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In today’s news: a new building for the Frankfurt Theatre is becoming more probable, and Sufi mystic meets Parisian colours at the Konzerthaus Berlin. Ludwig Güttler receives Saxonian medal, and Nicola Benedetti is the Queen’s Medal for Music. Elle picks its top female classical musicians to watch and are Millennials making classical music great again?

Telegraph

Herbert Blomstedt “on magnificent form” as he conducts the Philharmonia

Five star review for Blomstedt as he approaches his 90th birthday, showing no signs of slowing down his conducting career.

Elle.com

Four female classical musicians in the spotlight

Elle’s pick of the top female musicians to watch, from a dazzling soprano to a woman who made her Carnegie Hall debut aged just 14.

The Jakarta Post

Millennials are making Classical music great again

Classical music should be, like other art, with the product itself, not with the person behind the product.

NMZ

Frankfurter Theater-Misere: Ein Neubau wird wahrscheinlicher

Frankfurt/Main – Schauspiel und Oper in einem Haus: Frankfurt hat einen der größten Theaterkomplexe Europas.

Tagesspiegel

Sufimystik mit Pariser Farben

Im Konzerthaus führt die Berliner Cappella Ahmed Adnan Sayguns Oratorium „Yunus Emre“ auf. Ein Brückenschlag zwischen Orient und Okzident.

Klassik.com

Sächsischer Verdienstorden für Trompeter und Dirigent Ludwig Güttler

Ludwig Güttler hat den Sächsischen Verdienstorden erhalten. Der Trompeter und Dirigent wurde zusammen mit 13 weiteren Personen durch den Ministerpräsidenten des Freistaates Sachsen, Stanislaw Tillich (CDU), ausgezeichnet.

Pizzicato

Gergiev Declared A Revenue Of € 2.31 million In 2016

In 2016, Valery Gergiev was the best earning cultural personality in Russia, according to the Russian Ministry of Culture. His declared annual income was 154.45 million rubles (€ 2.31 million).

Classic FM

Nicola Benedetti awarded Queen’s Medal for Music 

The brilliant violinist has become the youngest ever recipient of the medal, which is awarded each year to a musician, or group of musicians, who has had a major influence on the musical life of the nation. 
Twitter

Beatrice Rana @BeatriceRana
Feels so much more relaxing to make the from my sofa 🙂 follow it on webcast, @medicitv  is doing a great coverage! http://bit.ly/2rAp6M2

Edward George @Edward_George_
Due to sickness, # today within excerpts from Acts 1-3. Nobody expects the Spanish Inquisition  http://bit.ly/2r6ympM 

 

© Elle.com

 

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(Written on May 30, 2017 )

In today’s news: the difference between Catholic and Protestant church music, and no permission for project ‘tear down this wall!’. Union Verdi and the German Orchestra Union make the Berlin Senate reconsider situation of honorary music teachers. European Union Baroque Orchestra moves to Belgium post-Brexit. Intelligent headphones, and is the ‘classical’ music label relevant in 2017?

The Times

Musicians rally together in light of attack at MEN arena

Manchester’s music stars reacted with shock to last night’s terrorist attack and praised the city’s resilience in the face of tragedy.

Wired

Artificially intelligent headphones could “understand” ambient sound

Fuji and Yamaha create concept headphones that would use ‘A.I.’ to comprehend and geo-tag music, which could then be played back when the listener revisits the location.

The Stage

Opera Holland Park prepares for varied summer programme

“What was originally three months has turned into fifteen years,” says Director Michael Volpe on Opera Holland Park’s enduring success.

Gramophone

Is the ‘Classical’ music label outdated?

Kate Molleson reports on how the ‘classical’ music label is proving outdated for many of today’s creative artists and speaks to several musicians for whom the whole notion of genre is entirely irrelevant.

New York Times

ABC prepares to broadcast musical remake of ‘Dirty Dancing’

New production hopes to maintain many of the key elements of the original film starring Patrick Swayze and Jennifer Grey.

Frankfurter Allgemeine Zeitung

Worin unterscheidet sich katholische von protestantischer Kirchenmusik?

Das ist doch die richtige Frage zum Lutherjahr: Sind Katholiken und Protestanten im musikalischen Lob des Herrn ökumenisch vereint oder nicht? Die Antwort mag überraschen.

Kulturradio vom RBB

Einseitige Grenzenlosigkeit

Keine Genehmigung für das Projekt „Tear Down This Wall!“ auf amerikanischer Seite der Mauer in San Diego. Das Konzert findet trotzdem statt.

NMZ

Verdi fordert mehr Geld und bessere Konditionen für freie Musiklehrer

Die Gewerkschaft Verdi und die Deutsche Orchestervereinigung (DOV) haben den Berliner Senat aufgefordert, die soziale Situation der Honorarkräfte unter den Musiklehrern zu verbessern.

WQXR

The European Union Baroque Orchestra moves to Belgium post-Brexit

The consequences of the United Kingdom’s withdrawal from the European Union aren’t just political.

Le Monde

Mort de la violoncelliste russe Natalia Chakhovskaïa

Cette éminente pédagogue avait succédé à Rostropovitch comme chef de chaire au Conservatoire Tchaïkovski de Moscou.

Twitter

@MusicMagazine: ‘Don’t apologise for classical music’s complexity – that’s its strength’ – ‘s Alan Davey

Photo: Fritz Curzon

(Written on May 23, 2017 )

The Cincinnati Symphony Orchestra has announced further details of their August/September 2017 tour taking place on mainland Europe and the UK.

The orchestra is embarking on an extensive summer programme, following on from a successful tour in Hong Kong and China earlier in 2017. The CSO most recently toured Europe in 2008, before Maestro Louis Langrée took up the position as conductor and Music Director in the 2013/14 season.

In addition to the BBC Proms performance on Sunday 27th August, the orchestra will be performing at the following venues:

25th August: Edinburgh International Festival, Edinburgh
29th August: Palacio de Congreso del Kursaal, San Sebastian
30th August: Palacio de Congreso del Kursaal, San Sebastian
31st August: Palacio de Festivales de Cantabria, Santander
3rd September: Muziekgebouw, Eindhoven
4th September: Tivoli Vredenburg, Utrecht
5th September: Queen Elisabeth Hall, Antwerp
8th September: Seine Musicale, Paris
9th September: Seine Musicale, Paris

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(Written on May 15, 2017 )

We are delighted to announce that the Cincinnati Symphony Orchestra will be performing at the Royal Albert Hall on Sunday 27th August as part of the 2017 BBC Proms programme.

Led by Musical Director Louis Langrée, the programme for the evening will be in keeping with the CSO’s history of championing American music, with a performance of Leonard Bernstein’s ‘Symphonic Suite’ from On the Waterfront, a highly descriptive symphonic portrait of New York City. In 1942, at the height of World War Two, the CSO premiered Aaron Copland’s ‘Lincoln Portrait’ written as a musical tribute to the former president, and will perform it again with a special guest speaker to be announced soon. Tchaikovsky’s majestic Symphony No. 5 will conclude the second half of the concert.

Founded in 1895, the CSO is the sixth oldest orchestra in the United States, and the first to be broadcast to a national radio audience in 1921. This concert coincides with an extensive European tour in which the CSO will visit countries including Scotland, Spain, and others to be announced soon.

Details of all concerts and events in the 2017 Proms season were announced today. Tickets are now available to purchase from the Royal Albert Hall website.

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(Written on April 20, 2017 )

Last night, Kat, Olivia, James and Eliza attended the BBC Music Magazine Awards at Kings Place in London.

After a couple of glasses of fizz, we began the awards ceremony.  Oliver Condy, Editor of BBC Music Magazine, hobbled on stage to open proceedings, explaining how crowd-surfing at a Couperin-fuelled rave was the cause of his broken ankle a month before. Oliver then introduced his co-presenter Sara Mohr-Pietsch, (standing in for James Naughtie), and things got underway.  See below for a summary of winners.

We were especially delighted to attend to see our client, Accentus Music, pick up the Best DVD Award.  Paul Smaczny, Director of Accentus Music and producer of the winning release of Berg’s Wozzeck was there to accept the award.  He gave his heartfelt thanks to his team, and read the following from soloist Christian Gerhaher:  “I feel so incredibly satisfied that this Wozzeck production, which was—and every director should please forgive me—the most exhilarating in my life, receives the greatest acclamation. The result of visualising this extraordinary staging in that simple but nearly fully conveying way is just admirable. It brings to life the wonderful months that we and the audience spent with Berg’s masterwork one and half years ago. I would definitely call this a defining criterion of opera DVDs. Thank you all!”

 

 

 

 

 

 

 

 

 

 

Special guest presenters included all-round fahionista and style guru, Gok Wan, who recently released his own curated album of opera entitled ‘Gok’s Divas’.  Comedian Alastair McGowan tickled the audience with a series of stunning impressions and tenuous puns, before presenting Best Instrumental Award to Mahan Esfahani for his recording of Bach’s Goldberg Variations. With his customary loud-mouth, Mahan gave an impassioned and thoughtful acceptance speech, leaving us with a call to action: ‘Extend classical music, and it will be limitless in what it gives back to you.’

Dame Joan Bakewell, who presented the Recording of the Year Award offered a thought-provoking address on the great value the BBC has in the classical music world, and the impact it had on her own appreciation of music. She announced the Royal Liverpool Philharmonic with Vasily Petrenko performing Tchaikovsky Symphonies as Recording of the Year.

Throughout the evening, a number of references were made to the Proms Launch, which takes place today. BBC Radio 3 Controller, Alan Davey, slightly let the cat out of the bag when he said there would be lots of concerts in a big round hall.  Unfortunately, we can’t confirm this at the moment, but watch this space.

Vocal Award Matthias Goerne, Synergy Vocals, BBC SO, Josep Pons

Opera Award Mozart Don Giovanni, MusicAeterna, Teodor Currentzis

Chamber Music Award Martinu Piano Trios, Smetana Trio

Orchestral Award Tchaikovsky Symphonies, Royal Liverpool Philharmonic, Vasily Petrenko, Onyx

Instrumental Award Bach Goldberg Variations, Mahan Esfahani, Deutsche Grammophon

DVD Award Berg Wozzeck, Christian Gerhaher, Opernhaus Zurich, Accentus Music

Newcomer Award Prokofiev and Tchaikovsky Piano Concertos, Beatrice Rana, Antonio Pappano, Orchestra Dell-Accademia Nazionale Di Santa Cecilia

Concerto Award CPE Bach Cello Concertos, Nicolas Altstaedt, Jonathan Cohen, Arcangelo, Hyperion

Premiere Award Julian Anderson, Vladimir Jurowski, Carolin Widmann, London Philharmonic Orchestra and Choir

Choral Award Jonathan Harvey, Deo, The Choir of St John’s College Cambridge, Andrew Nethsingha, Signum Records

Record of the Year Award  Tchaikovsky Symphonies, Royal Liverpool Philharmonic, Vasily Petrenko, Onyx

Many congratulations from all of us at WildKat PR to Accentus Music, and all the other winners! We’re looking forward to next year’s awards already.

 

(Written on April 20, 2017 )

We are looking for an Account Manager to join WildKat PR in London!

Do you think you would be suitable for this position? Have a read through our job description below.

WildKat PR

WildKat PR is a game-changer in the classical music industry. We adamantly believe in changing the status quo of our industry, embracing creative values both on- and offline.

WildKat PR is the only classical music PR agency to spread worldwide, having established ourselves in London, Berlin and New York. We are deeply devoted to seeking out and using online platforms to reach and engage substantial new audiences, producing all-encompassing, bespoke, international PR campaigns that are data-driven.

 

Job Description

WildKat PR is offering an exceptional opportunity for a motivated, intelligent, creative individual to join our London team. Working with the Director, Head of Creative Strategy & Marketing, and fellow Account Managers on creative PR campaigns across the classical music and cultural industries, they will be expected to quickly establish and build strong working relationships with press to generate media coverage for our clients.

 

Key duties

As an Account Manager your role will be:

– To manage your set of clients and work with them to help achieve their PR goals. This includes: gaining press, attracting new audiences, helping to improve their brand, organising events

– To think creatively about how you (and your colleagues) approach campaigns. You will be asked to continually make new connections and approach your work in innovative ways. You will be expected to challenge how we, and the industry, are doing things

– To integrate digital media into campaigns. This means exploring new technology and developing ways to include it in client campaigns

– To take a leading role in the development and execution of unique, creative campaigns to promote your clients and the company

– To write copy in relation to your clients’ needs, including: fact sheets, bios, blogposts, newsletters, brochures

– To liaise with journalists to generate and secure media coverage for clients

– To organise client events, as needed. This includes: concerts, VIP receptions, industry networking events

– To attend all relevant artists’ events (which regularly occur outside of office hours) including meetings and performances

– To network within the industry to build your reputation and that of the company

– To oversee the work of others when required, and to be willing to grow into a more senior role 

Opportunities of working with WildKat PR:

– Friendly, open plan office

– Chance to do diverse things within the role and expand your skillset quickly

– Gain wider industry experience, not just PR

– Supportive colleagues and management welcoming your fresh ideas

– Personalised creative skills training and coaching

– Collaboration with mainstream brands and projects

– Opportunities for travel

– Sociable atmosphere

– Staff benefits, which include annual ski trip, Friday drinks, office yoga, opportunity for sabbatical and 6 hour working days 

Person Specification

Essential

– At least one year’s relevant experience in music PR

– Interest in classical music, culture and the arts

– Proven administrative and organisational skills

– Excellent verbal and written communication skills

– Ability to take initiative and responsibility when working alone

– Confidence and ability to manage multiple projects simultaneously

– Ability to work as part of a team

– Ability to remain calm when working under pressure and to manage conflicting deadlines

– High degree of accuracy and attention to detail

– A strong interest in online media

– Self-motivated

– Good standard of computer literacy (Word, Excel, WordPress)

Desirable

– 2-3 year’s experience in a music PR agency

– Fluency in another language

To apply, please send your CV and covering letter to olivia@wildkatpr.com with the subject title ‘WildKat PR Account Manager application’ by 5pm on 17th March 2017

Salary: Competitive – dependent upon experience

(Written on March 6, 2017 )

 

In today’s classical news, composer Max Richter calls for a greater appreciation of Britain’s classical music heritage.  Philip Glass, soon to turn 80, discusses his career and his relationship with minimalism.  Design Week explores the story behind the London Symphony Orchestra’s new identity, and London-based start-up, Jukedeck, explains how it composes music without a composer, using artificial intelligence. In Germany the Elbphilharmonie’s soundproofing is put to the test by German rock band Einstürzende Neubauten.

The Guardian

Britain must embrace its classical heritage

Max Richter, a leading British composer whose work is used on stage and screen, says UK audiences don’t get the credit for having broad tastes.

Philip Glass on turning 80

‘My problem is people don’t believe I write symphonies.’ About to turn 80, the composer talks about his slow, taxi-driving road to success, and why he is anything but a minimalist…

Design Week

New identity for LSO

The identity for the Orchestra’s 2017/18 season is based on its original conductor logo, also designed by the consultancy, and features a series of animated films by Tobias Gremmler.

The Telegraph

Musicians make the safest drivers

Musicians may make the safest drivers, a new study suggests, after researchers found that people who play an instrument have faster reaction times.

New York Times

Jukedeck – at the cutting edge?

Jukedeck is one of a growing number of companies using artificial intelligence to compose music. Their computers tap tools like artificial neural networks, modeled on the brain, that allow the machines to learn by doing, rather as a child does. So far, at least, these businesses do not seem to be causing much anxiety among musicians.

Der Tagesspiegel

Barenboims Botschaft an New York

Die Berliner Staatskapelle spielt in der Carnegie Hall den ersten kompletten Zyklus aller nummerierten Sinfonien Anton Bruckners – und Maestro Barenboim spricht eine Warnung aus

Krieg gegen die Kunst – Trump droht mit Kürzungen bei der Kulturförderung

Der neue US-Präsident könnte die beiden staatlichen Fördereinrichtungen für Kultur NEA und NEH abschaffen

Kreuzwort-Rattle

Im Herbst übernimmt Simon Rattle das London Symphony Orchestra. Jetzt verriet der Dirigent seine wichtigsten Pläne für die Zukunft. 

Spiegel

Einstürzende Neubauten in der Elbphilharmonie – auch Tinnitus klingt super

Es wurde gelärmt – aber sie steht noch: Zur Eröffnung des Pop-Programms trat die Experimental-Rockband Einstürzende Neubauten in der Hamburger Elbphilharmonie auf. Der Höhepunkt: Das erotische Knistern einer Zigarette.

Süddeutsche Zeitung

Die Würde der anderen

Moritz Eggerts Oper “Freax” erhält nun fast zehn Jahre nach dem ersten gescheiterten Versuch ihre aufregende szenische Uraufführung in Regenburg

Twitter

Music History @today_classical  in 1981 Death of American Samuel

Classical Music News @classicalmusic Facing the music: Benjamin Grosvenor

Theater Regensburg @theaterRGNSBRG »Die Würde der anderen« – über am @

WildKat-Max-Richter

Photograph: Stefan Hoederath/Redferns

(Written on January 23, 2017 )

Classical News

In today’s classical news, members of Royal Albert Hall have been criticised by reselling unwanted tickets using sites such as Viagogo and StubHub for a profit, instead of returning the tickets to the hall’s official ticket system. Bogdan Roscic has been appointed as the Vienna State Opera’s next director from 2020 and New York’s Metropolitan Opera has cancelled a new production of Verdi’s La forza del destino by the Catalan director Calixto Bieito. Germany saw music sales increase over 2% last year, with vinyls and paid streaming being the largest contributors.

Classical Music Magazine

Royal Albert Hall members criticised for reselling tickets

Royal Albert Hall members have been criticised by a former president for reselling tickets outside of the hall’s official ticket return system.

Opera Now Magazine

Vienna State Opera appoints new boss

Bogdan Roscic has been appointed as the Vienna State Opera’s next director from 2020. Roscic, a senior executive in the recording industry, was considered an outsider for one of opera’s most coveted positions since he has no experience of running an opera house.

Met cancels Bieito production

In what has been described as a ‘cost-cutting measure’, New York’s Metropolitan Opera has announced that it has cancelled a new production of Verdi’s La forza del destino by the Catalan director Calixto Bieito.

Opera by 11-year-old receives ovation in Vienna

An 11-year-old British composer Alma Deutscher has received a standing ovation in Vienna for the premiere of her opera, Cinderella.

The New York Times

100 Years of New York Philharmonic Milestones, by the Earful

It was 100 years ago this Friday — on Jan. 20, 1917 — that the New York Philharmonic cut its first record.

The Washington Post

American music for an inaugural week

The National Symphony Orchestra is getting better at connecting to the world outside its doors. On Thursday night, the day before the inauguration, Gianandrea Noseda, its music director designate, led an all-American, presidentially focused program, including Copland’s “Lincoln Portrait” and suites from John Williams’s scores to “Lincoln” and “JFK.”

Klassik.com

US-amerikanische Sopranistin Roberta Peters gestorben

Die US-amerikanische Sopranistin Roberta Peters ist tot. Nach Angaben ihrer Familie starb die Sängerin im Alter von 86 Jahren an den Folgen einer Parkinson-Erkrankung.

Musik Heute

Ádám Fischer wird Ehrenmitglied der Wiener Staatsoper

Der ungarische Dirigent Ádám Fischer (67) wird Ehrenmitglied der Wiener Staatsoper. Das teilte das Haus am Donnerstag mit. Die Ernennung soll am 26. Januar nach einer Aufführung von Mozarts “Don Giovanni” erfolgen.

Musikexpress

Vinyl-Umsatz steigt auch in Deutschland auf höchsten Wert seit 25 Jahren

Der deutsche Musikmarkt ist im vergangenen Jahr um über zwei Prozent gewachsen. Vor allem bezahltes Musikstreaming (+73%) und Vinylverkäufe (+41%) konnten zulegen, während für CDs (-9,6%) und Downloads (-19,4%) im Jahr 2016 weniger Geld ausgeben wurde als im Vorjahr.

Neue Musikzeitung

Generationswechsel bei Breitkopf & Härtel

Lieselotte Sievers, geschäftsführende Gesellschafterin, hat die Geschäftsführung des Musikverlages Breitkopf & Härtel an Sebastian Mohr und Nick Pfefferkorn übergeben

Le Figaro

Investiture de Donald Trump: comment les stars américaines lui ont tourné le dos

Douche froide pour le nouveau président américain. Il imaginait son arrivée sur les marches du Capitole comme une intronisation à paillettes, avec stars à gogo et tubes à sa (dé)mesure… Le magnat de l’immobilier a vite déchanté. Retour sur la très laborieuse organisation de cette cérémonie.

France musique

La programmation du Festival d’Aix-en-Provence 2017 dévoilée

Sur son site internet, le Festival d’Aix-en-Provence a publié le programme de sa prochaine édition. Et cette année encore, création mondiale, Mozart, et de grands noms du monde lyrique s’y croiseront.

El Mundo

Más de cien Grammys para el ADDA

Claro y conciso, el presidente de la Diputación de Alicante, César Sánchez, resaltó esta cifra durante la presentación de la programación estival del Adda y de la temporada sinfónica 2017-2018 en la feria Fitur de Madrid.

Twitter

Music History @today_classical  in 2014 Death of Italian Claudio in Milan.

Music History @today_classical  in 1855 Birth of French Amedee-Ernest

BR_KLASSIK @BR_KLASSIK Die Stimme von ist zurück! Gestern in “Lohengrin” an der . Freude und Applaus!

wildkat-pr-met-opera-new-york

Photo: New York MET Opera/ Rhinegold

(Written on January 20, 2017 )

Bold opera pioneers Tête à Tête has announced its upcoming plans for the 2017 season, 20 years since the company was founded.

“What amazing adventures we have enjoyed across these the past two decades, realising bold and brave experiments, creating opera really up close, establishing a really strong and intimate relationship with our audiences and revelling in the theatricality of the form”

– Bill Bankes-Jones, Founder and Artistic Director

wildkat-pr-bill-bankes-jones
2017 also marks the Anniversary of the company’s first Opera Festival. To celebrate, they have planned the 10th Anniversary of Tête à Tête: The Opera Festival. It will take place at King’s Cross from 24 July – 13 August 2017, at both The Place and King’s Place. They are also delighted to announce that the well-received Cubitt Sessions will be back as a centre-piece of the festival. Full details on productions and tickets will be announced in May 2017. Watch this space!

Besides announcing its 2017 season, Tête à Tête also released a Tête à Tête: The Opera Festival 10th anniversary report, demonstrating their outstanding commitment to inclusivity and diversity: 22% of composers in 2015 were BAME or coming from minority backgrounds.

You can read the full report here.

wildkat-pr-tete-a-tete-Report-Demographics

This year, they will also be launching ‘MyNewOpera’, a global platform featuring the work of producers from all over the world, ready to watch. They already have an archive of over 400 videos for the launch, with many more to be added before then. It turns out that the explosion of small-scale new opera and music theatre is a global trend, and online, without barriers, it can start to happen worldwide.

wildkat-pr-tete-a-tete-logo

WildKat PR is very excited to be working with Tête à Tête again this year. For the latest news and releases on this year’s festival, follow WildKat PR on Twitter, and Tête à Tête on Twitter. Also, check out their brand new website and full announcements here.

(Written on January 19, 2017 )

Classical News

In today’s classical news, Jo Dipple, current UK Music’s Chief Executive is to step down in June. The Barbican has announced its 2017/18 season. Royal Northern College of Music appoints Graham Vick CBE as its first international chair of opera. Jeremy Denk Named Milton Court Artist in Residence. Winners of Scottish Opera’s Opera Sparks 2018 competition have been announced. Also, find out the 16 most essential concertos that you should know about that Classic FM summed up!

Classical Music Magazine

UK chief executive to step down

Jo Dipple is to step down as chief executive of UK Music in June after five years in the role.

Barbican announces 2017/18 season

The Barbican’s 2017/18 season will include a composer focus on Esa-Pekka Salonen, the UK premiere of Jake Heggie’s Dead Man Walking, and a ten-day celebration to mark Sir Simon Rattle’s inaugural season as London Symphony Orchestra music director and artist-in-association with the Barbican and Guildhall School.

Music Teacher Magazine

RNCM appoints first international chair of opera

The Royal Northern College of Music has appointed director Graham Vick CBE as its first international chair of opera. He will take up the position in September 2017, offering tuition, masterclasses and coaching each term.

Opera Now Magazine

Opera Sparks 2018 winners announced

The winners of Scottish Opera’s Opera Sparks 2018 competition have been announced.

Classic FM

These are the 16 most essential concertos in all of classical music

Find out 16 most essential concertos that Classic FM summed up!

Nonesuch Journal

Jeremy Denk Named Milton Court Artist in Residence in Barbican’s 2017–18 Classical Music Season

The Barbican Centre in London has announced its 2017–18 Classic Music concert season, in which pianist Jeremy Denk will be Artist in Residence at Milton Court Concert Hall.

BR Klassik

“Eine unheimliche attraktive Farbenwelt” – das Phänomen Synästhesie

Ein Akkord wird blau, ein Klavierton zum Quadrat: Wer beim Musikhören Farben oder Formen sieht, wird als Synästhetiker bezeichnet. Etwa einer von tausend Menschen hat diese besondere Form der Wahrnehmung. Aber wie entsteht Synästhesie? Und was läuft in den Gehirnen von Synästhetikern anders ab? BR-KLASSIK hat mit Synästhetikern und Wissenschaftlern gesprochen.

Die Presse

Bassbariton Grochowski nach “Walküre”-Premiere gestorben

Bei der Premiere der “Walküre” in Wiesbaden hatte Gerd Grochowski noch Ovationen erhalten, einen Tag später ist er im Alter von 60 Jahren unerwartet verstorben. Er hatte wegen starker Schmerzen im Herzbereich den Notarzt gerufen, der nur noch den Tod feststellen konnte.

Der Tagesspiegel

Eine feste Burg ist unser Lied

Das Bundesjugendorchester widmet sich in Berlin seinem zweiten Gemeinschaftsprojekt: der Reformation. Die Ergebnisse sind von durchwachsener Qualität.

France Musique

Simon Rattle défend le projet d’une nouvelle salle de concert à Londres

Lors de la présentation des grandes lignes de la prochaine saison de l’Orchestre symphonique de Londres, Simon Rattle a largement défendu le projet de construction d’une nouvelle salle de concert dans la capitale britannique.

Twitter

New York Times Arts @nytimesarts A 300-seat music hall in the South Bronx to honor the history of music that formed there https://t.co/F5OfYFJdoa

CMUSE.org @cmuseorg  items found inside 110-year-old in UK https://t.co/h4INyea43U

klassik.com @klassikcom Tomasz Skweres gewinnt Tonali Kompositionspreis

wildkat-pr-the-barbican-sir-simon-rattle-hugo-gelndinning

Photo: Hugo Glendinning

(Written on January 18, 2017 )