Posts Tagged ‘France’
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In today’s news: Yukata Sado conducts DSO, and Dresdner Symphoniker play at the mexican side of the wall between the USA and Mexico. Mendelssohn and the Protestant Reformation at the centre of Music Festival Speyer, and NSO announces new executive director. Apple unveils a new ‘HomePod’ speaker system, the real-life influence behind ENO’s ‘Yardbird’ opera, ‘One Love’ concert raises £2million for victims of hate attack, and Warner Music Group announce new non-pop division.

The Guardian

My journey to Charlie Parker: ENO’s Yardbird

Bridgette Wimberly’s uncle idolised his jazz-legend friend so much that he took up the saxophone – and copied his heroin use.

M Magazine

‘One Love Manchester’ raises £2million for victims of Manchester bombing attack

Ariana Grande’s benefit concert on Sunday has, to date, raised over £2million.

The Week

NYPD sergeant connects with the community through classical music

Over the course of a decade, New York Police Sgt. Chris Yip went from not knowing how to play a note to being a classically trained pianist who performs at venues across New York City to benefit nonprofit organisations.

Billboard.com

Warner Music Group creates arts music division and joint venture with Sh-k-Boom

Kevin Gore joins as as president of new division focusing on classical, musical theatre, jazz and non-pop genres

Independent

Apple-designed ‘HomePod’ is the latest release at the WWDC to join the smart home market

Apple has officially launched HomePod, a Siri-powered talking music system for the home. It looks unusual, like a cross between Google Home and the Mac Pro, wrapped in mesh.

Tagesspiegel

Echos des anderen Amerika – Yutaka Sado dirigiert das DSO

Ein transatlantischer Gedankenflug: Der japanische Dirigent Yutaka Sado und das Deutsche Symphonie-Orchester zwischen „Apalachian Spring“ und „Aconcagua“

Spiegel.de

Anti-Trump-Konzert am Grenzzaun -Dresdner Sinfoniker in Mexiko

Musizieren gegen Trump: Die Dresdner Sinfoniker traten am Grenzzaun zwischen Mexiko und den USA auf. Ein Parallelkonzert auf der anderen Seite des Bollwerks hatten die US-amerikanischen Behörden verboten.

Concerti

Eine Sinfonie als Glaubensbekenntnis

Das Musikfest Speyer stellt dieses Jahr Mendelssohn und die Reformation ins Zentrum.

Le Monde

Disparition du chef d’orchestre Jeffrey Tate

Le grand chef britannique, qui avait fait une partie de sa carrière en France, s’est éteint en Italie à l’âge de 74 ans, le 2 juin.

The Washington Post

NSO announces new executive director

The National Symphony Orchestra named its next executive director, Gary Ginstling, currently the chief executive of the Indianapolis Symphony Orchestra, on Monday morning.

Twitter

Clash Music (@clash_music): Listen: Bob Dylan’s Nobel Prize lecture is online now and it is simply incredible http://bit.ly/2sMLdLJ

The Telegraph (@TeleMusicNews): ‘I Think It’s Going To Rain Today’: 30 great songs about rain  http://bit.ly/2sMSpI1 

Photo credit: Dominic Mercier

Photo credit: Dominic Mercier

(Written on June 6, 2017 )

The Cincinnati Symphony Orchestra has announced further details of their August/September 2017 tour taking place on mainland Europe and the UK.

The orchestra is embarking on an extensive summer programme, following on from a successful tour in Hong Kong and China earlier in 2017. The CSO most recently toured Europe in 2008, before Maestro Louis Langrée took up the position as conductor and Music Director in the 2013/14 season.

In addition to the BBC Proms performance on Sunday 27th August, the orchestra will be performing at the following venues:

25th August: Edinburgh International Festival, Edinburgh
29th August: Palacio de Congreso del Kursaal, San Sebastian
30th August: Palacio de Congreso del Kursaal, San Sebastian
31st August: Palacio de Festivales de Cantabria, Santander
3rd September: Muziekgebouw, Eindhoven
4th September: Tivoli Vredenburg, Utrecht
5th September: Queen Elisabeth Hall, Antwerp
8th September: Seine Musicale, Paris
9th September: Seine Musicale, Paris

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(Written on May 15, 2017 )

In today’s news: Juillard School named Argus Quartet as Juilliard’s New Graduate Resident String Quartet, and look at the new Steinway piano. The Kulturpalast Dresden reopened last friday, and Douglas Bostock will leave Argovia Philharmonic in 2019. Antonello Manacorda fills in for Elbphilharmonics principal conductor Thomas Hengelbrock, and the Barber of Seville in the Hong Kong Opera.

The Violin Channel

Argus Quartet Announced as Juilliard’s New Graduate Resident String Quartet

The Juilliard School in New York has today announced the appointment of the Argus Quartet as their new graduate resident string quartet.

 Classic FM

This new Mussorgsky-themed Steinway piano is utterly stunning to look at

Designed by Steinway artist Paul Wyse and based on ‘Pictures at an Exhibition’, this Steinway Model D grand piano is completely crazy, in the best possible way.

The Strad

Ask the Experts: can beginner violin lessons be given by a cellist?

Strad readers submit their problems and queries about string playing, teaching or making to our experts.

The Guardian

Fight the Power: which songs define Trump’s first 100 days?

Senate minority leader Chuck Schumer has ridiculed the president by releasing a scathing Spotify playlist.

Berliner Zeitung

Dresden  – Der alte Kulturpalast ist nach fünf Jahren Umbauzeit fertig

Die Quälerei hat ein Ende, die Musiker können aufatmen. Sie können spielen, sie werden überall gehört.

pizzicato

Douglas Bostock verlässt ‘Argovia Philharmonic’ 2019

Das Schweizer Orchester ‘Argovia Philharmonic’ in Aarau hat den in der Saison 2017/18 auslaufenden Vertrag mit seinem Chefdirigenten Douglas Bostock um ein weiteres Jahr verlängert. Der 1955 geborene Brite will aber 2019 nach 18 Jahren seine Tätigkeit in Aarau beenden.

Klassik-heute

Antonello Manacorda übernimmt Dirigate von Thomas Hengelbrock

Thomas Hengelbrock ist erkrankt und musste seine Auftritte mit dem NDR Elbphilharmonie Orchester am 4., 5. und 7. Mai absagen. Für ihn übernimmt Antonello Manacorda die Leitung der Konzerte in der Elbphilharmonie.

Le Parisien

Strasbourg: le métal investit pour la première fois une scène d’opéra en France

Plusieurs centaines d’amateurs de heavy metal se trouvaient rassemblés samedi soir à l’Opéra national du Rhin (OnR) à Strasbourg pour assister à Metal Oper’Art, premier festival du genre en France, a constaté un journaliste de l’AFP.

South China Morning Post

Rossini as rom-com: Opera Hong Kong sets The Barber of Seville in Hollywood’s golden age

Director turns to the theatre of Hollywood musicals for production of Rossini comic opera, and mezzo-soprano Stephanie Lauricella, making her Asian debut, relishes the challenge of singing Rosina, gutsy girl in a man’s world.

The Irish Times

National Concert Hall needs to go beyond classical music

‘The building looks imposing, officious. Getting people in the door is a big thing’

Twitter

30 Death of a cutting-edge Finn composer

2 Klarinettist Eduard Brunner gestorben

 

Classic FM

 

(Written on May 2, 2017 )

Account Manager Victoria Cappelletti’s views on working as a PR in Paris and London: Differences, difficulties & evolution

Over one year ago I moved to London to start working at WildKat PR as an Account Manager. I had previously worked for two years in the music industry in Paris, at a major record label and also in an independent PR agency with a similar structure to WildKat.

Being aware of the stakes of promoting independent and emerging artists in Paris, I was curious to see and experience the differences between the industries, seeking new professional challenges and looking forward to tame British journalists.

As I had previously worked with UK and international clients, I already had an insight into some of the differences, however, after a year of working as a press officer in London, I was able to find distinctive quirks.

wildkat-pr-tower-bridge-eiffel-tower

In my opinion, big record labels and majors rule music industries. That’s the case in both the UK and France. Independent, alternative and emergent artists thus struggle (more) to rise and thrive with their art.

As the French government cuts budgets for culture, the media has to focus on bigger artists, or at least on the ones that will gain a more significant audience. I could see that they were sliding dangerously from programming artists that they are personally passionate about, to generating profit for the media. As someone who is, and has always been so passionate about music, spending entire evenings digging for unknown tunes on Soundcloud, it makes me quite sad.

My knowledge of the UK government’s decisions for culture (apart from Brexit which will have an important impact on diversity in my humble French opinion) is limited, but it seems quite obvious that there are way more opportunities for new artist, to perform but also to be featured in the media.

Regarding live performances, for example, maybe it comes from the fact that all things cultural don’t happen in central London, as it is in Paris intra-muros, but alternative, emergent, underground cultural opportunities blossom in zone 2 and 3, whereas it is almost impossible to make Parisians cross the city centre’s limits.

Hence, there is a profusion of music venues, from established concert halls to basements and Pizza Express, that allow emerging bands and underground composers to perform their music or art, get visibility and improve their talent.

It also seems that there are more channels and ways to promote artists in the UK.

For example, I was able to secure a piece in a national newspaper for my first campaign, whereas the journalist had never heard from me before, and my sharp French accent couldn’t fool anyone.

Of course relationships with the media are the key to being a good and efficient PR. But here in the UK, I’ve felt like journalists are more open-minded and if you pitch to them right, offering an interesting idea, they will say yes.

In France, it’s more difficult to offer something original, and journalists are not likely to respond to you unless they know you. Maybe it’s also the case here, but simply in my experience, it’s not.

I’ve learnt that here anything is basically possible, if you put enough creativity and resources into it. This is an integral part of the culture at WildKat and has taught me a new way to approach to PR. The French music industry is obviously still strong, and there are still great things to do – it just seemed to me that without a strong record label behind them, emerging artists had less chances to be promoted in media and programmed in a venue, even the smallest.

 

Note: Beyond the PR and media industry, I think the differences between the two countries are probably beyond business. It’s social, it’s a way of working, communicating, and thinking.

The UK has seen the birth of major underground musical movements such as punk, grime and trip-hop. It’s the home of beautiful weirdos, from Elton John to Boy George to David Bowie, among so many others.

wildkat-pr-david-bowie-vystava-berlinPhoto: DesignMagazin.cz

I believe that all these cultural developments and their leaders ‘used’ people’s minds to be more open, accepting, experiencing and enjoying alternative and underground music and art movements.

Generally, the UK is known for being a cool country, where people won’t judge you for your half-balled turquoise haircut, wearing shorts in January, or the music you are listening to. I’ve seen youngsters sing along to rock songs next to quiet old men in the pub.

I am not saying France is behind in terms of music – it has the 2nd best hip-hop scene, many other amazing weirdos and a new generation of artists that are now making their way across the Channel and beyond – for example, Christine & The Queens whom I’m always glad to see on billboards here in London.

wildkat-pr-christine-and-the-queens-refuse-proposalsPhoto: momo.works/ refuse proposals

We have a great new wave of music, which I think and hope will go far.

I believe Paris should open its ‘borders’ offer more exciting opportunities to emerging artists through reopening old venues, rehabilitating others, and take (some) inspiration in London’s music life’s landscape.

wildkat-pr-victoria-cappelletti

Photo: Victoria Cappelletti

(Written on December 15, 2016 )

WildKat PR is very happy to announce and welcome our newest client, The Cincinnati Symphony Orchestra.

CSO is a dynamic ensemble of some of the world’s finest musicians. As the sixth oldest symphony orchestra in the U.S. and the oldest orchestra in Ohio, it has played a leading role in the cultural life of Greater Cincinnati and the Midwest since its founding in 1895.

kssn_114

Louis Langrée, CSO’s current Music Director, began his tenure as the CSO’s 13th Music Director in the 2013-2014 season with a celebrated program. The New York Times said “deftly combined nods to the orchestra’s history, the city’s musical life and new music.” Over the Orchestra’s 120-year history, it has also been led by Leopold Stokowski, Eugène Ysaÿe, Fritz Reiner, Eugene Goossens, Max Rudolf, Thomas Schippers, Jesús López-Cobos, and Paavo Järvi, among others.

music-director-louis-langree

During the 2015-16 season, the CSO continued the tradition of commissioning new music with the world premieres of seven works including three Concertos for Orchestra, by composers Sebastian Currier, Thierry Escaich and Zhou Tian. Live recordings were made out of each of these new concertos for commercial release, and is the second CSO recording with Music Director Louis Langrée. The album will be released on 17th November by the Orchestra’s own record label Fanfare. A short web documentary will soon be released in three parts, covering each of the three pieces and featuring interviews with Louis Langrée and the three composers who come from three different continents.

WildKat PR will be providing PR service for The CSO in the US, UK and France. Keep up to date with the orchestra’s latest news on its website, Facebook, Twitter, YouTube and WildKat PR blog.

(Written on September 30, 2016 )

In September at a concert in Turin, lead singer of U2, Bono called for “humanitarian leadership” in response to Europe’s refugee crisis. Whilst Europe’s leaders have been discussing solutions; musicians have also made a concerted effort to raise awareness of the plight of refugees and to give them some pleasure through music.

It was unfortunate that in the wake of the terrorist attacks in Paris this November, Spanish viol player and conductor Jordi Savall had to make the decision to postpone a concert. He was due to perform at the ‘Calais Together’ event with his ensemble Hespèrion XXI on 17th December at the refugee camp in Calais. His safety and the safety of his musicians couldn’t be guaranteed amid fears of unrest, however the event will take place by the Spring.

The Yehudi Menuhin School is also due to perform for refugees in Calais. On 20th January students and staff will work with volunteers at the ‘Jungle’ to distribute food parcels before performing a concert for around 6,000 refugees. The school hopes that it won’t just be a one off event and that they will return to Calais. The project is very much in line with Menuhin’s vision of the relationship the school should have with the outside world.

Yehudi Menuhin/ Yehudi Menuhin School "The violin, through the serene clarity of its song, helps to keep our bearings in the storm, as a light in the night, a compass in the tempest, it shows us a way to a haven of sincerity and respect."

Yehudi Menuhin/ Yehudi Menuhin School
“The violin, through the serene clarity of its song, helps to keep our bearings in the storm, as a light in the night, a compass in the tempest, it shows us a way to a haven of sincerity and respect.”

In October a demonstration and concert took place in Vienna to show solidarity with refugees in Europe, it featured the German punk band ‘Die Toten Hosen’, ‘Conchita Wurst’ and a speech by Austrian President Heinz Fischer. In London this November, Paloma Faith joined forces with Peace for a concert to raise money for Help Refugees; these are just two concerts among many throughout Europe. Rap singer M.I.A. released a track ‘Borders’, which charts the journey of refugees across Europe and criticises governments for not doing enough.

Perhaps the most extraordinary case of music raising awareness of the refugee crisis, is Syrian rock band Khebez Dawle, who made their journey from Lebanon to Germany fun by performing gigs along the way. Syria offered the group no hope of a career in music so they sold their instruments to pay smugglers to get them across the Mediterranean. Through their music, they aim to tell the stories of desperate migrants looking for refuge.

Khebez Dawle/ Yahoo

Khebez Dawle/ Yahoo

These musicians are aware of the power of their music and the hope and comfort it can offer to people with nothing else left. Some of these events have political undertones, whilst some aim to raise awareness of the plight of refugees on a purely humanitarian level. With the Yehudi Menuhin school’s concert in Calais in January and Jordi Savall’s soon to follow, the New Year could bring new hope. We often feel helpless in the face of such crises but whilst governments battle with big decisions, musicians are sharing their music and working according to Yehudi Menhin’s ethos of supporting minority communities.

(Written on December 22, 2015 )

Classical News

In today’s news, the results of Sound and Music’s Composer Commissioning Survey are revealed, Royal Scottish National Orchestra relocates to Glasgow’s Royal Concert Hall, ‘La Marseillaise’ is played around the World and Sebastian Schwartz is appointed general director at Glyndebourne. Also, the winners of the Paul Hamlyn Foundation Awards are announced

Classical Music Magazine

Sound and Music survey highlights problems faced by composers

The results of Sound and Music’s Composer Commissioning Survey 2015 have been revealed. The survey was first conducted in 2014 in response to increasingly frequent remarks over the worsening environment for the creation of new music

The National

Royal Scottish National Orchestra moves to bespoke new home in Glasgow city centre

Scotland’s national orchestra has relocated to a new home in Glasgow city centre. The construction of a purpose-built rehearsal and recording facility for the Royal Scottish National Orchestra (RSNO) and a new 600-seat music auditorium was completed last month

The New York Times

After Paris Attacks, ‘La Marseillaise’ Echoes Around the World in Solidarity

It rang out at the Metropolitan Opera, with Plácido Domingo conducting, and before performances by the Philadelphia Orchestra, the Lyric Opera of Chicago, the Detroit Symphony Orchestra and others. Muslim leaders sang it in Paris at the scene of one of Friday’s deadly terror attacks

Classical Music Magazine

Paul Hamlyn Foundation award winners announced

Composers Brian Irvine, Adem Ilhan and Peter Wareham have been named winners of the Paul Hamlyn Foundation Awards for Artists 2015. Each winner receives £50,000 over three years, with no obligations or conditions as to how the money is used

Classical Music Magazine

Glyndebourne appoints Sebastian Schwartz as general director

Glyndebourne has appointed Sebastian F. Schwartz as general director. He will take up the new role in May 2016, becoming the opera company’s seventh general director

NMZ

Liz Mohn Kultur- und Musikstiftung fördert 15 Musikprojekte

In den Projekten erhalten junge Menschen aus unterschiedlichen Kulturen die Chance, an kultureller Bildung teilzuhaben und das Miteinander und Verständnis füreinander zu lernen

Klassik.com

Medal of Freedom für Geiger Itzhak Perlman

Der Violinist und Dirigent Itzhak Perlman erhält die Presidential Medal of Freedom, die als höchste zivile Auszeichnung der USA gilt

Codex Flores

Kammerorchester Basel reist nach Australien

Das Kammerorchester Basel gastiert zum ersten Mal in seiner Geschichte in Australien. Eingeladen hat das Australian Chamber Orchestra. Als Solistin reist die Cellistin Sol Gabetta mit

El Pais

“Mi música es una mezcla de lógica y sentimiento”

El compositor Ludovico Einaudi, autor de la música del nuevo anuncio de la Lotería de Navidad, presenta su disco ‘Elements’

Scherzo

Antón Larrauri tiene ya su página web

El 21 de deciembre de este año se celebra el 15 aniversario del fallecimiento del compositor Antón Larrauri. Para tal ocasión un círculo de amigos del compositor ha colgado una biografía suya en Wikipedia junto a la creación de un blog llamado Circulolarrauri en el cual van introduciendo artículos referidos a su figura y obra

Twitter

Arts Council: England ‏@ace_national  Celebrate LGBT arts and culture in Birmingham @shoutfestival #ShoutFestival15 http://bit.ly/1MMJfBM

WhatsOnStage Opera: @WOSOpera  Sebastian F. Schwarz, deputy AD of Theater an der Wien in Vienna, appointed general director of @glyndebourne  w.e.f. May 2016

Glasgow Philharmonia:@GlasgowPhil Nearly at 1000 followers! Who will be 1000?? Please follow us for exciting news coming up! #followers #follow #twitter #MUSIC #orchestra RT?

L-R: Brian Irvine, Karen Mirza and Brad Butler, Emma Hart, Peter Wareham, Adem Ilhan, Tina Keane and Will Holder. Photo: Emile Holba, Classical Music Magazine

Paul Hamlyn Foundation award winners, L-R: Brian Irvine, Karen Mirza and Brad Butler, Emma Hart, Peter Wareham, Adem Ilhan, Tina Keane and Will Holder.
Photo: Emile Holba, Classical Music Magazine

 

(Written on November 17, 2015 )

In honour of Bastille Day, here at WildKat PR we have been taking a moment to reflect on all things French! Here are our favourite French composers and a few guilty pleasures…


Composers

1. Debussy

Despite being born into an unmusical, working class family, Debussy’s talent for music blossomed at an early age. He studied composition at the Paris Conservatoire from the age of 10 where he developed his skills as the renowned Impressionist composer we know him as today.

Claude_Debussy_ca_1908,_foto_av_Félix_Nadar

 

 

 

 

 

 

 

 

2. Ravel

Best-known for Boléro (used by Torvill and Dean), Ravel is one of France’s most celebrated Impressionist composers, although like Debussy, he rejected this label.

Maurice_Ravel_1925

 

 

 

 

 

 

 

 

3. Fauré 

Fauré didn’t have an easy life. However, despite the late onset of his success, his increasing deafness and aural hallucinations, he produced some of France’s most popular and adored music, including his nocturnes and songs like ‘Clair de Lune’

Faure

 

 

 

 

 

 

 

 

 

4. Lully

Less frequently played than the other composers on our list, Lully was  a very important French composer. Modern film ‘Le Roi Danse’ depicts his role as composer to king Louis XIV.

Lully

 

 

 

 

 

 

 

 

5. Saint-Saëns

Another child star, Saint-Saëns gave his first private performance at the age of 5 and started composing the year after. ‘Carnival of the Animals’ and ‘Danse Macabre’ are his most popular works.

Saint-saens

 

 

 

 

 

 

 

 

Guilty pleasures

1. Wine

If there’s one thing the French know how to do, it’s wine. And for this, we are truly grateful.

Wine

 

 

 

 

 


2. Cheese

Brie, camembert, roquefort, emmental. We could go on…

Cheese

 

 

 

 

 


3. Disneyland Paris

Rides, Disney music and Mickey Mouse. What’s not to love?

Disney

 

 

 

 

 


4. Les Mis

Is this a guilty pleasure? Opinion here is divided.

Les Mis

 

 

 

 

 

 

 

 

5. Croissants

Whilst we are conscious our list of guilty pleasures is a little culinary-heavy, it would be unfair not to give this delicious delicacy a brief mention.

Croissant-Petr_Kratochvil

 

 

 

 

 

 

(Written on July 14, 2015 )

Classical News

The Telegraph

Opera star breaks her leg – but completes the performance

Soprano Christiane Karg dislocated her knee during Mozart’s La Finta Giardiniera.

Classical-Music.com

Six hundred voices to mark the centenary of the First World War

Young singers from the UK, Germany, France and Belgium will join forces.

The Guardian

John Hurt and Rory Kinnear to be part of BBC Proms

Hurt to narrate text of Henry V to William Walton’s seminal score, while Kinnear will play speaker in Oedipus libretto.

Classic FM

Bristol Proms

Pictures, videos and interviews from this year’s Bristol Proms.

LA Times

Sacramento Philharmonic and Opera calling off fall season

The Sacramento Philharmonic and Opera will be scrapping its fall seasons this year as the joint company works its way through financial issues. Leaders are deciding when regular performances will resume and are expected to make an announcement within three months.

Concerti

Begegnungen im Salon

Vormals die größte Ziegelei Norddeutschlands – heute hat Olav Killinger aus der Villa Papendorf einen Konzertsaal gemacht.

Crescendo

Video der Woche: Be happy!

Jetzt hat es der Erfolgssong endlich auch in die Klassikwelt geschafft.

klassik.com

Interview mit Catherine Gordeladze

Geronnene Improvisation – die Pianistin Catherine Gordeladze erkundet den Grenzbereich zwischen Klassik und Jazz.

El Mundo

‘El ballet es menos peligroso que el toreo… aunque algunas bailarinas sí pueden serlo’

Estrella del New York City Ballet desde hace más de diez años, el bailarín español ofrece una única gala en El Escorial

Twitter

Abbotsford Convent: ‏@TheConvent Music in the Round returns to the Convent. #ClassicalMusic http://ow.ly/zXcRQ  pic.twitter.com/oGUc1IIbOt

BBC Proms Team: @bbcproms Tonight at the #bbcproms, the wonderful @EUYO and @LDNvoices perform a repertoire of Berio and Shostakovich: http://bbc.in/1ot0VWz 

ClassicalToday: @ClassicalToday Met musician, sworn to silence, tells how opera colours instrumental sound http://bit.ly/1soOzzj 

 

La-Finta-Giardinie_2958409b

Christine Karg and Gyula Orendt, La Finta Giardiniera

Photo: Alastair Muir

(Written on August 5, 2014 )

Classic FM Online

Rachmaninov manuscript sells for £1.2million

Music scholarship may change forever after the Russian master’s Symphony No. 2 sold at auction today alongside music by Beethoven, Puccini and Mozart.

The Guardian

Young Musician competition – let’s start with a level playing field

It’s undeniable that pianists and string players have the advantage in instrumental competitions. Tom Service has a dream, and if Michael Gove’s nightmare doesn’t destroy the next generation of musicians first, why not rethink the Young Musician competition so that all players and all music is created equal?

The Local

French dad uses Mozart to fight drug dealers

A father in the Parisian suburbs who became fed up with drug dealers hanging out in front of his apartment building is using an original method to try to chase the young men away – a nightly dose of classical music.

7 News Australia

Fat shaming must end in Aussie opera

After the British press fat shamed young star Tara Erraught this week, Australian opera singer Sarah Ann Walker has revealed the pressure to be slim pervades the industry Down Under too.

Telegraph

‘I stand by every word’

A review of Der Rosenkavalier at Glyndebourne has sparked a row about whether critics have the right to comment on a female singer’s appearance. Rupert Christiansen sticks to his guns

Classical Music on Twitter

ACE National@ace_national Balancing act: our Chief Exec @armslengthal blogs about our ongoing national portfolio investment process: http://bit.ly/1jr8haV

Telegraph Opera @TelegraphOpera Make up your own mind about Rosenkavalier: the Telegraph is live streaming the opera on June 8 #GlyndebourneLive @glyndebourne 

Mayor’s Music Fund@Mayorsmusic Looking forward to hearing Deputy Mayor for Education & Culture, Munira Mirza, on @LBC this morning. #LDNMusicAwards

Music Teacher@MusicTeacherMag Congrats to the winners of this year’s NCEM Young Composers Award – details and link to live stream here: http://ow.ly/x5Bsh

Naxos Records@naxosrecords It’s never too late to introduce the kids to #ClassicalMusic! Enter2Win My 1st Classical Music Collection! http://ow.ly/x1zjT

Classic FM Online

Classic FM Online

(Written on May 21, 2014 )