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Classical News

In today’s news: why Wagner’s Die Meistersinger strikes a chord in the age of Brexit, and classical music schow hits wrong note in ‘extravagance’ row.  Apple Music partners with Royal College of  Music. Conductor Ton Koopman as a guest of Berlin’s Orchestra Academy, and Dresden rebuilds an arts centre. A portrait of pianist Gerhard Oppitz, and a guide to 2017’s bold, inventive Oscar’s Music, and the artistic director of English National Opera is the “wrong man for the job.”

The Guardian

Why Wagner’s Die Meistersinger strikes a chord in the age of Brexit

Embraced by the Nazis, Wagner’s operatic masterpiece has long been shrouded in controversy. Its debate about cultural unity is now more relevant than ever

Birmingham Mail

Classical music show hits wrong note in ‘extravagance’ row

A £100,000 subsidised summer outdoor classical music concert in Sutton Park has been branded a costly vanity project by opposition councillors.

Music Week

Apple Music partners with Royal College of Music for classical playlist curation

The first playlist is designed to highlight the RCM’s prestigious history, featuring works from British composers linked with the conservatoire, including Gustav Holst and Ralph Vaughan Williams, along with some of the famed musical manuscripts in its collection.

Der Tagesspiegel

Entdecker bei der Arbeit

Ein aufschlussreicher Abend mit dem Dirigenten Ton Koopman und den jungen Musikerinnen und Musikern der Orchesterakademie.

Dresden kann auch anders

Das ehemalige Kraftwerk Mitte ist zum Kulturzentrum geworden. Auch die Staatsoperette residiert jetzt hier.

concerti

Pilot mit Bodenhaftung

Kaum ein Pianist beherrscht ein so großes Repertoire so formvollendet wie Gerhard Oppitz. Nur eine Sache liegt ihm nicht: Eitelkeit

npr music

The Ones Who Dream: A Guide To 2017’s Bold, Inventive Oscars Music

When it comes to music, the Oscars often get it wrong. The Academy of Motion Picture Arts and Sciences tends to wobble in the Best Score category, nominating old hands with familiar names but frequently rewarding strangers who emerge out of left field and then disappear from the scene

The Times

Poisoned ENO is run by the wrong people, says top tenor

The artistic director of English National Opera is the “wrong man for the job” and its chief executive is out of her depth, according to one of its most prominent performers

Twitter

Music History @today_classical in 1897 Birth of American Marian in Philadelphia, PA.

BR_Klassik @BR_Klassik Die aus musikalischer Sicht:
M Magazine @M_magazinePRS launches new post-classical label , with a roster inc +
Gerhard Oppitz © privat

Gerhard Oppitz © privat

(Written on February 27, 2017 )