Posts Tagged ‘Julliard Orchestra’
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In today’s news: Igor Levit wins the Gilmore Award. Robert Mann has died. Christoph von Dohnányi will take over a new Salome Production at the Berlin Staatsoper. A new electronic organ is being installed at the Vatican. The Bayrische Staatsoper is celebrating 100 years Staatsoper and 200 years National theatre. A piece on cultural heritage in europe and an article with Gustavo Dudamel on Venezuela and music.

The Spectator

Debussy, Tippett and Wagner: the musical treats of 2018

Events that are due to take place in the months to come, most notably the City of Birmingham Symphony Orchestra’s Debussy Festival.

Gramophone

Igor Levit receives 2018 Gilmore Artist Award

The prestigious award, worth $300,000, goes to 2016’s Gramophone Recording of the Year winner.

Bury Times

Talented young musicians fundraise for CAFOD at festive concert 

The group, compromising of 28 children played a special seasonal concert last December.

The Guardian

How Mongolia went wild for opera

Discover the reason why so many Mongolians are winning international singing awards.

Digital streaming behind biggest rise in UK music sales for 2 decades

Platforms such as Apple Music and Spotify plus renaissance in vinyl records help fuel fastest annual growth since 1998.

The Telegraph

Royal Opera House tenor rejects ‘in your face’ sexual violence against women on stage

Michael Fabiano resists demands to perform sexually violent scenes on stage and argues the treatment of women in productions should better reflect the modern world.

NPR

Robert Mann, A Founder Of The Juilliard String Quartet, Has Died

Robert Mann, a violinist and one of the founders of the Juilliard String Quartet, died on Monday at home in Manhattan. He was 97 years old.

Musik Heute

Dohnányi übernimmt für Mehta Berliner “Salome”

Bei der Neuproduktion von Richard Strauss’ “Salome” an der Berliner Staatsoper übernimmt Christoph von Dohnányi die musikalische Leitung. 

Klassik.com

Petersdom: Elektronische Orgel ersetzt bisherige Pfeifenorgel

Der Vatikan setzt im Petersdom auf Digitalisierung: bei großen Ereignissen erklingt statt der traditionellen Pfeifenorgel künftig ein digitales Instrument.

Klassik-heute

GMD Kirill Petrenko leitet zwei “Ring”-Zyklen an der Bayerischen Staatsoper

In diesem Jahr begeht die Bayerische Staatsoper zwei Jubiläen: 100 Jahre Bayerische Staatsoper und 200 Jahre Nationaltheater. 

Berliner Zeitung

Kulturerbejahr Europa, Kontinent der Möglichkeiten 

Vor drei Tagen begann das Europäische Kulturerbejahr unter dem Motto „Sharing Heritage“. Am 8. Januar wird in Hamburg die nationale Auftaktveranstaltung zu diesem internationalen Großprojekt stattfinden.

El Mundo

Gustavo Dudamel: “Me duele el conflicto entre hermanos en Venezuela”

Gustavo Dudamel (Barquisimeto, 1981) está en medio de muchos frentes. Por un lado, tiene que lidiar con la responsabilidad de ser el director de orquesta más candente del momento […]

Twitter

 

Image: © Kate Molleson for the Guardian

(Written on January 4, 2018 )

Katherine Bryan is rapidly confirming her place as one of Britain’s brightest musical stars of the future, and tomorrow marks the day of her new CD release, Silver Bow. The disc provides a fresh view on much-loved and frequently played violin works, such as The Lark Ascending, and includes both classics from the violin repertoire and personal favourites of Katherine. Katherine is not only the artist of this CD, but also the architect, since she has transcribed and adapted all of the solo violin parts. This adaptation showcases the flute in a new light, highlighting the instrument’s versatility and beauty.

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In groundbreaking performances, Katherine uses a range of techniques from ‘pop-tonguing’, flutter tonguing and note bending, to stretch the boundaries of the flute and offer a fresh and exciting interpretation. Some pieces have needed significant adapting, such as Paginini’s Caprice, where a new variation has been formed, retaining the same harmonic pattern but creating new music that is idiomatic for the flute. Accompanied by the Royal Scottish National Orchestra, led by Jac Van Steen, the innovative blend of instruments offers a new perspective on familiar compositions.

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Katherine describes how ‘today the modern flute is able to transport its listeners through many emotions, evoking numerous sound colours and nuances, and is capable of speaking above an orchestra’. Katherine sees herself foremost as a musician rather than a flautist, and describes the flute as simply ‘a vehicle through which to interpret music’. In recognising that every instrument has different characteristics, Katherine hopes to uncover different facets of pieces, which have traditionally been played on the violin.

Silver Bow is Katherine’s third release on Linn Records. In addition to a set of live concerts, Katherine has enjoyed regular performances, with Silver Bow featured as Classic FM’s Album of the Week and yesterday she performed on BBC Radio 3’s In Tune with Sean Rafferty. If you missed out on this superb performance, click here to catch up.

Katherine Bryan Photo 4

(Written on September 17, 2015 )