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Classical News

The Guardian

Facing the music: Noah Stewart

Nat King Cole, Nina Simone and New York City – tenor Noah Stewart on his musical passions on and off the stage

The pitfalls and perks of playing a concert hall piano

The tone and touch of a piano might be terrific or terrible, so how does a performer prepare? Pianist Boris Giltburg describes the keyboard of his dreams

The Times

10 things to know about Simon Rattle’s new concert hall

As debate rages about whether London needs a new £200m venue to keep up with the best in Europe, Richard Morrison conducts his own feasibility study

The Strad

Frank Peter Zimmermann forced to hand back ‘Lady Inchiquin’ Stradivarius

The violinist, who turns 50 this Friday, is attempting to buy the instrument, which was previously on loan from failed bank WestLB AG

International Arts Manager

Digital marketing for the arts discussed in free session

The secrets of digital success are being shared at The Art of Digital, a free workshop aimed at arts organisations hosted by arts administration specialists Spektrix and digital agency AD.

Süddeutsche.de

Rattles Wunschkonzert

Diskussion um neue Tonhalle für London

Berliner Zeitung

Berliner Straßenchor feiert mit „Straßen-Carmina“ Premiere

Der Berliner Straßenchor ist ein Chor für Menschen ohne Wohnung, ohne Arbeit, Menschen mit Behinderung, Drogenabhängige oder Prostituierte.

pizzicato

Businessplan für Bonner Beethoven-Festspielhaus vorgestellt

Zwar ist noch nicht gewusst, welcher Architekt das Beethoven-Festspielhaus in Bonn bauen wird, aber der Bau, der komplett privat finanziert werden soll, hat jetzt bereits einen Businessplan, der die Wirtschaftlichkeit des Unternehmens voraussagt.

Classicalite

‘Grand Budapest Hotel’ and ‘Whiplash’ Top Contenders at Oscars, Alexandre Desplat Wins Best Original Score

Now with the Oscars at a close, the results proved to be a normal get together of acting talent abound.

nprmusic

Composing The Folk Music Of A Made-Up Country

Composer Alexandre Desplat is competing against himself in this year’s Oscars: He’s up for two awards in the category of Best Original Score.

Twitter

Intermusica ‏@IntermusicaLtd :@colincurrieperc & Pavel Haas Quartet at @wigmore_hall at the weekend – more photos here http://ow.ly/Jz1OS 

Bachtrack ‏@bachtrack : Strongly cast revival of Die Zauberflöte at @royaloperahouse @JanaiBrugger @tobyspence

Royal College Music @RCMLatest: Congrats to RCM pianist Luka Okrostsvaridze, chosen for the #TillettTrust‘s Young Artists’ Platform with a recital @wigmore_hall in December

NEWS 24th Piano

‘The finest pianos achieve the best results’ … Boris Giltburg. Photograph: Sasha Gusov

(Written on February 24, 2015 )

Classical News

The Strad

Philharmonie de Paris architect sues venue’s sponsors

Jean Nouvel claims the new building differs from his original design

Minnesota Orchestra to perform in Cuba following restoration of US diplomatic relations

The orchestra last performed in Havana in 1929

Classical Music Magazine

Cuts to music teaching imminent in Bromley, Wiltshire and elsewhere

As the new financial year approaches, several local authorities have revealed plans which involve significant reductions in spending on music provision.

Warwick Report calls for joined up thinking in cultural sector

A one-year commission lead by the University of Warwick and chaired by Vikki Heywood CBE has just released its report, titled Enriching Britain: Culture, Creativity and Growth.

International Arts Manager

Young musicians to learn career tools at workshop

It’s a jungle out there for young musicians, but the Incorporated Society of Musicians (ISM) are cutting a path through it with Make Music Work (MMW).

Zeit Online

Castorfs “Baal” darf nur noch zwei Mal aufgeführt werden

Suhrkamp stimmt einem Vergleich im Streit um die Castorf-Inszenierung des Stücks “Baal” doch zu: Das Stück wird nur noch einmal in München und einmal in Berlin gespielt.

Der Tagesspiegel

Mein Lehrer, der Teufel

Harte Schule: Wer als Schlagzeuger groß rauskommen will, muss in „Whiplash“ üben, bis die Hände bluten. Dabei geht es weniger um Musik als um Macht.

audiophil

KREATIV AN DEN TASTEN

Der Breitkopf-Klavierwettbewerb

The New York Times

Metropolitan Opera Unveils a Season of Big Stars and 6 New Productions

The Metropolitan Opera said on Wednesday that it would redouble its efforts to attract new audiences to the opera next season with six new productions, a star-filled roster and new initiatives, including one that will offer half-priced tickets to children during the holidays and another to court young professionals with later curtain times, discounts and social events.

The Washington Post

Eschenbach to leave NSO, Kennedy Center music directorship in 2017

When Deborah Rutter took over as the Kennedy Center’s president in September, music lovers wondered what would happen with the National Symphony Orchestra — one of the most highly paid ensembles in the country, but a chronically underperforming organization.

pizzicato

Rachel Podger Wins Royal Academy of Music Bach Prize

British Violinist Rachel Podger (*1968) has been awarded the 2015 Royal Academy of Music Bach Prize.

Twitter

BBC Music Magazine ‏@MusicMagazine : Vote in our Awards for your chance to win a Yamaha hi-fi system worth over 700! Find out more: http://www.classical-music.com/awards 

tiredoflondon ‏@tiredoflondon :Tonight – Free @SouthbankSinf rush hour concert at @StJohnsWaterloo. Last week’s was lovely – http://bit.ly/1EV7Ays 

Classic FM ‏@ClassicFM: A superstar pianist reveals just how you get 85 million YouTube views: http://classfm.co/zJNLE4 

NEWS Philharmonie

The Philharmonie de Paris. Photo: The Strad

 

(Written on February 19, 2015 )

Classical News

Independent

Creative subjects being squeezed out of poorer schools, says major arts study

Specialist arts teachers in state schools have declined by 11 per cent

Classical Music Magazine

Classical sales: declining year-on-year, and streaming fails to compensate

Sales of classical recordings fell 5% by volume last year and by just under 1% in value terms, according to detailed figures released by industry body the BPI.

Classical Source

Southbank Centre announces Daniel Barenboim to give the 2015 Edward W. Said London Lecture, part of The Barenboim Project 2015

Since making his London debut at Royal Festival Hall in 1956, aged only 13, legendary musician Daniel Barenboim has been a regular performer at Southbank Centre. He returns during April and May 2015 as both conductor and piano soloist for The Barenboim Project 2015.

Sinfini

NYC Night Shift

New Yorkers will get a taste of the UK’s alternative classical scene next month, courtesy of the London-based Orchestra of the Age of Enlightenment.

Gramophone

New report calls for creation of cultural ‘Digital Public Space’

Recommendation forms part of wide-ranging report into the UK cultural sector, backed by leading arts figures

Arts Professional

Silos must end for the arts to thrive, report concludes

The final report of the Warwick Commission inquiry finds the future of cultural value as lying in a seamless relationship between the cultural sector and the creative industries, coupled with a focus on enterprise and creativity in schools.

Frankfurter Allgemeine Zeitung

Wie gewinnt man den Opern-Grammy?

Schon vier Mal war das Klassik-Label cpo für den Grammy nominiert, jetzt war es der einzige deutsche Sieger. Wie wird man Weltspitze? Warum steht die Trophäe noch nicht in Niedersachsen? Ein Gespräch mit Burkhard Schmilgun.

Berliner Zeitung

Welttag des Radios: 5 Dinge über das wichtigste Medium

Im Auto, unter der Dusche, abends im Zelt – das Radio ist überall dabei. An diesem Freitag wird es rund um den Globus mit dem Welttag des Radios gefeiert – und Dank digitaler Verbreitung hat es sich sogar teilweise neu erfunden. Fünf Fakten zum reichweitenstärksten Medium weltweit.

Klassik.com

Bariton Andrzej Jobber wird Hamburger Kammersänger

Auszeichnung auf Anregung von Opernintendantin Simone Young

Fono Forum

Endstation Mahler-Saal

Knapp ein Jahr nach dem klatschträchtigen Wiener Opernball flogen in der Staatsoper nun erneut die Fäuste.

La Croix

« Le klezmer redonne du baume au cœur »

France Musique consacre sa journée du 18 février à la musique klezmer, avec en point d’orgue, à 18 heures, un concert du clarinettiste David Krakauer à la Maison de la radio, avec plusieurs invités.

La Repubblica

Ilaria Boretti Buitoni: “Scala, con i tempi lunghi ora Pereira dovrà trovare sponsor all’estero”

Il sottosegretario ai Beni culturali è soddisfatta della conferma del sovrintendente: “Il governo farà tutti gli sforzi possibili ma la programmazione consente l’aumento dei fondi privati”

Pizzicato

Pariser Peinlichkeiten: Jean Nouvel kämpft vor Gericht gegen Philharmonie

Der Architekt der Pariser Philharmonie, Jean Nouvel, der aus Protest der Eröffnung des Gebäudes fern geblieben war, hat die Leitung der Philharmonie vor Gericht zitiert.

Twitter

Arts Council England@ace_national: We welcome @UoWcommission report: let’s work together to boost access to #arts, a key part of our creative industries http://bit.ly/1JnfJlU 

Classic FM@ClassicFM: Tenor Noah Stewart is asked if it is possible to teach anyone to sing. Read his reply here: http://classfm.co/PPkwnK 

medici.tv@medicitv: Want to part of @JoyceDiDonato‘s master class? Submit your questions using #AskJoyce, and join her Sunday for a live Twitter chat!

monarch-the-night-shift-658x325

New Yorkers will get a taste of the UK’s alternative classical scene next month, courtesy of the London-based Orchestra of the Age of Enlightenment. Photo: Sinfini

(Written on February 18, 2015 )

WildKat PR are pleased to be working with the young and talented violinist Asi Matathias. Asi did his first ever performance with the Israel Philharmonic Orchestra at the age 14 under the baton of Zubin Mehta, who was so impressed by Matathias’ musical maturity at such a young age that he invited Asi back to play for the next season. Concert-goers can hear this sophistication beyond years at another debut of his this month: at the Berlin Philharmonic and Carnegie Hall’s Zankel Hall in New York.

His recital programme will take the audience through the history of the key repertoire for violin and piano: Brahms and Beethoven via Strauss and Takemitsu. We will hear all the experience he has accumulated over the past ten years, during which he has performed concerts throughout Europe, the USA and Asia and played in some of the most prestigious concert halls and with some of the best conductors of our time.

Also a keen chamber musician, Asi has collaborated with the likes of Yefim Bronfman and Kirill Gerstein at festivals such as Vienna’s FestWochen Festspiele, and the Jerusalem International Chamber Music Festival.

Having begun playing the violin when he was only 6 years old, he has studied with Chaim Taub, Aaron Rosand and David Nadien. He currently is a student of Pinchas Zukerman in New York. Prior to this, he was enrolled at Vienna’s Universität für Musik und darstellende Kunst where he was the youngest student ever to have been accepted.

Asi’s debuts promise to be exciting milestones in his career which is already developing well and flourishing.

Book tickets to the concert here.

Pinchas Zukermans Protegé, Asi Matathias, debütiert in Berlin und New York

Das Team von WildKat PR freut sich über die Zusammenarbeit mit dem jungen und talentierten Geiger Asi Matathias. Seinen ersten Auftritt hatte der Künstler bereits im Alter von 14 Jahren mit dem Israel Philharmonic Orchestra unter der Leitung von Zubin Mehta, der so begeistert von der musikalischen Reife bei einem so jungen Alter war, dass er Asi bereits für die folgende Saison wieder einlud. Konzertbesucher können nun eine über Jahre gereifte Verfeinerung seines Violinenspiels bei einem weiteren Debüt in diesem Monat in der Berliner Philharmonie und der Zankel Hall der Carnegie Hall in New York erleben.

Sein Konzertprogramm führt das Publikum durch die Geschichte der berühmtesten Werke für Violine und Piano: Von Brahms und Beethoven über Strauss und Takemitsu. Das Publikum wird die Erfahrungen, die Matathias in den letzten Jahren bei Aufführungen in Europa, USA und Asien gesammelt hat, hören können. Er spielte in den besten Konzertsälen der Welt und mit den bedeutendsten Dirigenten unserer Zeit. Darüberhinaus hat Asi als begeisteter Kammermusiker bereits mit Größen wie Yefim Bronfman und Kirill Gerstein bei international bekannten Festivals wie den Wiener Festwochen und dem Jerusalem International Chamber Music Festival zusammengearbeitet.

Seit er mit sechs Jahren angefangen hat Geige zu spielen, wurde er von Chaim Taub, Aaaron Rosand und David Nadien auf seinem Weg begleitet. Aktuell studiert er bei Pinchas Zukerman in New York. Davor war er an der Universität für Musik und darstellende Kunst in Wien immatrikuliert, wo er als jüngster Student seit der Gründung der Universität aufgenommen wurde.

Asis Debüts versprechen spannende Meilensteine in seiner bereits aufstrebenden Karriere zu werden.

Buchen Sie hier Tickets für das Konzert.

Asi

(Written on February 12, 2015 )

Classical News

The Guardian

‘I hope our artistic leaders will heed Sachs’s advice. The survival of ENO may depend on it’

Wagner’s Hans Sachs could teach today’s politicians a thing or two about the value of art, writes Iain Paterson, who makes his debut in the role at ENO this weekend

The Independent

Bryn Terfel interview: Britain’s best-loved baritone looks back on his ‘wonderful journey’ through the world’s greatest operas

Gods. Murderers. Dictators. Ghosts. Bryn Terfel is used to playing them all, and more.

The Strad

Julian Lloyd Webber to sell his Stradivarius cello

The cellist was forced to retire from performing last year due to a neck injury

BBC Music Magazine

Aldo Ciccolini (1925-2015)

The great pianist has died at the age of 89

BBC Radio 3 to celebrate International Women’s Day

Two weeks of programming will champion the work of female composers and performers

Classical Music Magazine

Barry Ife: ‘Let’s lift the lid on the myths and mysteries of the professional music world’

‘As principal of Guildhall School of Music & Drama, I have the good fortune to work with some of the most outstanding young musicians, actors and theatre technicians in the world.’

Süddeutsche.de

Klang allein ist nicht alles

München ist entrüstet, weil es keinen neuen Konzertsaal bekommt. Verständlich. Aber es gibt noch viele weitere Gründe, warum die Musiklandschaft im Vergleich zu anderen Städten wie Freiburg so blass wirkt.

Berliner Zeitung

Der Karneval der Kulturen findet statt

Der bisher auf der Kippe stehende Karneval der Kulturen in Berlin wird laut dem RBB auch in diesem Jahr stattfinden. Integrationssenatorin Dilek Kolat (SPD) habe sich mit den beteiligten Gruppen geeinigt, zitierte der Sender am Mittwochabend Kolats Sprecher.

Die Welt

“Der Tod hat sich immer für mich interessiert”

Luc Bondy ist einer der bedeutendsten Regisseuren. Gerade läuft seine Version von Tschechows “Iwanow” in Paris. Ein Gespräch über Antisemitismus in Frankreich und seine Ideen fürs Berliner Ensemble.

The New York Times

‘Tristan’ to Open Met Season in 2016

The inventive Polish director Mariusz Trelinski, whose eerie, film noir-influenced double bill of Tchaikovsky’s “Iolanta” and Bartok’s “Bluebeard’s Castle” at the Metropolitan Opera is winning praise, has received an even bigger assignment form the company: a new production of Wagner’s “Tristan und Isolde” that will open the Met’s season in 2016.

pizzicato

Ten Seconds Of A Naked Salome Create Protest In Northern Ireland

A new production of Richard Strauss’s Salome has raised a storm of protest in Belfast.

artsjournal

Simon Rattle Talks Sibelius

The Berlin Philharmonic’s chief conductor and Finnish music journalist/Sibelius expert Vesa Sirén spend an hour talking about the composer’s music – and what the Philharmoniker find easy and difficult about it.

Twitter

Sinfini Music ‏@SinfiniMusic : NEWS: @MancCamerata principal cellist to play Elgar on loaned 17th-c Strad: http://bit.ly/16gy2Hh  @RNCMvoice

Royal Opera House ‏@RoyalOperaHouse:Just over a week to go for young composers (aged 11-16) to enter our Fanfare competition! http://www.roh.org.uk/learning/schools-and-colleges/fanfare … ^P

Culture Republic ‏@culture_public :Interesting new app being piloted allows users to rate arts experiences http://bit.ly/1D1gH1L  & #marketers can get anonymous data on users.

NEWSpg-44-terfel-1-barda

Bryn Terfel in ‘Der Fliegende Holländer.’ Photo” The Independent

 

(Written on February 5, 2015 )

WildKat PR is very excited to introduce our newest client: the Chamber Music Society of Lincoln Center (CMS). Based at New York’s infamous Lincoln Center for the Performing Arts, CMS features some of the finest chamber music performances on a world stage. As well as thrilling seasoned concert goers, they also seek to engage a wider audience with chamber music through their performances, education programmes, and recording activities.

Motivated by their commitment to the continuation of the chamber music tradition, they founded CMS Two which is a prestigious, unique and wildly competitive three season residency for the most significant ensembles and individual musicians. Far from being an ‘extra’, CMS Two members take part in all aspects of the Society’s activities and it boasts alumni such as Lang Lang and Hilary Hahn.

We will be working with CMS on a very exciting concert on 8th May 2015 at London’s Wigmore Hall which, alongside standard repertoire from Schumann and Brahms will also feature the world premiere of a specially co-commissioned piece by British composer Helen Grime. This new string trio continues the longstanding relationship between the two cross-Atlantic concert halls.

CMS-logo

(Written on January 23, 2015 )

WildKat PR are delighted to announce the launch of an exciting and innovative new scheme heralded by our founder Kathleen Alder. The Noted Innovation Fellowship focuses on providing support to talented 22-35 year olds with original ideas in the area of arts administration which will shake up, progress and lead the classical music industry and culture sector into the future; it needs more than just artists.

Whilst there are many funding opportunities dedicated to discovering and supporting new performing talent, Kathleen has recognised a clear need in the industry for financial support to be awarded to young professionals keen to make their mark behind-the-scenes. Currently, aspiring arts prodigies are most likely to be supported by those who have had over 20 years’ experience and although their experience is vital and appreciated, Kathleen believes there is much more untapped potential to attract fresh new talent.

As well as offering £3,500 to help implement the recipient’s idea, the Fellowship will provide industry opportunities and mentorship by some of the most high profile names working for prestigious organisations such as Executive Producer of Opus Arte/Royal Opera House Ben Pateman; Grammy award winning music producer Christopher Alder; and Suzanne Davidson, the Executive Director of The Chamber Music Society of Lincoln Center. The list continues to grow. Alongside the standard prize winnings, the Fellowship will be customized around the individual and their idea in order to maximize their full potential.  With this Fellowship, Kathleen aims to educate and inspire a new generation of diverse and creative cultural leaders.

WildKat PR are excited for the talent that will emerge from this venture.

For application details, click here. The deadline is midnight (GMT) on 15th February 2015.

Kat1-11-590x260 Kathleen Alder. Photo: International Arts Manager 

 

(Written on January 13, 2015 )

Classical News

Guardian

Wolfgang Rihm wins the Grawemeyer

$100,000 composing award honours the prolific 62-year-old musician

Classic FM

Alfie Boe to star in orchestral version of The Who’s Quadrophenia

Who guitarist Pete Townshend has announced that an orchestral version of his band’s seminal concept album Quadrophenia will be released, named Classic Quadrophenia, with tenor Alfie Boe taking the lead role.

Classical Music Magazine

British Composer Awards announced with nine going to first-timers ‒ and five to women

The British Composer Awards were announced last night in a ceremony at Goldsmiths’ Hall.

BBC Music Magazine

Exultate Singers perform our exclusive carol

Listen to the Bristol-based choir’s version of Thomas Hewitt Jones’s ‘Lullay, my liking’

The Strad

Double bassist and composer Alvin Brehm has died aged 89

The New York-born musician led an active career as a player, teacher, composer and administrator

Berliner Zeitung

Fête de la Musique bis 2017 gerettet

Seit die GEMA höhere Gebühren von den Organisatoren verlangte, stand die Finanzierung auf der Kippe.

Klassik.com

Grawemeyer Award 2015 geht an Wolfgang Rihm

Auszeichnung ist mit rund 80.000 Euro dotiert

Klavier.de

Ji-Yeong Mun gewinnt Genfer-Klavierwettbewerb

Südkoreanische Pianistin erhält Preisgeld von 20.000 Schweizer Franken

The New York Times

Another Opera Crisis Is Averted in Italy

Gianandrea Noseda Is to Stay at Teatro Regio in Turin

El Mundo

Cuando España descubrió el piano

El Museo del Real Conservatorio Superior de Música de Madrid ha hecho un hueco en sus salas para albergar una exposición peculiar que recorre la historia del piano en España, y en particular los 200 años de los ‘castizos’ pianos Hazen.

Twitter

Sinfini Music ‏@SinfiniMusic: ★★★★☆ Love string quartets? Want to hear something new? Meet @Brooklyn_Rider @MercClassics http://bit.ly/1tLDGFI 

Classic FM @ClassicFM: Is there equality in US orchestras? These are revealing graphics: http://classfm.co/e2XCIG 

IntArtsManager @IntArtsManager: Concours de Genève has awarded the CHF20,000 first prize in its piano discipline to 18-year-old Ji-Yeong Mun http://bit.ly/1zPgMSp

jpmaestro-master675Gianandrea Noseda, music director of Teatro Regio in Turin, Italy, at this summer’s Mostly Mozart Festival at Lincoln Center. He had threatened to leave his company unless changes were made. Photo: Ruby Washington/The New York Times

 

(Written on December 3, 2014 )

What an incredibly busy month we have had in the WildKat PR offices this past month. As the countdown to Christmas begins earlier and earlier each year, so does the classical industry’s busiest period before the candlelit concerts and masses of Messiahs begin to take over.

Kennedy Center-Washington

At the beginning of the month, the London office waved off a few of the team as they joined the New York office for China’s NCPA Orchestra on their debut North America and Canada tour. Beginning in Chicago at the Symphony Center, the team guided the Orchestra to Washington’s Kennedy Center, Lincoln Center’s Alice Tully Hall in New York and the Kimmel Center in Philadelphia, before jet-setting off to Canada visiting Ottawa, Toronto and finally Montreal. WildKat managed the marketing of the tour through our classical music specialist in-house design company Classical Music Design, who produced everything from flyers to posters, print adverts to animated adverts online. We also hosted a reception for the New York concert, welcoming  some of New York’s most prestigious industry members.

Verizon Hall, Philadelphia

The London Account Managers also caught up with John Brancy whilst in New York to talk about his European campaign ahead of next year, as he was performing in two concerts, with the New York Festival of Song at Kaufman Center in New York and the Isabella Stewart Gardner Museum in Boston.

Back in London we’ve been traveling between North West and South West London for Hampstead Arts Festival and Wimbledon International Music Festival respectively. Hampstead Arts Festival launched with a personal debut from Natalie Clein who performed the first of two concerts where she performed all six of Bach’s Cello Suites. Wimbledon International Music Festival began just a few days later with the Academy Choir & Baroque Players who performed in vocal and choral masterpieces of War and Peace – the theme for the Festival. Both Festivals ran throughout November and were incredibly successful, with numerous events selling out!

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We also attended the launch of Orpheus Sinfonia‘s new #BeneathTheScore, where audiences were treated to anecdotes, letters and relatively unknown facts about Beethoven and his symphonies. The first concert Revolution: The Beethoven Effect was a huge success. Keep an eye out for our audience reaction video blog, coming soon! Meanwhile the Berkeley Ensemble’s composition prize semi-final took place at one of our favourite venues, The Forge. The final will take place on 10th December 2014 – find out more here. There was also a great talk that a few of us attended, hosted by the wonderful YPIA team. Guardian Culture Professionals Network’s Matt Caines led the discussion “from Intern to CEO” with V&A Director Prof. Martin Roth and Royal Opera House’s CEO Alex Beard. This was a truly interesting and insightful event, and great to catch up with lots of familiar faces.

Over in Berlin, the WildKat team moved offices and are now settled in Prenzlauer Berg. Drop in and say hi if you’re in the area! The team also attended some really great events including the first PODIUM Festival concert at one of Berlin’s most cutting-edge classical music venues, the Radialsystem V at the River Spree. The concert was fittingly called ‘Radium’ and featured light-shows and 360° surround-sound performances. Our WildKat clients were also very busy this month with the Managing Director of Bamberg Symphony Marcus R. Axt interviewed on the German BR TV channel for the show alpha-Forum to discuss the new season 2014/15, new ideas like their encore! project and much more. Our new client Konzertdirektion Prof. Victor Hohenfels organised a great and sold out concert with horn soloist Radek Baborák in the Berlin Philharmonie. Another exciting opportunity for soprano Caroline MacPhie who, after the success of her album launch in London, moved to Berlin and auditioned for a few management companies, one accompanied by Carolin – a great new experience for both.

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Also, lots of congratulations and cake this month as we’ve had lots of WildKat birthdays – Account Managers Olivia, Clara and Carolin celebrated their birthdays, as well as our lovely University of Leeds Year in Industry colleague Rhian.

As busy as November was, we’re definitely still looking forward to December for the National Children’s Orchestras of Great Britain’s Winter Concert, Avi Avital’s recital at The Globe with Mahan Esfahani, Moritz Eggert’s concert with the German pop duo 2RAUMWOHNUNG and a Christmas concert organised by the Konzertdirektion Prof. Victor Hohenfels.

The offices are open until midday Christmas Eve and we re-open on 2nd January 2015.

P.S. Look out for our Christmas cards which are on their way to you now!

(Written on December 2, 2014 )

WildKat PR are excited to announce the North American debut of China’s National Centre for the Performing Arts Orchestra Beijing!

Between 2nd-13th November, China’s NCPA Orchestra will be performing in venues across North America on their landmark seven-city tour. Along with Chief Conductor Lü Jia they will play to crowds in Washington’s Kennedy Center and the Lincoln Center in New York among others. Their diverse programme melds Eastern and Western traditions, including works by Ravel, Dvořák and Tchaikovsky alongside Zhanhao He and Gang Chen’s The Butterfly Lovers Violin Concerto and Chen Qigang’s Wu Xing – The Five Elements (Suite for Orchestra). Featured in these pieces are world-renowned pianists Yuja Wang and Xiaoyu Lius, and violinist Siqing Lu. They have played with some of the world’s most prestigious orchestras from across Europe and America as well as gaining numerous awards and acclaim for their performances and recordings.

This tour also marks the 35th anniversary of the official diplomatic relations between The United States and China. This important relationship was born shortly after the Philadelphia Orchestra’s landmark tour to China in 1973, which enabled a unique collaboration that has allowed trade, education and culture between the two countries to flourish.

WildKat PR are working with the NCPA as we embark on our first major North American and Canadian tour. Beyond the expected remit of our work we will also be hosting pre-concert and VIP receptions, overseeing the ticket sales and managing the box office. WildKat PR will also be liaising with all teams across the tour from the NCPA to each individual venue, including management and press teams to coordinate marketing and promotional materials and  overseeing the distribution.

Details of the tour are as follows

Sunday 2nd November, 3pm

Symphony Center, Chicago

Monday 3rd November, 8pm

The John F. Kennedy Center for the Performing Arts, Washington

Wednesday 5th November, 8pm

Alice Tully Hall, Lincoln Center, New York 

Friday 7th November, 8pm

Kimmel Center for the Performing Arts, Verizon Hall, Philadelphia

Sunday 9th November, 8pm

National Arts Center, Southam Hall, Ottawa, Canada

Tuesday 11th November, 8pm

Koerner Hall, The Royal Conservatory of Music, Toronto, Canada

Thursday 13th November, 8pm

Maison Symphonique, Plas des Arts, Montreal, Canada

Programme information for each specific concert can be found on the China NCPA Orchestra’s official tour website and you can follow the orchestra on their facebook page.

NCPA-Logo

(Written on October 6, 2014 )