Posts Tagged ‘music’
« Back to E-News

In today’s classical music news, veteran actor Dame Julie Walters will join the presenter lineup at Classic FM for a new Saturday show, Chineke! boosts BME representation in UK musical ensembles, YouTube Red launches internationally and Winnipeg Symphony appoints new Musical Director.


Julie Walters to present Classic FM series

Actor will host a new six-part Saturday night radio series exploring the biggest moments and changes in the history of classical music.

Yorkshire Young Sinfonia introduces digital programme notes

Audience members at YYS concerts will soon have the option to have ‘real-time’ programme notes sent to their phones.

The Times

Peer swoops in to save opera’s fairies

The director of English National Opera’s production of Iolanthe has revealed that Lord Glendonbrook stepped in at the last minute to foot the bill for some of his creative demands.

The Telegraph

‘Classical music is finally getting somewhere with its race problem’

Chineke! leads the way for much-needed BME diversification among youth and professional ensembles.

Joyce DiDonato: how can we claim opera isn’t political?

Star mezzo-soprano tells reporter Ben Lawrence how researching a work about ‘Death Row’ deepened her love for opera

The Star

Ambition for Sheffield to hit the right notes in classical music

Classical music is thriving locally, with an ‘astonishing amount going on’, a report says – but players, ensembles, schools and charities need support to create ‘a more sustainable industry with a wider and deeper reach across Sheffield, for residents of all ages’.


Winnipeg Symphony has appointed Daniel Raiskin as Music Director

Canadian Winnipeg Symphony Orchestra (WSO) announced that Russian-born conductor Daniel Raiskin (*1970) has been named Music Director from August 1, 2018, succeeding Alexander Mickelthwate who served as Music Director since 2005.


Die offiziellen Top 20 Klassik-Charts im Februar 2018

Riccardo Muti und die Wiener Philharmoniker landen mit ihrer Aufnahme des Neujahrskonzerts 2018 auf dem ersten Platz der Klassik-Charts.


Immer mehr Rentner lernen an Thüringens Musikschulen

An Thüringens Musikschulen lernen immer mehr Schüler, die bereits im Rentenalter sind. Zwischen 2012 und 2016 hat sich die Zahl der Erwachsenen über 60 Jahre von 246 auf 420 erhöht, wie der Landesverband der Thüringer Musikschulen auf Anfrage der Deutschen Presse-Agentur mitteilte.

Klassik Heute 

Andris Nelsons: Amtseintritt als Gewandhauskapellmeister in Leipzig

Am 22. Februar tritt Andris Nelsons offiziell das Amt des 21. Gewandhauskapellmeisters an und läutet damit den Beginn einer neuen Ära in der Geschichte des Leipziger Gewandhauses ein.

Le Monde

YouTube va déployer son offre payante en France

YouTube Red, l’offre payante de la plate-forme de streaming musical et vidéo devrait être disponible dans une centaine de pays cette année.


@MusicMagazine: Fr Lnt, w hv dcdd t gv p sng vwls n Twttr. W hp y dn’t mnd. 

© Chineke! Juniors

(Written on February 15, 2018 )

In today’s news: disabled people underrepresented in English arts bodies, what to expect from music this year, Cumnock Tryst appoints Jean Nicholson as festival director. Also, Arvo Pärt is world’s most performed living composer and 20.000 cheap tickets for the Elbphilarmonie.


Schools music boost urged as Britons fail to make Menuhin violin finals

Lack of government funding blamed as UK fails to make shortlist.

BME people severely underrepresented in top English arts bodies

Arts Council England figures also show disabled people make up only 4% of staff at major organisations.


What to expect from music in 2018

A New Year means new music, of course, but what exactly lies ahead?

‘The Brit awards are finally embracing diversity – here’s why we’re not holding our breath just yet’

Last year, after the Brit Award nominations were announced, there was a buzz ahead of the ceremony from every music fan hoping that the #BritsSoWhite uproar had done the trick. That after an overhaul of the voting panel, we might finally see the diversity and innovation in UK music recognised.

Classical Music

Cumnock Tryst appoints festival director

The Cumnock Tryst has appointed Jean Nicholson as festival director.


A mouse in the house at the National Symphony Orchestra

Think crinkling candy wrappers are disruptive? A mouse caused quite a commotion at a concert in Washington on the weekend.

Estonian World

Arvo Pärt is the world’s most performed living composer seventh year running

The Estonian composer, Arvo Pärt, has, for the seventh year in a row, been given the title of the “world’s most performed living composer” by the classical music event database, Bachtrack.


Stuttgarts neuer Ballettchef kündigt weitere personelle Änderungen an

Nach mehr als 20-jähriger Intendanz von Reid Anderson am Stuttgarter Ballett will sein Nachfolger Tamas Detrich Traditionen bewahren, aber auch neue Akzente setzen. Zwei Jahre arbeitete der US-Amerikaner an dem Programm für seine erste Spielzeit, das er nun vorgestellt hat. 

Sondierungen: BVMI fordert klare und ambitionierte Stärkung der Kultur- und Kreativwirtschaft

Der Bundesverband Musikindustrie hat mit Blick auf die voraussichtlichen Koalitionsverhandlungen deutliche und konsequente Maßnahmen zur Stärkung der Kultur- und Kreativbranchen gefordert. 


20.000 günstige Tickets für die Elbphilharmonie

Eine Stunde Klassikgenuss in der Elbphilharmonie für maximal 24 Euro pro Ticket. Am Montag stehen 20.000 Karten für die „Konzerte für Hamburg“ bereit. Alle Nicht-Hamburger haben aber leider ein Problem.

Salzburger Mozarteum weiterhin kopflos

Bei der am vergangenen Freitag stattgefundenen Senatssitzung des Salzburger Mozarteums konnte kein neues interimistisches Universitätsrats-Mitglied gefunden werden.

france musique

Décès de l’organiste Pierre Pincemaille

L’organiste Pierre Pincemaille nous a quittés le vendredi 12 janvier à l’âge de 61 ans. Titulaire des Grandes Orgues de la cathédrale de Saint-Denis depuis 1987, il était également un professeur très apprécié. 


 Today we’re live streaming our event on diversity in arts & culture from – see the agenda, watch and ask questions here:

Image: Pierre Pincemaille © Vincent Hildebrandt / france musique

(Written on January 15, 2018 )

It’s been an incredibly busy year at WildKat and we are so excited to continue our successes into 2018. As always, we’ve tried to pack as much as we can into a blog post for you all. The projects and clients mentioned below are a tiny portion of our highlights – Enjoy! 😊

First, a message from our Founder, Kat, who is already in the Austrian alps, ready to start the holidays:

“2017: you beast! I must admit I am quite glad to see the back of it… We launched and worked on so many projects and events, it felt like we somehow skipped the usual “quiet periods”. It has certainly been a challenging year; the uncertainty of the cultural and creative industries was felt across our sector and so internally we had to rethink our offerings, our staffing and general structure.

We have had some fantastic new clients and projects signed up to WildKat. Some personal highlights have been:

And so many more.

Mostly this year has been for me expanding the WildKat offices, opening a new one in Paris next year and working on our non-profit arm, Noted.

I have travelled for both companies to all corners of the world, and have had some great meetings and events take place, centred around the ethos of sharing and forwarding our industry. I think there is amongst all the anticipation on what future events (including Brexit, US etc) will bring a sense of renewed movement forward. I am encouraged to see so many positive ideas. The Noted Fellowship is in the next stage with announcements to follow in the New Year and our roundtables have come to life in Berlin, London and New York with fascinating thoughts and exchanges. My vision of having the newly graduates give the artistic director ideas on the future of our sector, is coming to life and its VERY rewarding!”


Internally we also have some great news:
  • Carolin is embarking on the ultimate WildKat perk: a 2 month paid sabbatical to New Zealand. (We are all just a tad jealous (“a tad” is putting it very lightly!! – Olivia)
  • Great staff have joined our teams all over the world, waving at at Eliza, Rachel, Alex, Nicolo, Maddie, Katja, and our continually growing pool of freelancers, consultants, and collaborators
  • Olivia was promoted to our UK Director and is, as expected, thriving in her new role. She also hits the 5 year anniversary mark next year and will at some stage embark on her sabbatical

Olivia says, “2017 has been a pretty turbulent year on all counts – whilst we have celebrated some truly inspiring projects, and championed everything that is BRILLIANT in our sector, and what it has to offer, we have all had to face a heavy and consistent hailstone of, let’s face it, awful news in the general media and across socials.

Saying this, one thing that our sector does best is use these events to inspire creativity, and to reflect and respond using our art and passion. Following the development of the “B-word”, we had the hilarious “The United Kingdom of Earth: A B***** Opera” at Tête à Tête’s 10th festival. Soosan Lolavar’s “ID, please” had its UK premiere at the same festival, reflecting on Trump’s travel ban. Ariana Grande sold out the Manchester arena for a benefit concert, following the bombings. There are many, many more examples, and there will continue to be.

As we look ahead to 2018, it’s important to remember the important of collaboration, cooperation, and participation. We have had such fresh ideas in discussion and have started to make change happen. We want to continue to work together, create conversations, involve diverse & conflicting voices, and create progress for classical music and the arts. I’m so excited for what is to come…”

Olivia visits New York for the first time!

Before Carolin heads off on her travels, she says, “Launching the Noted Fellowship this year was a real highlight, and I was so inspired to see all the innovative ideas that came through the application process. The only downside was choosing who would go on to stage 2. Good luck, everyone!

I’m very excited to make the most of my 2-month sabbatical, part of the WildKat perks, to not only have a long holiday (!) and travel the world, but also to return to the company and the industry with a refreshed and revived perspective.”

We are all really looking forward to 2018, particularly as we are celebrating 10 years of WildKat with a big party (joint with Music in Offices – happy birthday to you too!) and lots of fun events.

Thank you to everyone: clients, industry, friends, colleagues – the ones who champion us, critique us, support and dismiss us. We love you all and we look forward on what’s to come!

Happy holidays! 🎄🎄🎄

(Written on December 22, 2017 )

In today’s news: Victims of sexual harassment in the music industry are speaking out now, patients should be allowed to listen to music during operations, surgeon says; NYO names Chris Riddell as artist in residence. Also, John Reed creates a new app for musicians, more money for culture in Berlin and musicians from Venezuela gone into exile.

BBC News

Rape and abuse: The music industry’s dark side exposed

Sexual abuse and harassment is “endemic” in the music industry, with “dangerous men” abusing their power, the Victoria Derbyshire programme has been told. Some victims are now speaking out for the first time.

The Telegraph

Listening to music can help patients relax under the knife, surgeon says

Patients should be offered the chance to listen to music so that they are less anxious during operations, a leading surgeon says.

Classical Music

Sinfonia Cymru appoints Peter Bellingham as new chief executive

Sinfonia Cymru has appointed Peter Bellingham as its next chief executive. He will succeed Sophie Lewis, who will step down at the end of January 2018 after 11 years in post.

NYO announces Chris Riddell as artist in residence

The National Youth Orchestra has named Chris Riddell as artist in residence.

Record Online

Cello pro John Reed creates an app for musicians

“In the end, I want it to be a tool that musicians can use whether they are on a plane or a train or a bus.”


The Dallas Opera’s General Manager Resigns

After seven-and-a-half years with The Dallas Opera, Keith Cerny, The Kern Wildenthal General Director and CEO, has resigned.


MEAA releases report on sexual harassment and bullying

The union will work to effect change after its research found alarming levels of bullying in Australian opera and sexual harassment in theatre.


El Pais: 40 Musiker des ‘Simon Bolivar Orchestra’ gingen ins Exil

Die politischen Umstände Venezuelas haben 40 von den 120 Musikern des ‘Simon Bolivar Orchestra’ ins Exil getrieben, meldete die spanische Zeitung ‘El Pais’ in ihrer Samstagsausgabe, doch seien die jungen Musiker schnell ersetzt worden, da das Reservoir aus dem ‘El Sistema’ schöpfen kann, sehr groß ist.

Ende vom Lied? Zahl der Kirchenchöre in Bayern sinkt dramatisch

Eine von der Deutschen Presse-Agentur in Auftrag gegebene Umfrage hat in Bezug auf die Chöre unter dem Dach der evangelischen Landeskirche Bayern einen starken Rückgang ermittelt.

Kulturradio rbb

Mehr Geld für Kultur in Berlin ist beschlossene Sache 

Berlins Kultursenator, Klaus Lederer, betonte bei der Verabschiedung des Doppelhaushaltes 2018|2019 die Notwendigkeit einer Neuausrichtung des kulturpolitischen Fokus, um Berlins Ruf als Kulturhauptstadt zu sichern.

Il Messaggero

Morta Simonetta Puccini, nipote e unica erede del grande compositore

Simonetta Puccini, unica erede e nipote del grande compositore Giacomo Puccini (1858-1924), è morta ieri pomeriggio al Policlinico di Milano all’età di 89 anni.


 ‘Music managers are the only ones in the music industry that have a duty of care – but more should, including artists who have young fans’ –

 Room at the inn: Germany halts a composer’s deportation

Image: The Dallas Opera © OperaWire

(Written on December 18, 2017 )

In today’s news: the lack of interest in opera, British Airways criticised by musicians again, Coventry to be UK City of Culture 2021. Also, Apple intends to buy Shazam, clarinet is the less hygienic instrument and Thomas Hengelbrock leaves Elbphilarmonie. 

The Telegraph

Opera isn’t for everyone – and what’s wrong with that?

As if the opera business wasn’t already in enough of a stew, along comes a survey commissioned by Classic FM. Its findings are discouraging: half the respondents couldn’t name a single opera singer and only one in five recognised a photograph of Pavarotti.

The Sun

British Airways ‘force musicians to pay £280 each to fly their instruments to Jersey for a gig’

Violinist Rita Manning was travelling to a gig with her group Lorcian Ensemble when staff told them to put their precious instruments in the hold.

Classical Music

Coventry to be UK City of Culture 2021

Coventry has been selected as the UK’s City of Culture for 2021, beating Paisley, Sunderland, Stoke and Swansea to the title.

Audio pioneer’s estate makes major gift to University of Cambridge

The estate of Ray Dolby, founder of the audio company bearing his name, has presented the University of Cambridge with £85m.


Apple to buy music recognition app Shazam for $400 million

Apple is said to be looking at acquiring Shazam, one of the most popular apps for recognising music, TV shows, films and adverts, with an official deal potentially being announced later today.

The New York Times

James Levine Will Not Face Criminal Charges in Illinois

Law enforcement officials in Illinois said Friday that they would not bring criminal charges against the famed Metropolitan Opera conductor James Levine, noting that the man accusing Mr. Levine of sexual abuse there three decades ago had been 16 at the time — which was then the age of consent.


The clarinet is the dirtiest instrument in the band

Which instrument is the dirtiest in the band? A study has shown that it’s the clarinet that tends to harbour the most bacteria and fungi.

Zeit Online

Dirigent der Elbphilharmonie geht im Streit

Der Chefdirigent Thomas Hengelbrock verlässt das Haus im Sommer 2018. Kann sein New Yorker Nachfolger Alan Gilbert schon ein Jahr früher als geplant einspringen?

Gabriele Ferro gewinnt Bonner Beethoven-Klavierwettbewerb

Der Italiener Gabriele Ferro hat beim diesjährigen Beethoven-Klavierwettbewerb Bonn den ersten Preis gewonnen. Der erste Platz ist mit 30.000 Euro dotiert.

Bayerischer Rundfunk rudert zurück: Kein Wellentausch von BR Klassik und Jugendsender

Damit wandert der Klassiksender nicht, wie ursprünglich vorgesehen, in das Digitalangebot DAB+, sondern ist weiterhin über UKW zu empfangen.

France Musique

Julie Fuchs et Gautier Capuçon : leur hommage musical à Johnny Hallyday

La soprano Julie Fuchs et le violoncelliste Gautier Capuçon ont interprété l’Ave Maria de Schubert lors des funérailles de Johnny Hallyday samedi 9 décembre à l’église de la Madeleine.


 “I remember the moment every time I give a concert in Berlin: the way he entered the conductor’s room, his incredible ability to fill up space and transform it instantaneously.” about firstly meeting Karajan on Dec 11, 1976 

Image: Luciano Pavarotti © Classic FM

(Written on December 11, 2017 )

Lately, it seems like the younger generation is divided into two. One half is permanently glued to their digital device, drowning in social media, and can hardly imagine their life without Netflix and Instagram. The other half are rebelling, attempting something easily described as a “digital detox”.

A Digital detox can be defined as a period of time during which a person steps back from using electronic devices such as smartphones or computers in order to disconnect to the online world. By many, it is regarded as an opportunity to reduce stress or focus on real-life social interactions. Stress is proven to be caused by being connected, being online (literally), being available to anyone’s whim 24 hours per day, every day. A recent study from regulator Ofcom concluded that, on average, UK adults spend 25 hours a week online. And that number is constantly increasing.

So can classical music help us to escape the digital chokehold?

Listening to classical music

It is generally accepted that classical music has many positive effects on our brains, sometimes known as “the Mozart effect”. Listening to classical music is proven to boost memory function, sparks creativity, improves productivity and generally makes us feel happier and more relaxed. It can even improve the quality of our (much needed) sleep and help to ease symptoms of depression and melancholy. So why not to turn your phone off, take a deep breath and meditate while listening to classical music after a long working day or just before going to sleep? In our busy and over-connected world it is important to have some time for yourself, to slow things down and classical music is a perfect source of relaxation.

Learning an instrument

From recent research, musical instrument training can have a surprising effect on the structure of our brain. This concerns not only children but also adults and the elderly. Learning an instrument increases the capacity of our memory, enhances spatial reasoning and improves literacy skills. Moreover, musical training requires us to concentrate on one task at once. Concentrating on one task can help us to stay productive; not only while learning an instrument, but one can apply this knowledge to many other crucial tasks.

Attending classical music concerts

Listening to classical music encourages us to think deeply, connect better to ourselves and also connect to the people around us. Going to venues also means connecting to real people, talking to them, and socialising in real life. Sometimes we all need to take a step back from technology now and again. Attending classical music venues reminds us of being fully present in the world. Moreover, classical music concerts are beautiful, not only aurally, but also visually.

Considering all the benefits of classical music, we can utilise it to make our digital detox easier and our life more mindful and deliberate. Likewise, classical music helps us relax and put ourselves in a better mood. So, let’s switch off our mobile phones from time to time and allow us to be unavailable. Or, to put it in in the words of Chris Baréz-Brown: “Get lost in music with others and you might just find yourself.”

(Written on November 29, 2017 )

In today’s news: Southampton project brings diversity to classical music, composer Bent Sørensen wins the 2018 Grawemeyer Award, EBU celebrates its 50th birthday. Also, the importance of earplugs for orchestral musicians, the extension of Luxembourg Music Publishers catalogue and Opera Stuttgart moves into a post building. 

Financial Times

Sharp-edged, punchy music from the London Sinfonietta

A concert at St John’s, Smith Square, which exemplified the ensemble’s unique character.

Daily Echo

Ground-breaking project to bring diversity to classic music

More than 280 Southampton children were part of a ground-breaking project to bring diversity to classical music.

The Times

BA grounded me because of my wheelchair, says musician

Gil Dori was stuck in a queue at security when he says that he was told there was no time to load his wheelchair on to the plane.

BBC Music Magazine

European Broadcasting Union celebrates 50th Birthday

BBC Concert Orchestra marks anniversary of the first EBU transmission.

Classical Music

Bent Sørensen wins 2018 Grawemeyer Award

Danish composer Bent Sørensen has won the 2018 Grawemeyer Award for Music Composition for a triple concerto.

San Francisco Classical Voice

Hail Fellows, Well Met! 2017 Adlers Finale, 2018 Adlers Arrival

Besides bringing some of Europe’s greatest artists to San Francisco — most of them still unknown in the U.S. — Adler also cultivated local young talent, and he established the Merola Opera Program in 1957.


Earplugs essential for orchestral musicians, study finds

A new study from the Netherlands has found that earplugs are essential for orchestral musicians, revealing that physical measures such as placing screens between sections or creating more space between players are largely ineffective.


Luxembourg Music Publishers enlarge online catalogue

Luxembourg Music Publishers, a non-profit organisation promoting composers announces that it’s catalogue will soon exceed 500 references.

Scala entlässt Mitarbeiter wegen Aktivitäten auf dem Schwarzmarkt

Wegen unehrlicher Geschäfte mit Eintrittskarten hat die Mailänder Scala einen Mitarbeiter seiner Theaterkasse entlassen.


Im Tod vereint

Mit Umberto Giordanos Oper „Andrea Chénier“ wird am 7. Dezember erstmals die starbesetzte Saison-Eröffnung der Scala live in deutschen Kinos gezeigt.

Kunst- und Kulturpreis der deutschen Katholiken für Komponist Mark Andre

Der deutsch-französische Komponist Mark Andre hat den Kunst- und Kulturpreis der deutschen Katholiken erhalten.

Musik Heute

Oper Stuttgart will in altes Paketpostamt umziehen

Nach jahrelanger Debatte haben sich die Württembergischen Staatstheater für das alte Paketpostamt in Stuttgart als Ausweichspielort während der Generalsanierung des Opernhauses entschieden. 

Codex Flores

72. Concours de Genève: Gewinner des Kompositionswettbewerbs

Der 23-jährige Koreaner Jaehyuck Choi ist Gewinner des Kompositionswettbewerbs des 72. Concours de Genève. Zweitplatziert ist der 32-jährige Israeli Yair Klartag.

France musique

Les femmes qui dirigent des orchestres ? « Pas la tasse de thé » de Mariss Jansons

Dans une interview accordée au journal The Telegraph, le chef Mariss Jansons a déclaré ne pas être habitué à voir des femmes diriger des ensembles, et que cela n’était pas vraiment sa « tasse de thé ». Après la polémique suscitée par ses propos, le chef d’orchestre est revenu sur sa déclaration.

Tilson Thomas deja la San Francisco Symphony

El director norteamericano Michael Tilson Thomas (Los Ángeles, 1944) acaba de anunciar que abandona su puesto al frente de la Sinfónica de San Francisco en cuanto finalice la temporada 2019-20.


   in 1909 FP of Sergei Rachmaninoff’s Third Piano Concerto with Walter Damrosch conducting

Image: Southhampton school pupils © Daily Echo/Rachel Adams

(Written on November 28, 2017 )

We’re delighted to welcome to our roster Damian Iorio, conductor, who we will be working with over the coming months.  Damian’s reputation as a formidable conductor continues to grow thanks to highly-acclaimed performances with leading orchestras and opera companies around the world including London Philharmonic, Philharmonia, Royal Philharmonic, Glyndebourne Festival Opera, Opéra National de Paris, Detroit Symphony, BBC Symphony, San Francisco Symphony Orchestra, Netherlands Radio Philharmonic, St Petersburg Philharmonic, and Oper Bonn.

Damian has been Music Director of the Milton Keynes City Orchestra since 2014, and has led the orchestra to new heights, whilst successfully attracting an ever-growing audience for classical music in the region.  This season he welcomes a raft of star soloists, including Stephen Hough and Chloe Hanslip.

In June and July 2018, he will be making a much-anticipated return to the Opéra National de Paris, where he will conduct performances of Mussorgsky’s “Boris Godunov”.  His pedigree as a fine conductor of opera has been established after performances of Smetana’s “The Bartered Bride” at Opéra National de Paris and Verdi’s “Macbeth” at Glyndebourne. He conducted the Russian premiere of Nyman’s “The Man Who Mistook His Wife for a Hat” in Moscow, which was subsequently nominated for Best Opera Production at the Golden Mask Festival.

His recent recording of Ghedini and Casella on Naxos was highly acclaimed, with “fine live performances scrupulously conducted by Damian Iorio” (The Guardian), and was awarded the prestigious “Choc” by Le Monde de la Musique.  Iorio is a champion of new music, and has worked closely with Tan Dun, Huw Watkins, Silvia Colasanti and Michael Nyman.

Iorio studied in the UK and USA, and began his musical career as a violinist with the Danish National Radio Symphony Orchestra, before studying conducting in St Petersburg and embarking on a life on the podium.

You can keep up to date with Damian at his website, or on Facebook and Twitter.

(Written on November 15, 2017 )


Wer wir sind:

WildKat PR ist eine dynamisch und äußerst innovativ arbeitende PR-Agentur mit Sitzen in London, Berlin und New York, die auf die Betreuung von Künstlern, Orchestern, Labels und Institutionen der klassischen und zeitgenössischen Musikszene spezialisiert ist. Unser Servicespektrum umfasst unter anderem PR-Betreuung, Öffentlichkeitsarbeit, Marketing, Social Media, künstlerische Beratung und Event-Management. Für unsere Kunden entwickeln wir individuelle Kampagnen und stehen für eine stets maßgeschneiderte und zukunftsorientierte PR-Betreuung.


Wen wir suchen:

WildKat PR sucht ab dem 1. Februar 2018 eine/n Account Manager/in für Presse- und Öffentlichkeitsarbeit am Standort Berlin. Du begeisterst Dich für klassische Musik und Kulturprojekte und hast Lust, Deine Kunden durch kreative Kampagnen zum Erfolg zu bringen? Du denkst vorausschauend, kannst den Überblick über unterschiedliche, parallel laufende Projekte behalten und hast den Mut, auch mal ins kalte Wasser zu springen? Dann bist Du bei uns genau richtig!


Deine Aufgaben:

  • Betreuung eines eigenen Kundenstammes mit der Verantwortung, die individuell abgesteckten PR-Ziele zu erreichen, u.a. Betreuung von CD-Veröffentlichungen, Erreichen neuer Zielgruppen, Organisation von Events und Konzerten, Suche nach Künstlermanagements
  • Entwicklung und Umsetzung internationaler, kreativer PR-Kampagnen, hierbei Ausarbeitung von Strategien und Zeitplänen, Aufsetzen von Presselisten, Korrespondenz und Treffen mit Kunden und Journalisten
  • Erstellung von Pressetexten und effiziente Verbreitung von Pressematerialien
  • Betreuung eines eigenen Twitter-Accounts sowie agenturinterner weiterer Social-Media-Kanäle wie Facebook und Instagram
  • Content-Betreuung der Webinhalte auf den Kundenwebseiten und der Agenturwebseite


Was Du auf jeden Fall mitbringen solltest:

  • 1-2 Jahre Berufserfahrung in der Presse- und Öffentlichkeitsarbeit
  • Hervorragende mündliche und schriftliche Kommunikationsfähigkeiten in deutsch und englisch, weitere Fremdsprachen von Vorteil
  • Sehr gute organisatorische Fähigkeiten und Detailbewusstsein
  • Fähigkeit zum selbstmotivierten und eigenverantwortlichen Arbeiten
  • Zuverlässige und flexible Arbeitsweise
  • Fähigkeit auch unter hohem Zeitdruck zu arbeiten
  • Ausgeprägte Teamfähigkeit
  • Beherrschung von Social-Media-Kanälen (u.a. Twitter, Facebook, Instagram)
  • Sichere Computer-Kenntnisse (MS Word, Excel, WordPress)


Was wir bieten:

  • Selbstständige Arbeit in einem kleinen, jungen und musikbegeisterten Team
  • Tägliche Zusammenarbeit und Austausch mit dem Londoner Büro
  • Besuch von Kundenkonzerten und –veranstaltungen auch außerhalb Deutschlands
  • Möglichkeit, sich kreativ einzubringen und seine Ideen umzusetzen
  • Nach Abschluss einer erfolgreichen Probezeit ist eine Anstellung mit Festvertrag möglich
  • Staff benefits, u.a. 6 Stunden Tage für eine bessere Life-Work-Balance, Weiterbildungsmöglichkeiten, kreative Workshops und ein wöchentlicher Obstkorb


So bewirbst Du Dich:

Da wir uns in unserer täglichen Arbeit kurz und präzise ausdrücken müssen, erwarten wir dies auch bei Deiner Bewerbung! Bitte schicke ein aussagekräftiges Anschreiben auf deutsch und mit einem Umfang von maximal einer Seite und Deinem Lebenslauf bis zum 27. November 2017 mit dem Betreff „Account ManagerIn” an Carolin Denz, Bitte vergiss nicht, Deine Gehaltsvorstellung anzugeben. Die Vorstellunggespräche finden in der Woche ab dem 4. Dezember statt.


(Written on November 10, 2017 )

In today’s Classical News, Colin Currie launches a record label dedicated to drumming, and Baroque at the Edge announces its inaugural programme. The V&A rescues an archive charting the decline of Wilton’s Music Hall, and the ECHO Classical Awards are announced.

Classical Music Magazine

Colin Currie launches record label

Percussionist Colin Currie is to launch his own record label, beginning with a recording of Steve Reich’s Drumming, due in March 2018.

Helios Collective announces Formations Masterclasses 2017

The Helios Collective has announced the programme for this year’s Formations masterclasses, which will showcase two new commissions and a revival.

Early Music Today

Programme for Baroque at the Edge announced

The inaugural Baroque at the Edge Festival will take place 5-7 January 2018.

Created by those behind the London Festival of Baroque Music, the three-day event comprises seven concerts. Lindsay Kemp and Lucy Bending have invited leading musicians from a range of genres to take the music of the Baroque era and see where it leads them.

The Guardian

V&A rescues treasures from historic Wilton’s Music Hall archive

An archive recording the glory days as well as the decay and near collapse of Wilton’s Music Hall has been acquired by the V&A theatre collection.

New York Times

La Bohème: Should opera’s most beloved classic be changed?

So forget should you do a new “Bohème”: Can you do a new — a really new — “Bohème”? Is there an approach to this work that isn’t just moving the attic stove, a fixture of the libretto, from stage right to left to center?

The New Yorker

Soundtracks worth a listen separate from their cinematic counterparts

The film and music industries are old friends, and as films have evolved so has their music. Over the past few decades, this sometimes haphazard relationship has produced many odd and unpredictable movie soundtracks.  


Spotify U.K. Reports $312M Revenue, 7.1M Monthly Active Users in 2016

Sustained subscriber growth and a rise in advertising revenue helped Spotify’s U.K. arm make significant gains in 2016.

ECHO Classical Music Awards: Joyce DiDonato, Jonas Kaufmann, Boston Symphony Among Winners

Hamburg’s stunning Elbphilharmonie concert hall, inaugurated just seven months ago, was abuzz on Sunday night as it played host to the annual German ECHO Klassic Awards. Among the winners were stars such as the American singer Joyce DiDonato, the Italian piano player Maurizio Pollini and the South African violin player Daniel Hope. American Kent Nagano, who helmed the Philharmonische Staatsorchester Hamburg throughout the evening, got the ECHO as conductor of the year.


Music History  in 1768 Death of Italian Francesco Maria

Classical Music News  David Lewiston Sharpe premiere to mark Reformation

Image: Baroque at the Edge

(Written on October 31, 2017 )