Posts Tagged ‘Inclusivity’
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Inclusive Creativity began with a conference at Ulster University in Derry/Londonderry as part of the UK City of Culture celebrations in 2013, when collaborators including Drake Music, Share Music Sweden and Walled City Music were brought together with leading academics and practitioners in the music and education field.

With significant funding from the Calouste Gulbenkian Foundation, PRSF’s ‘Beyond Borders’ and the British Council, organisers were able to make their goal of levelling the playing field in professional music a reality for a group of local disabled and non-disabled musicians.

Professor Frank Lyons was instrumental in this vision of inclusive and accessible music-making, and through research and development created a bespoke commission for the group, titled ‘NonZeroSum’. The name derives from video game theory whereby the wins and losses of each gamer do not impact on anyone else – in essence, it is a ‘win-win’ situation for all involved. Inclusive Creativity has identified and implemented the need to develop new repertoire for inclusive ensembles, leading to a range of innovative methods to train emerging and established composers in specific techniques.

“The high artistic quality of the performances of new repertoire, given in renowned mainstream venues to appreciative international audiences has meant successful realisation of a number of key Inclusive Creativity goals. Taking the ensemble on tour has been logistically challenging but has provided positive life-changing experiences for musicians, carers and the broader support team behind the operation.” – Frank Lyons

Tonight at University College Dublin’s Gerald Manley Hopkins Centre, Acoustronic will be joined by the Benyounes Quartet to perform Lyons’ piece, alongside works by postgraduate students at Ulster University who work closely with the ensemble on research into accessible music technology and composition. By creating high-quality music in a genuinely inclusive setting, the project highlights ways in which other organisations can become more attuned to the needs of less able performers. With plans to perform in Portugal in 2018, Inclusive Creativity is primed to go from strength to strength and continue to positively impact the lives of those involved.

(Written on November 1, 2017 )

In today’s news, Carnegie Hall welcomes youngest ever concert series curator, new survey highlights public concern on secondary ticketing sites, UK music venues are still not being inclusive enough for less able performers, audience members and staff. Making music in urban spaces, and musicians envisage a borderless world post-Brexit.

The Guardian

UK music venues still exclude disabled performers, audience members and staff

Why are so many disabled staff, performers and guests having to fight for access to music venues? The sector and the government needs to do more.

Music Week

New survey ‘highlights public concern on secondary ticketing’

A new consumer survey has found that 80% of the British public consider secondary ticketing to be a “rip-off”.

Classic FM

Cecilia Bartoli becomes first woman to record with the Sistine Chapel Choir

“Being the first woman to sing with the choir, and to record in the Sistine Chapel, is an immense privilege, I am at a loss for words. I am in seventh heaven, may I say that?” said Cecilia.

Varsity

Car park concerts, balcony bands and subway singing 

Thea Sands charts the social implications of music making in urban spaces.

Broadway World

Daniil Trifonov to Offer Seven-Concert Perspectives Series at Carnegie Hall

At 26 years of age, Mr. Trifonov is the youngest artist ever to curate a Perspectives series at Carnegie Hall.

Süddeutsche Zeitung

Je spektakulärer der Bau, desto höher die Aufmerksamkeit

Allein um die beste Kunst geht es beim Konzertsaalbau nicht. Oft zählen nur Aussehen und Aufmerksamkeit. Dieser Wettlauf wird weitergehen.

Berliner Zeitung

Konzerthaus München Keine kulturelle Sensation

Das also soll der lang ersehnte neue Münchner Konzertsaal werden: Eine von dem aus Vorarlberg stammenden Büro Cukrowicz Nachbaur entworfene, im Grundriss nach Vorgabe des Grundstücks streng rechteckige, steil, glatt und weich geschwungen ansteigende Glashaube, unter der die drei Säle, die Foyers und Probenräume, Restaurants und Tiefgaragen aufgestapelt sind.

Pizzicato

Eröffnung eines Gamelan-Ausbildungszentrums in der Schweiz

Zehn Jahre nach der Gründung einer aus jungen Studenten bestehenden Gruppe von javanesischen Gamelan-Musikern, wird die von Nicole Coppey gegründete und geleitete Pädagogische Schule für Musikalische Kunst ‘Un, Deux, Trois, Musiques …’ in Sion im November dieses Jahres ein Ausbildungs- und Leistungszentrum für Gamelan eröffnen.

Musicians against Brexit

With viola player Timothy Ridout and cellist Jacob Shaw, two excellent British musicians proudly took part in Alpenarte’s European Journey, representing their country in this exciting international ride through a border-less music world.

Le Figaro

Dans les pas de Stravinsky à l’Opéra Garnier

Soirée Royale. Le ballet de l’Opéra de Paris interprète Agon et Le sacre du Printemps, tandis que Teshigawara signe une création sur une partition de Salonen.

Twitter

@StevenIsserlis: When as a boy I refused to practice, my parents used to insist, adding: “Some day you’ll thank us.’ And the annoying thing is – I do!

@STNMC1 This from @PrivateEyeNews, doesn’t look good for Diocese of London: ‘Staggering vacuity’

© Burkhard Bartsch (c): Governatorato SCV – Direzione dei Musei

(Written on October 30, 2017 )

Bold opera pioneers Tête à Tête has announced its upcoming plans for the 2017 season, 20 years since the company was founded.

“What amazing adventures we have enjoyed across these the past two decades, realising bold and brave experiments, creating opera really up close, establishing a really strong and intimate relationship with our audiences and revelling in the theatricality of the form”

– Bill Bankes-Jones, Founder and Artistic Director

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2017 also marks the Anniversary of the company’s first Opera Festival. To celebrate, they have planned the 10th Anniversary of Tête à Tête: The Opera Festival. It will take place at King’s Cross from 24 July – 13 August 2017, at both The Place and King’s Place. They are also delighted to announce that the well-received Cubitt Sessions will be back as a centre-piece of the festival. Full details on productions and tickets will be announced in May 2017. Watch this space!

Besides announcing its 2017 season, Tête à Tête also released a Tête à Tête: The Opera Festival 10th anniversary report, demonstrating their outstanding commitment to inclusivity and diversity: 22% of composers in 2015 were BAME or coming from minority backgrounds.

You can read the full report here.

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This year, they will also be launching ‘MyNewOpera’, a global platform featuring the work of producers from all over the world, ready to watch. They already have an archive of over 400 videos for the launch, with many more to be added before then. It turns out that the explosion of small-scale new opera and music theatre is a global trend, and online, without barriers, it can start to happen worldwide.

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WildKat PR is very excited to be working with Tête à Tête again this year. For the latest news and releases on this year’s festival, follow WildKat PR on Twitter, and Tête à Tête on Twitter. Also, check out their brand new website and full announcements here.

(Written on January 19, 2017 )