Posts Tagged ‘improvisation’
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WildKat PR are delighted to welcome back Ukrainian pianist and composer Marina Baranova.

Marina’s mother taught classical music, her father jazz. Growing up with this background Marina was able to discover her passion for both classical music and improvisation from a very young age. In her new album Hypersuites she impressively shows how she feels at home in both musical worlds.

WildKat PR are delighted to have found a label for Marina, in Berlin Classics. Her new CD was recorded at the renowned Teldex Studio in Berlin and is to be released on 26th August. Famous photographer Felix Broede took the powerful pictures.

Marina2

© Felix Broede

Hypersuites is based on the graceful music of baroque period – original works by Handel, Rameau and Bach provide a foundation for improvisations and deeply personal reinterpretations. Combining classical music structures with jazz gestures and modern pop references, she creates audacious hybrids which are driven by reviving the baroque art of ornamental extemporisation and a curiosity about new narrative possibilities that grow out of the interweaving between contemporary music styles and antique masterpieces.“

The pianist and composer Hauschka has also been part of this recording, which marks an exciting ‘hyperlink’ between Marina Baranova and Hauschka: he composed a remix of her version of “La Poule” by Rameau. This opens up another dimension on this piece.

Marina

© Felix Broede

Hypersuites is a modern dialog between Marina Baranova and her favourite composers. The record release concert will be on 08 September at silent green in Berlin.

We are very much looking forward to supporting Marina Baranova with her new album. Keep up to date with news via the WildKat PR blog, as well as on Marina Baranova’s website, Facebook and Twitter.

 

(Written on July 14, 2016 )

WildKat PR is excited to introduce our newest client, Marina Baranova, a Ukrainian pianist and composer living in Germany.

“She sat down at the piano and played. With her right hand she held a melody, harmonically supported from the left. She was three and couldn’t read music” remembered Marinas Parents, both piano teachers.

Since her very first contact with a piano at the age of 3, Marina has won a long list of international prizes all over Europe. Her debut album Marina Baranova Plays Schumann was enthusiastically applauded by the press, who hailed her as an “excellent interpreter of Schumann”. She is also active as a composer – her last CD Firebird, recorded together with Murat Coşkun, contains only original compositions for oriental percussion and piano.

Marina is currently working on her next CD Hypersuites. The programme will be based on the graceful music of the Baroque period providing a foundation for the brilliant improvisations and deeply personal reinterpretations which Marina specialises in.

We are very much looking forward to supporting Marina in promoting this new album. Keep checking the WildKat PR blog for updates as well as Marina Baranova’s website.

Marina Baranova

Marina Baranova, picture by Yoshi Toscani

(Written on July 31, 2015 )

BBC News

Soloist Lukas Kmit Hits Right Note On Phone Intrusion.

Slovakian viola player Lukas Kmit reacted coolly when a mobile phone interrupted his recital at the Orthodox Synagogue in Presov, in Slovakia.

Independent

How Debussy Keys Into Japan.

In 1862 Claude Debussy was born in Paris: the biggest musical celebrations of 2012 will mark his 150th anniversary.

The Telegraph

Should Alfie Boe Be Knocking The Business That Made Him?

Rupert Christiansen is disappointed that singer Alfie Boe is showing ingratitude to his operatic roots.

Gramophone

From Darkness To Light: Music From A Prison Cell.

Mark-Anthony Turnage joins prisoners to create new work for the Cultural Olympiad.

The Guardian

Anthony Hopkins: ‘I’ve Never Really Been Close To Anyone’.

The actor on composing music, walking out on dictatorial film directors and why he moved to the US.

The Rest Is Noise: Southbank Festival To Celebrate Contemporary Classical Music.

London’s Southbank Centre to host year-long festival inspired by Alex Ross’s study of 20th-century classical music.

Tom Service On Death In Classical Music.

I can hear tubas. Am I about to die?

http://www.guardian.co.uk/culture/2012/jan/22/critics-notebook-tom-service

 

 

(Written on January 24, 2012 )