Posts Tagged ‘Cubitt Sessions’
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We are delighted that tickets for Tête à Tête: The Opera Festival 2018 are now on sale and the programme is as daring and “scream-worthy” as ever.

“The Modern Prometheus” theme extends into the festival with more of a Black Mirror edge, following Tête à Tête’s collaboration with Royal College of Music earlier this year: WEAR is an immersive opera about time travel, high fashion, ecological disaster and love, taking place in The Crossing at King’s Cross; NIBIRU!, a concept album about the apocalypse, social networking and conspiracy theories; Vicky & Albert is the story of an app, which convinces people that the user has a boyfriend…

In what promises to be both hilarious and thought-provoking, audiences are given an insight into the trials and tribulations of being two and three quarters, with a double bill of two operas: I Do Need Me explores the intensity of emotion that small children experience; I’m Not A Bit Like A Clown is a playful work that captures the joy and freewheeling energy of a toddler, whilst exploring and exploding our received ideas of gender, offering a delightful child’s eye view of the world.

More opera, this time for children the story of a fossilised hippo from 250,000 years ago, involving an interactive workshop and opera, The Lost Box of Stories, presenting new music and storytelling with Mid Wales Music Trust.

Tête à Tête welcomes its first Artist-in-Residence, with Li-E Chen’s Proposition for a Silent Opera at an Invisible Museum – I am a museum, a development of the 2017 work that encompasses an art exhibition in the foyer of The Place between 16th – 18th August, plus performances throughout the week.

Cubitt Sessions open the festival again this year, offering free servings of opera for the King’s Cross area with BISHI, Errollyn Wallen, Juice Vocal Ensemble, plus Aubergine from Muziektheater Transparent, and Tête à Tête’s very own operatic disaster, TOSCATASTROPHE!

As always, taking a journey through the past with new opera eyes on, Mary’s Hand is an immersive, biographical take on Mary “Bloody Mary” Tudor (featuring playing cards); Love Me To Death is based upon Ruth Ellis, the last woman hanged in Britain, plus a new collaboration with the Wellcome Collection for Dear Mary Stopes, a story told through letters, responding to her controversial sex manual ‘Married Love’.

This year’s festivals offers operatic treats, both reflective and pioneering, from both long-standing Tête à Tête alumni and new companies and artists. With a focus on Artist Development and support, with the “For Artists” hub on the website, the company continues to provide more opportunities for artists worldwide.

Tickets are now on sale! Where tickets are required we recommend booking early for the best price online at tete-a-tete.org.uk. Early Bird Online until 10th July £5.00 /  In Advance Online £7.50 / In Person, On Phone, On The Door at the venue £9.50. Lots of shows are free so just turn up and enjoy!

(Written on June 20, 2018 )

Bold opera pioneers Tête à Tête has announced its upcoming plans for the 2017 season, 20 years since the company was founded.

“What amazing adventures we have enjoyed across these the past two decades, realising bold and brave experiments, creating opera really up close, establishing a really strong and intimate relationship with our audiences and revelling in the theatricality of the form”

– Bill Bankes-Jones, Founder and Artistic Director

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2017 also marks the Anniversary of the company’s first Opera Festival. To celebrate, they have planned the 10th Anniversary of Tête à Tête: The Opera Festival. It will take place at King’s Cross from 24 July – 13 August 2017, at both The Place and King’s Place. They are also delighted to announce that the well-received Cubitt Sessions will be back as a centre-piece of the festival. Full details on productions and tickets will be announced in May 2017. Watch this space!

Besides announcing its 2017 season, Tête à Tête also released a Tête à Tête: The Opera Festival 10th anniversary report, demonstrating their outstanding commitment to inclusivity and diversity: 22% of composers in 2015 were BAME or coming from minority backgrounds.

You can read the full report here.

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This year, they will also be launching ‘MyNewOpera’, a global platform featuring the work of producers from all over the world, ready to watch. They already have an archive of over 400 videos for the launch, with many more to be added before then. It turns out that the explosion of small-scale new opera and music theatre is a global trend, and online, without barriers, it can start to happen worldwide.

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WildKat PR is very excited to be working with Tête à Tête again this year. For the latest news and releases on this year’s festival, follow WildKat PR on Twitter, and Tête à Tête on Twitter. Also, check out their brand new website and full announcements here.

(Written on January 19, 2017 )

2016 – what a year it has been! 

It’s been a year full of political and cultural changes and we look forward what 2017 holds in store. 

We have also had to adapt WildKat’s set up and services towards the current climate. Artists and organisations, as well as independent projects, look for even more value for money, and for smarter, more effective approaches towards reaching audiences. 2016 is the year we truly went into number crunching, exploring what and how coverage converts into ticket sales, which platform drives different types of traffic, what will guarantee a sell-out and what is worth an investment for the future. 

We have brought in a new set of Account Managers and created new roles to cater to a renewed interest in broader press and online targets. 

I am optimistic about 2017. Change always means opportunity. It means we are in motion, and the arts are the first place we will see that. I look forward to new pieces being created, new companies being formed and new ideas coming to fruition.

Thank you to all our partners, clients, journalists and the wonderful staff across all our WildKat offices. We finish the year on a high with our annual skiing trip to Austria! Let’s slide merrily into the New Year.

Managing Director, Kat Alder

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In 2016, WildKat PR continued to expand our roster with lots of diverse projects and campaigns, from Ancient Academy of Music to Metal’s production of Steve Reich’s Different Trains with the London Contemporary Orchestra. We also worked with a wide range of fantastic organisations on unique projects, including projects with The European Union Youth Orchestra, Help Musicians UK and Live Music Now. Also, across the Atlantic Ocean in our New York office, we began campaigns with the world-renowned The Cliburn and Cincinnati Symphony Orchestra.

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Here are some highlights from our fantastic year:

In Spring 2016, Sacconi Quartet and Sacconi Chamber Music Festival returned to WildKat, and it was another very successful year for them, highlights include a 5-star review by The Guardian and also an awesome review by Financial Times. They also premiered Jonathan Dove’s ‘In Damascus’, a brand new work for Tenor and String Quartet.

Photo: Emilie Bailey

In Summer 2016, another year, another weird and wonderful set of Tête a Tête performances, including Toni Castells‘ ‘2045: The Year Man Becomes Immortal?‘, which featured in The Guardian‘s top classical picks, and on BBC Radio 3: In Tune, amongst other outlets. They also ran six productions, forming part of the Cubitt Sessions at the heart of King’s Cross this year. Looking ahead to 2017, lots are going to happen in January with Tête a Tête, so keep reading our blog to follow their latest news!

Photo: Tête a Tête

In August, BitterSuite launched their crowd-funding campaign on Kickstarter, and successfully reached their target. They were featured in Vice, and they also debuted in New York at Brooklyn Academy of Music in December.

Photo: BitterSuite

In Autumn 2016, we worked with Metal Liverpool on Steve Reich’s Different Trains. We gained a huge range of alternative coverage, including The Sunday Times, live-streaming on Boiler Room, and BBC Radio 6 Music.

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Photo: Martin Godwin

In Winter 2016, Ailie Robertson‘s classical debut single ‘Haven’ was a big hit, reaching No.2 on iTunes Classical Chart. She also made appearances on BBC Radio Scotland and BBC Radio 3: In Tune.

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The Academy of Ancient Music received a very strong set of reviews for our first concert with them, recording 4 and 5 stars.  They also continue to receive excellent reviews for their disc of music by Dario Castello, which proves to be increasingly popular following the concert and broadcast and is encouraging in supporting their aim to bring neglected music to a wider audience.  We now very much look forward to the release of the second volume in 2017.

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Accentus Music also has had an incredible year with us, with over 50 pieces of coverage throughout the year, and several productions nominated in several categories for the International Classical Music Awards 2017, including a CD by the Polish National Radio Symphony Orchestra and Alban Berg’s opera ‘Wozzeck’ DVD performed by Opernhaus Zürich. We look forward to further collaborations with Accentus in the new year.

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Photo: Accentus Music/ Berg Wozzeck

We also had a great year with Dartington – this year’s festival saw musicians, writers and artists of all ages and abilities descend upon the beautiful medieval Dartington estate, to take part in courses, watch and participate in masterclasses, create new works, and attend concerts and performances, of which there were over eighty over the four week period!  We are excited to have the chance to work with them again for their International Summer School and Festival 2017, which promises to be just as, if not even more exciting.

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Besides our usual Press and Promotion service, we are also developing a wider range of services. We introduced our full Social Media packages and more Creative Campaigns.

We have recently worked with ECC100, a vinyl-only record label founded by Lush, on their release of ‘Set in Stone‘, music inspired by ancient stone circles in Dorset, UK. As well as a press campaign, we also organised a creative campaign, inviting journalists and bloggers to travel on a journey through their senses, with fragrances created by Gorilla Arthouse, which were inspired by the music from the album, live performance from Simon Richmond and John Metcalfe, and the screening of a film by Patrick Dunn.

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Photo: ECC100

Now that the year is almost over, we are very much looking forward to announcing new partnerships in January 2017! To follow our latest news and updates, keep reading WildKat PR Blog, or follow us on our Facebook page and Twitter.

Have a very Merry Christmas and a great start to 2017!

(Written on December 21, 2016 )