.

Mostly this year has been for me expanding the WildKat offices, opening a new one in Paris next year and working on our non-profit arm, Noted.

I have travelled for both companies to all corners of the world, and have had some great meetings and events take place, centred around the ethos of sharing and forwarding our industry. I think there is amongst all the anticipation on what future events (including Brexit, US etc) will bring a sense of renewed movement forward. I am encouraged to see so many positive ideas. The Noted Fellowship is in the next stage with announcements to follow in the New Year and our roundtables have come to life in Berlin, London and New York with fascinating thoughts and exchanges. My vision of having the newly graduates give the artistic director ideas on the future of our sector, is coming to life and its VERY rewarding!”

 

Internally we also have some great news:
  • Carolin is embarking on the ultimate WildKat perk: a 2 month paid sabbatical to New Zealand. (We are all just a tad jealous (“a tad” is putting it very lightly!! – Olivia)
  • Great staff have joined our teams all over the world, waving at at Eliza, Rachel, Alex, Nicolo, Maddie, Katja, and our continually growing pool of freelancers, consultants, and collaborators
  • Olivia was promoted to our UK Director and is, as expected, thriving in her new role. She also hits the 5 year anniversary mark next year and will at some stage embark on her sabbatical

Olivia says, “2017 has been a pretty turbulent year on all counts – whilst we have celebrated some truly inspiring projects, and championed everything that is BRILLIANT in our sector, and what it has to offer, we have all had to face a heavy and consistent hailstone of, let’s face it, awful news in the general media and across socials.

Saying this, one thing that our sector does best is use these events to inspire creativity, and to reflect and respond using our art and passion. Following the development of the “B-word”, we had the hilarious “The United Kingdom of Earth: A B***** Opera” at Tête à Tête’s 10th festival. Soosan Lolavar’s “ID, please” had its UK premiere at the same festival, reflecting on Trump’s travel ban. Ariana Grande sold out the Manchester arena for a benefit concert, following the bombings. There are many, many more examples, and there will continue to be.

As we look ahead to 2018, it’s important to remember the important of collaboration, cooperation, and participation. We have had such fresh ideas in discussion and have started to make change happen. We want to continue to work together, create conversations, involve diverse & conflicting voices, and create progress for classical music and the arts. I’m so excited for what is to come…”

Olivia visits New York for the first time!

Before Carolin heads off on her travels, she says, “Launching the Noted Fellowship this year was a real highlight, and I was so inspired to see all the innovative ideas that came through the application process. The only downside was choosing who would go on to stage 2. Good luck, everyone!

I’m very excited to make the most of my 2-month sabbatical, part of the WildKat perks, to not only have a long holiday (!) and travel the world, but also to return to the company and the industry with a refreshed and revived perspective.”

We are all really looking forward to 2018, particularly as we are celebrating 10 years of WildKat with a big party (joint with Music in Offices – happy birthday to you too!) and lots of fun events.

Thank you to everyone: clients, industry, friends, colleagues – the ones who champion us, critique us, support and dismiss us. We love you all and we look forward on what’s to come!

Happy holidays! 🎄🎄🎄

(Written on December 22, 2017 )

In today’s news, Carnegie Hall welcomes youngest ever concert series curator, new survey highlights public concern on secondary ticketing sites, UK music venues are still not being inclusive enough for less able performers, audience members and staff. Making music in urban spaces, and musicians envisage a borderless world post-Brexit.

The Guardian

UK music venues still exclude disabled performers, audience members and staff

Why are so many disabled staff, performers and guests having to fight for access to music venues? The sector and the government needs to do more.

Music Week

New survey ‘highlights public concern on secondary ticketing’

A new consumer survey has found that 80% of the British public consider secondary ticketing to be a “rip-off”.

Classic FM

Cecilia Bartoli becomes first woman to record with the Sistine Chapel Choir

“Being the first woman to sing with the choir, and to record in the Sistine Chapel, is an immense privilege, I am at a loss for words. I am in seventh heaven, may I say that?” said Cecilia.

Varsity

Car park concerts, balcony bands and subway singing 

Thea Sands charts the social implications of music making in urban spaces.

Broadway World

Daniil Trifonov to Offer Seven-Concert Perspectives Series at Carnegie Hall

At 26 years of age, Mr. Trifonov is the youngest artist ever to curate a Perspectives series at Carnegie Hall.

Süddeutsche Zeitung

Je spektakulärer der Bau, desto höher die Aufmerksamkeit

Allein um die beste Kunst geht es beim Konzertsaalbau nicht. Oft zählen nur Aussehen und Aufmerksamkeit. Dieser Wettlauf wird weitergehen.

Berliner Zeitung

Konzerthaus München Keine kulturelle Sensation

Das also soll der lang ersehnte neue Münchner Konzertsaal werden: Eine von dem aus Vorarlberg stammenden Büro Cukrowicz Nachbaur entworfene, im Grundriss nach Vorgabe des Grundstücks streng rechteckige, steil, glatt und weich geschwungen ansteigende Glashaube, unter der die drei Säle, die Foyers und Probenräume, Restaurants und Tiefgaragen aufgestapelt sind.

Pizzicato

Eröffnung eines Gamelan-Ausbildungszentrums in der Schweiz

Zehn Jahre nach der Gründung einer aus jungen Studenten bestehenden Gruppe von javanesischen Gamelan-Musikern, wird die von Nicole Coppey gegründete und geleitete Pädagogische Schule für Musikalische Kunst ‘Un, Deux, Trois, Musiques …’ in Sion im November dieses Jahres ein Ausbildungs- und Leistungszentrum für Gamelan eröffnen.

Musicians against Brexit

With viola player Timothy Ridout and cellist Jacob Shaw, two excellent British musicians proudly took part in Alpenarte’s European Journey, representing their country in this exciting international ride through a border-less music world.

Le Figaro

Dans les pas de Stravinsky à l’Opéra Garnier

Soirée Royale. Le ballet de l’Opéra de Paris interprète Agon et Le sacre du Printemps, tandis que Teshigawara signe une création sur une partition de Salonen.

Twitter

@StevenIsserlis: When as a boy I refused to practice, my parents used to insist, adding: “Some day you’ll thank us.’ And the annoying thing is – I do!

@STNMC1 This from @PrivateEyeNews, doesn’t look good for Diocese of London: ‘Staggering vacuity’

© Burkhard Bartsch (c): Governatorato SCV – Direzione dei Musei

(Written on October 30, 2017 )

The digital revolution is still proceeding and affecting nearly every aspect of our everyday life. Talking about music industry, we consider streaming, podcasting concerts and interviews, social media campaigns and online music magazines. The majority of our generation is used to Spotify, Youtube, Instagram and Snapchat.

But what is the impact of digitalisation on classical and contemporary music? One may think that the classical music domain is archaic, old fashioned and still follows old standards. It is undoubtedly a big challenge to apply new technologies to an established sector. Then again, we should consider that new technologies might also bring new opportunities and even encourage the creativity.

Streaming

Music streaming is immediately overtaking downloading as the favoured method of accessing music digitally. Streaming has changed the way the majority of people now listens to music but also the way musicians, agents and companies deliver music to their recipients. Nowadays one can find a big amount of classical and contemporary music on platforms like Spotify and Apple Music. On the other hand there are also services that specialise in classical music streaming only, including Primephonic.

The main challenge in classical music streaming is the correct use of metadata. This field of music industry has some of the most complex metadata regulations. The rules are sometimes not clearly defined. Although, the information tagged to each file, is important for searching, matching and allocating music.

Networking

We are facing diverse and connecting times. Internet and peer-to-peer technology is essential in sharing ideas and creating more perspectives. Everyone is talking about communities and peer-to-peer. Networking on this new level connects different types of music genres and also encourages collaborations between different types of musicians on an international level.

There are several networking platforms for musicians like Hello Stage and Reverbnation to help musicians to collaborate and unfold their potential and creativity.

Podcasting

One more way to reach an auditory is podcasting. Podcasting is a digital recording of music, news or other media that can be downloaded from the Internet to a portable media player.

A popular synonym for podcasting is audio-videoblogging. Spotify, Google Play and some major labels are already benefiting from music podcasts. Classical and other musicians are using podcasts to transmit concerts, interviews and music sessions to their auditory. The advantage of podcasting is building a closer relationship to recipients, appearing more personal providing a face-to-face connection. A popular classical music podcast is Sticky Notes.

There are many ways digitalisation affects classical music. Also disciplines like archiving, composing, teaching etc. are driven by computer-based methods nowadays. Increasing number of musicians is using iPads instead of music sheets and musicologists are digitally combining early editions and manuscripts to get to the bottom of composer’s intentions. Some of the tools can help musicians, teachers, researchers or agents to work more dynamic and efficient. Any other may confuse some people or even slow down the creative process. Nonetheless, it’s necessary to acknowledge that the world is different from even 20 years ago. The digital age is networked, global, and constantly changing. Digitalisation has a huge impact on society, culture and music culture in particular and the utilisation of digital tools and computer-based methods in classical music may bring challenges but also benefits for all the participants.

________________________

See some our clients using digital tools in their creative process:

Corre (a marriage of sounds and visuals)

Inclusive Creativity (performance and composition for less able musicians through the development of new technologies and methodologies)

(Written on October 25, 2017 )

In today’s news: Cellist Daniel Pezotti has died, Rome’s opera house increases it’s intake and number of visitors, and composer Unsuk Chin wins “Wihuri-Sibelius-Prize”. Can classical music give people with Alzheimer’s a new lease of life, and Soho radio gets its first classical music show courtesy of Manners McDade’s Harriet Moss.

Classic FM

Was Mozart’s sister actually the more talented sibling?

On ‘International Day of the Girl’, Classic FM celebrate Nannerl Mozart, the oft-forgotten sister of the eminent Wolfgang.

Telegraph

Can music give people with Alzheimer’s a new lease of life?

Whether it’s singing, humming or playing the piano, for people with dementia music really can be the key to memory.

M Magazine

Tileyard Education announces Women in Music Now event

Tileyard Education has announced details of Women In Music Now (WIMN) – a one-day all-female event which will host talks, panels, networking and workshops for women aspiring to work in music.

Soho Radio launches classical music show

London community channel Soho Radio is launching its very first classical music programme, with Manners McDade’s global creative manager Harriet Moss presenting.

Limelight

Adelaide Festival to host Akram Khan’s final solo performance

The dancer-choreographer will appear in XENOS in 2018, a fitting bookend to his Australian appearances.

Klassik Heute

Bewerbungsphase für Festivalorchester 2018 beim SHMF beginnt

In der kommenden Woche startet die Bewerbungsphase für das Festivalorchester 2018 des Schleswig-Holstein Musik Festivals.

Klassik.com

Schweizer Cellist Daniel Pezzotti gestorben

Der Schweizer Cellist Daniel Pezzotti ist tot.

Pizzicato

Roms Opernhaus steigert Einnahmen und Besucherzahlen

Das Opernhaus der italienischen Hauptstadt meldet für den Zeitraum 2014 bis 2016 ein Plus von 51 Prozent bei den Einnahmen.

France musique

La compositrice sud-coréenne Unsuk Chin a été récompensée du Prix Sibelius de Wihuri.

Décerené en Finlande par la Foundation Jenny et Antti Wihuri, il est doté de 150,000€.

Twitter

@Archivist_Liz So is digging a hole and here’s what was found and now has pride of place in the Hall’s Archive

© Getty/Unsuk Chin

(Written on October 12, 2017 )

The ninth Planet Tree Music Festival kicks off tomorrow, running until 26th October in Hampstead, North London.


Founder and composer Lawrence Ball has curated the festival with the aim of creating an immersive experience for those wishing to connect to a higher sphere through deep engagement with classical music. Audiences are encouraged to lie down, meditate and experience the sound worlds presented, championing an alternative way of listening. The outdated rules employed in traditional concert halls are discarded in favour of a more accessible experience rooted in spirituality and relaxation. 

Similar in format to Max Richter’s sold-out ‘Sleep’, the 2017 Planet Tree Music Festival offers concert attendees the opportunity to lie down and relax into cosmic sound worlds, with a host of international musicians performing music specially written for this year’s programme.

 

The festival was opened by Terry Riley in 1996, establishing its ethos and reputation as one that showcases tonal, non-elitist contemporary music. The programme deals with the brighter side of contemporary classical music, featuring pieces by popular composers including Max Richter and Arvo Pärt.

Collaborator and performer James D’Angelo says: “The Planet Tree Music Festival has established a new forum for contemporary music that returns music to its spiritual roots and gets people in touch with their souls hungry for impressions of who and what they are… No composer could ask for anything more than the refined atmosphere that is the Planet Tree Music Festival.”

Tickets can be purchased on the door of each of the venues, namely the Rosslyn Hill Unitarian Chapel and All Hallows Church, Hampstead. Full concert details can be found here.

WildKat has, so far, secured coverage for Planet Tree Music Festival in PRS M Magazine, Culture Whisper, International Arts Manager, and local newspaper Camden New Journal. Stay tuned for more!

(Written on October 6, 2017 )

In today’s news, have you ever wondered why people don’t clap between movements in a symphony? Classic FM investigates. Lang Lang relies on his assistant to lend a hand mid-performance, and a Welsh opera company is under fire for its racist casting. Orchestra carries on without a conductor, and Delnon and Nagano extend their contracts in Hamburg.

The Guardian

Assistant lends a hand to Lang Lang

Pianist plays Gershwin at the New York concert hall with a 14-year-old protege literally his left-hand man.

Classic FM

Why don’t we clap between movements?

There’s a bit of a tradition in classical music that you only clap after a piece has finished – and never in between movements. But why does this ‘rule’ actually exist?

The Stage

Welsh opera under fire for racist casting

Industry figures, including the artistic director of Yellow Earth Theatre Kumiko Mendl and actor Daniel York, have slammed “yellowface” casting in the touring production.

The Sun

Writer of hit BBC drama ‘Doctor Foster’ has plans to make it into an opera

Playwright Mike Bartlett has written 17 works for the stage, including hits in the West End and on Broadway.

Codex Flores

Delnon und Nagano verlängern ihre Hamburger Verträge

Der Aufsichtsrat der Hamburgischen Staatsoper hat die Verträge mit dem Schweizer Georges Delnon und Kent Nagano an der Hamburgischen Staatsoper um fünf Jahre zu verlängert.

Broadway World

Shortlist Announced For The 2017 BroadwayWorld UK Awards; Voting Now Open!

Today, the shortlist is announced for the 2017 BroadwayWorld UK Awards, celebrating the best long-running West End productions and best new productions from around the country.

NMZ

Klang der Revolution – Orchester spielen ohne Dirigent

So klang die Oktoberrevolution: Im Jubiläumsjahr der russischen Revolution von 1917 ist in Düsseldorf das Experiment des «herrschaftsfreien Musizierens» neu zu erleben.

Twitter

@TrinityLaban  is today! Find out why ballet is good for everyone! http://bit.ly/2yIzQHW

@BBCIntroducing Think Introducing only supports indie music? Think again. 

© Zack Seckler/Getty

 

(Written on October 5, 2017 )

In today’s news: José Carreras to retire after half a century in the industry, violinist Gidon Kremer receives Federal Cross of Merit, and Czech harpsichordist Zuzana Růžičková has died. Behind the scenes at the ENO, myths about music streaming and new theme for Attenborough’s ‘Blue Planet’.

The Guardian

Radiohead and Hans Zimmer collaborate on new ‘Blue Planet’ theme

The band and the composer have released the track, which is a reworking of Radiohead’s Bloom and will be the theme to the forthcoming nature series.

Kwame Kwei-Armah named new Artistic Director of the Young Vic

Award-winning British playwright, who is currently director of Baltimore’s Center Stage, will take over role next year

Music Business Worldwide

3 myths about streaming, and 3 truths about the music industry today

How much of it is worth listening to – and how much is complete hogwash?

The Telegraph

Alfie Boe and Michael Ball to duet with West Side Story medley

The popular classical-crossover duo will record another LP after the success of previous collaborations.

Behind the Scenes at ENO’s new production of ‘Aida’

Exclusive pictures offer a backstage look at Verdi’s tale of love and betrayal in ancient Egypt.

Pizzicato

Conductor Jean-Yves Ossonce charged with moral harassment

Conductor Jean-Yves Ossocne, the former director of the Opera in Tours, France, has been charged with moral harassment, La Nouvelle République reports.

Kultur Radio

Tenor José Carreras beendet Sängerkarriere

Der Tenor José Carreras wird seine Sängerkarriere beenden. Das gab Carreras in einem Interview mit der New York Times bekannt, wie das online-Magazin klassik.com berichtet.

Klassik.com

Bundesverdienstkreuz für Geiger Gidon Kremer

Der Geiger Gidon Kremer erhält den Verdienstorden der Bundesrepublik Deutschland.

Musik Heute

Tschechische Cembalistin Zuzana Růžičková gestorben

Die tschechische Cembalistin Zuzana Růžičková ist im Alter von 90 Jahren gestorben. Das berichtete die Agentur CTK am Mittwoch unter Berufung auf ihren Stiftungsfonds für Musiker.

Twitter

@MusicMagazine: ‘We’re quite humbled and proud that Roland Rat is a subscriber to BBC Music Magazine.’

© Tristram Kenton/ENO

 

(Written on September 28, 2017 )

Olivia Brown has taken up the position of Director, London Office at WildKat PR.  Previously Head of Creative Strategy & Marketing, Olivia will continue to be responsible for creative strategy at WildKat, exploring and implementing new services, and running the branding and social media strands of the company.

Her new role will also entail overseeing all business here in the UK and Ireland, and working with Carolin Denz (Director, Berlin Office) to develop and progress the WildKat brand, as well as working with the Founder, Kathleen Alder, to adapt WildKat to our ever-changing industry.

Kathleen Alder, Founder of WildKat PR commented: “It is with great delight that we announce the promotion of Olivia Brown to Director, London Office. Olivia has always been a dedicated and hardworking member of the WildKat PR team and has displayed a great deal of passion to the field of music and performing arts. Olivia first joined us in her ‘year in industry’ while studying at the University of Leeds, and after joining the London office as a full-time member of staff has overseen the expansion of our traditional services such as PR, marketing and social media to include more creative services such as branding, surveys and a more tailored approach to our services.

“Olivia has a proven track record of team leadership and a determination to provide the best possible service for our extensive client roster, and I am excited to see where she will lead the London office in the future. Olivia’s youth, talent and enthusiasm befits the overall company ethos and she will join myself and our Berlin Director Carolin Denz in running the company overall.”

Olivia commented: “It’s been an incredibly exciting and rewarding adventure to experience WildKat transform in the past 5 years, from when I started as an intern to the newly created position that I began last year.

“I am incredibly grateful to Kat for providing me with the structure and support to confidently lead the company from within, which is often very rare in our industry. Meanwhile, Kat continues to champion the young leaders of the classical music industry, regardless of age, gender, or background. As Director, London Office, I look forward to further leading the company into exciting new territories, both through anticipating the future of the industry and reacting to it, and also overseeing our expansion into the U.S. and France in 2018.”

(Written on September 25, 2017 )