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We are delighted to announce that the Cincinnati Symphony Orchestra will be performing at the Royal Albert Hall on Sunday 27th August as part of the 2017 BBC Proms programme.

Led by Musical Director Louis Langrée, the programme for the evening will be in keeping with the CSO’s history of championing American music, with a performance of Leonard Bernstein’s ‘Symphonic Suite’ from On the Waterfront, a highly descriptive symphonic portrait of New York City. In 1942, at the height of World War Two, the CSO premiered Aaron Copland’s ‘Lincoln Portrait’ written as a musical tribute to the former president, and will perform it again with a special guest speaker to be announced soon. Tchaikovsky’s majestic Symphony No. 5 will conclude the second half of the concert.

Founded in 1895, the CSO is the sixth oldest orchestra in the United States, and the first to be broadcast to a national radio audience in 1921. This concert coincides with an extensive European tour in which the CSO will visit countries including Scotland, Spain, and others to be announced soon.

Details of all concerts and events in the 2017 Proms season were announced today. Tickets are now available to purchase from the Royal Albert Hall website.

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(Written on April 20, 2017 )

Last night, Kat, Olivia, James and Eliza attended the BBC Music Magazine Awards at Kings Place in London.

After a couple of glasses of fizz, we began the awards ceremony.  Oliver Condy, Editor of BBC Music Magazine, hobbled on stage to open proceedings, explaining how crowd-surfing at a Couperin-fuelled rave was the cause of his broken ankle a month before. Oliver then introduced his co-presenter Sara Mohr-Pietsch, (standing in for James Naughtie), and things got underway.  See below for a summary of winners.

We were especially delighted to attend to see our client, Accentus Music, pick up the Best DVD Award.  Paul Smaczny, Director of Accentus Music and producer of the winning release of Berg’s Wozzeck was there to accept the award.  He gave his heartfelt thanks to his team, and read the following from soloist Christian Gerhaher:  “I feel so incredibly satisfied that this Wozzeck production, which was—and every director should please forgive me—the most exhilarating in my life, receives the greatest acclamation. The result of visualising this extraordinary staging in that simple but nearly fully conveying way is just admirable. It brings to life the wonderful months that we and the audience spent with Berg’s masterwork one and half years ago. I would definitely call this a defining criterion of opera DVDs. Thank you all!”

 

 

 

 

 

 

 

 

 

 

Special guest presenters included all-round fahionista and style guru, Gok Wan, who recently released his own curated album of opera entitled ‘Gok’s Divas’.  Comedian Alastair McGowan tickled the audience with a series of stunning impressions and tenuous puns, before presenting Best Instrumental Award to Mahan Esfahani for his recording of Bach’s Goldberg Variations. With his customary loud-mouth, Mahan gave an impassioned and thoughtful acceptance speech, leaving us with a call to action: ‘Extend classical music, and it will be limitless in what it gives back to you.’

Dame Joan Bakewell, who presented the Recording of the Year Award offered a thought-provoking address on the great value the BBC has in the classical music world, and the impact it had on her own appreciation of music. She announced the Royal Liverpool Philharmonic with Vasily Petrenko performing Tchaikovsky Symphonies as Recording of the Year.

Throughout the evening, a number of references were made to the Proms Launch, which takes place today. BBC Radio 3 Controller, Alan Davey, slightly let the cat out of the bag when he said there would be lots of concerts in a big round hall.  Unfortunately, we can’t confirm this at the moment, but watch this space.

Vocal Award Matthias Goerne, Synergy Vocals, BBC SO, Josep Pons

Opera Award Mozart Don Giovanni, MusicAeterna, Teodor Currentzis

Chamber Music Award Martinu Piano Trios, Smetana Trio

Orchestral Award Tchaikovsky Symphonies, Royal Liverpool Philharmonic, Vasily Petrenko, Onyx

Instrumental Award Bach Goldberg Variations, Mahan Esfahani, Deutsche Grammophon

DVD Award Berg Wozzeck, Christian Gerhaher, Opernhaus Zurich, Accentus Music

Newcomer Award Prokofiev and Tchaikovsky Piano Concertos, Beatrice Rana, Antonio Pappano, Orchestra Dell-Accademia Nazionale Di Santa Cecilia

Concerto Award CPE Bach Cello Concertos, Nicolas Altstaedt, Jonathan Cohen, Arcangelo, Hyperion

Premiere Award Julian Anderson, Vladimir Jurowski, Carolin Widmann, London Philharmonic Orchestra and Choir

Choral Award Jonathan Harvey, Deo, The Choir of St John’s College Cambridge, Andrew Nethsingha, Signum Records

Record of the Year Award  Tchaikovsky Symphonies, Royal Liverpool Philharmonic, Vasily Petrenko, Onyx

Many congratulations from all of us at WildKat PR to Accentus Music, and all the other winners! We’re looking forward to next year’s awards already.

 

(Written on April 20, 2017 )

“We are delighted to welcome back the Cincinnati Symphony Orchestra for their European tour in the summer of 2017, having executed a successful creative PR campaign for the release of ‘Concertos for Orchestra’. The CSO is an incredibly versatile and forward-thinking ensemble, and we look forward to developing and sharing their stories with European audiences.” – Olivia Brown, Head of Creative Strategy & Marketing

The orchestra will visit several cities in countries around Europe this summer, with dates at the Edinburgh International Festival and San Sebastian already confirmed and more to be announced shortly. In March 2017 it was announced that Louis Langrée was to remain Music Director of the CSO for the 2019-2020 season.

Founded in 1895, the CSO is the sixth oldest orchestra in the United States and the first to be broadcast to a national radio audience in 1921. With a rich history of music making directly linked to the community in the state of Ohio, the CSO ordinarily reside in the Venetian gothic ‘Music Hall’ building, which recently underwent extensive renovation and restoration. The 2017 tour will bring American musical excellence to audiences across Europe, delighting fans new and old with their ‘richness, precision and intensity’ of performance.

CSO previously released live recorded album ‘Concertos for Orchestra’ in November 2016 on the orchestra’s own label ‘Fanfare’, featuring world premieres of seven pieces by contemporary composers. Works from this album will feature among a varied concert programme performed on the European tour.

Stay tuned for more news and announcements from the CSO by checking the WildKat blog. Follow us on Twitter, Facebook and Instagram too.

(Written on April 11, 2017 )

We are looking for an Account Manager to join WildKat PR in London!

Do you think you would be suitable for this position? Have a read through our job description below.

WildKat PR

WildKat PR is a game-changer in the classical music industry. We adamantly believe in changing the status quo of our industry, embracing creative values both on- and offline.

WildKat PR is the only classical music PR agency to spread worldwide, having established ourselves in London, Berlin and New York. We are deeply devoted to seeking out and using online platforms to reach and engage substantial new audiences, producing all-encompassing, bespoke, international PR campaigns that are data-driven.

 

Job Description

WildKat PR is offering an exceptional opportunity for a motivated, intelligent, creative individual to join our London team. Working with the Director, Head of Creative Strategy & Marketing, and fellow Account Managers on creative PR campaigns across the classical music and cultural industries, they will be expected to quickly establish and build strong working relationships with press to generate media coverage for our clients.

 

Key duties

As an Account Manager your role will be:

– To manage your set of clients and work with them to help achieve their PR goals. This includes: gaining press, attracting new audiences, helping to improve their brand, organising events

– To think creatively about how you (and your colleagues) approach campaigns. You will be asked to continually make new connections and approach your work in innovative ways. You will be expected to challenge how we, and the industry, are doing things

– To integrate digital media into campaigns. This means exploring new technology and developing ways to include it in client campaigns

– To take a leading role in the development and execution of unique, creative campaigns to promote your clients and the company

– To write copy in relation to your clients’ needs, including: fact sheets, bios, blogposts, newsletters, brochures

– To liaise with journalists to generate and secure media coverage for clients

– To organise client events, as needed. This includes: concerts, VIP receptions, industry networking events

– To attend all relevant artists’ events (which regularly occur outside of office hours) including meetings and performances

– To network within the industry to build your reputation and that of the company

– To oversee the work of others when required, and to be willing to grow into a more senior role 

Opportunities of working with WildKat PR:

– Friendly, open plan office

– Chance to do diverse things within the role and expand your skillset quickly

– Gain wider industry experience, not just PR

– Supportive colleagues and management welcoming your fresh ideas

– Personalised creative skills training and coaching

– Collaboration with mainstream brands and projects

– Opportunities for travel

– Sociable atmosphere

– Staff benefits, which include annual ski trip, Friday drinks, office yoga, opportunity for sabbatical and 6 hour working days 

Person Specification

Essential

– At least one year’s relevant experience in music PR

– Interest in classical music, culture and the arts

– Proven administrative and organisational skills

– Excellent verbal and written communication skills

– Ability to take initiative and responsibility when working alone

– Confidence and ability to manage multiple projects simultaneously

– Ability to work as part of a team

– Ability to remain calm when working under pressure and to manage conflicting deadlines

– High degree of accuracy and attention to detail

– A strong interest in online media

– Self-motivated

– Good standard of computer literacy (Word, Excel, WordPress)

Desirable

– 2-3 year’s experience in a music PR agency

– Fluency in another language

To apply, please send your CV and covering letter to olivia@wildkatpr.com with the subject title ‘WildKat PR Account Manager application’ by 5pm on 17th March 2017

Salary: Competitive – dependent upon experience

(Written on March 6, 2017 )

As announced yesterday in PR Week, WildKatPR is very happy to welcome our newest client, Sound and Music.

Director Kathleen Alder says: “We are thrilled to be working with such a rich organisation promoting new music, which is something WildKat has always been very passionate about. We think Sound and Music’s work is invaluable to this sector and many composers have benefitted from their programmes and activity in the past and present. We will be working on their UK PR, utilising our in-depth knowledge of the traditional, contemporary and neo classical markets to broaden their reach and engage new audiences in their projects.”

Sound and Music is the dynamic national charity for new music in the UK. Its vision is to create a world where contemporary music and sounds thrive and prosper, by transforming lives, challenging expectations and celebrating creators and artists, whilst raising awareness and focusing on diversity.

Their activity ranges from artist development to network buildingcreative data, education and much more.

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2017 is set to be another exciting and innovative year for Sound and Music. As we continue our aim to challenge and change perceptions of new music, whilst celebrate the breath of work being created and the extraordinary composers and artists living in the UK today – Victoria Johnson, Head of Digital, Marketing and Communications

Spring highlights will include:
Experimental Cut & Splice festival will be brought to Manchester this March for its first visit outside the capital, in partnership with BBC Radio 3 and broadcast on Hear And Now.
Curated by local ensemble Distractfold, C&S will take over Hallé St Peter’s and Hallé St Michael’s in Ancoats, for two days with an exciting and groundbreaking programme of music that explores technology as an unreliable narrator.

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Composer-Curator is Sound and Music’s national new music touring programme, which supports entrepreneurial, grassroots composers and artists from a range of disciplines looking to create their own opportunities by producing their own touring work, celebrating and supporting them to hone their curator skills.
Their Next Wave national project will focus, help and support talented students in higher education, who haven’t gone to music colleges and conservatoires yet. It will address the identified gap in support for gifted young composers about to embark on a professional career.
In partnership with NMC Recordings and Sage Gateshead, it is the only programme of its kind in the UK, and will offer winners the opportunity to study in higher education with bespoke support, work collaboratively, and record a dedicated recording with international release on NMC to be launched at a live showcase at Sage in January 2018.
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They will also continue to develop The Sampler, an interactive platform for curious listeners and music industry actors and lovers across the UK, bringing together and showcasing new music, event listings, blogs, playlists, podcasts and webinars. Most importantly, this platform is the first of its kind not to categorise events, activity and artists by genres, but by tags, announcing the end of categorisation in new music and giving the power back to its users.

Sound and Music activity is made possible with the generous support of Arts Council of England,  Bliss TrustCockayne, Esmee Fairbairn FoundationFidelity Foundation UKGarfield WestonHelp Musicians UKJohn Ellerman FoundationLeverhulme TrustMonument TrustPaul Hamlyn FoundationPRS for Music Foundation,  RVW Trust, and Unlimited Impact.

 

(Written on February 9, 2017 )

WildKat PR is delighted to be working with 7K!, the new neo-classical Hub launched by the independent label !K7 Records.

7K! is a new platform and home for neo-classical projects which will be supported by the in-house expertise and spirit of legendary music company !K7 records. 7K! will comprise a record label and label services collective, as well as sync and artist management divisions.

In the first quarter of 2017, the label will kick off its release schedule with the album ‘Endless’ by multi-instrumentalist and globally-renowned composer Luca D’Alberto. Last week, two concerts took place in Berlin at Silent Green, including one sell-out performance.

D’Alberto is a brilliant, mold-breaking musician who is already highly regarded on the classical scene, as both a multi-instrumentalist and composer. He is a favourite composer of directors such as Peter Greenaway, Wim Wenders and Fernando Arrabal. His upcoming album ‘Endless’ is the result of his decision to shake up his classical training into new charters, preferring instead to use his talents to create a more contemporary style of music that sees him exploring the pairing of electronics with acoustic instruments. ‘Endless’ was produced by Martyn Heyne (Tiny Ruins, The National) and Henrik Schwarz, and is preceded by the single ‘Wait For Me’, released in December.

Watch here the official video to “Wait For Me”, a love Story told only by hands.

WildKat PR is very much looking forward to bringing D’Alberto and his music to the music world with a focus on the German press.

Carolin, Director of the Berlin office: „We are excited to be helping prestigious !K7 records on their new launch of the neo-classical label 7K! We have already successfully worked on projects with neo-classical composers such as Max Richter and Chad Lawson, reaching out to new audiences with their modern sound. We look forward to supporting !K7’s growth in the German music industry through active press work and consultancy.“

Keep up to date with 7K! on the !K7 website and Luca D’Alberto on his website and on the WildKat PR blog.

Luca D'Alberto (c) Jon Bergman

Luca D’Alberto (c) Jon Bergman

(Written on February 2, 2017 )

“Wellness”, “wellbeing”, “work-life balance” – these buzzwords have been entering the business world more regularly over the past few years. As we as a society begin to focus more on our health, our time, our personal development, so have the companies that we work for. Especially in PR companies and creative agencies, where working over-time is almost expected and in the arts where there are concerts, launches, and networking events to attend, it’s important to ensure that you are able to enjoy your personal life wherever possible.

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WildKat began to explore techniques to reward colleagues and staff back in 2011, when Kat brought her yoga instructor into the office. We began having weekly classes for 1 hour on a Wednesday afternoon. Berlin’s Victoria Mattinson says, “Taking an hour out to do yoga is a really effective way of clearing the mind and stretching out.  I always come back to my desk feeling refreshed and with new ideas.”

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In 2014, we also cemented the annual WildKat ski trip for the team who have been in the company for over 1 year. This is the perfect retreat for our colleagues to relax and unwind (off the slopes, of course!), spend time with the full global team, and try some new experiences together. London’s Victoria Cappelletti went on her first trip this year, explaining, “The annual WildKat PR ski trip is a great way to get to know the members of the team better and actually become friends, so that we are all like a little family. It totally lines up with the general company mood, ethic and atmosphere, giving people the opportunity to have fun and discuss topics beyond work.”

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Our perks continued to build in 2015, when Sweden began to initiate 6-hour working days to create a balance between work and personal life, Kat decided to trial the scheme in our Berlin office. We were quite skeptical at first that 2 hours would make a huge difference to our work-life balance, and that it wouldn’t compromise our work, but we were ready for the challenge. After a transitional phase, our Berlin team was working more efficiently – so much that our clients did not notice! – completing tasks and moving on without procrastination, feeling more happy and healthy at work, and also attending more events out-of-hours without free time or energy being compromised.  You can read our full feedback here.

However, one journalist asked: if we love our jobs why would we want to work less? Although this was not the point of our experiment, the hardest aspect was the need to be constantly productive. There was less time to read articles and be active on social media – two activities which are crucial to PR. We also lost out on occasional small talk, which does help to break up the day. Therefore, from now on, instead of a full-blown overhaul of our working day, every employee has ten six-hour days per month at their disposal.

Last year, we decided that we would fully integrate our perks into WildKat’s ethos and policy. Our in-house design team at Classical Music Design created a poster for us, that would have a central place in our office and would remind us that being happy in our lives and at work will allow us to live a more balanced life.

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Kat explains, “I felt that my staff deserve the best that my company could possibly offer. I divided the benefits up into monetary, educational, and well-being. Mostly, I am weary that money is a big deciding factor so of course we wanted to increase perks and financial rewards but actually focusing on well-being and one’s own personal development is a hot topic that almost comes equal to financial gain. 

“We want to feel valued on many levels and that our development is encouraged along the way so I wanted to offer training funds, 6 hour working days, yoga sessions, sabbatical, etc. Rewarding my staff doesn’t always have to cost the company a lot but it does mean that the teams are better balanced. Quite frankly, the older I get, the more I think that time is the most valuable commodity, so I want to enhance my staff’s time when at work but also give them more off time out of the office.” 

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Director of the Berlin office, Carolin Denz, was one of the first to utilise her training fund, purchasing a few books on leadership and communication: “As the Berlin team has grown a lot and we all know how important it is to build up a great and solid working team, we are always focusing on improving the team spirit and motivation. I began to learn some tips and advice from a few books about different ways to lead groups, so we can build on it with individual and more intense workshops during 2017. The books give an insight into how groups of different characters and opinions work, how to lead them best and motivate them to build up the team we need for our campaigns – creative thinking, responsibility and being a good team-player.”

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As well as the “official” #WildKatPerks, we still encourage our team to network in the industry, and step into the wider world to gain knowledge and make introductions on behalf of the company. For example, Junior Account Manager & Office Manager James Hardie attended #ABO17. He said, “I was very excited to have the chance to attend the Association of British Orchestras conference in Bournemouth, especially at such an early stage in my career.  The focus this year was Disruption, and I had the privilege of listening to some of the industry’s leading figures, including Hannah Kendall, Mel Larsen, James Murphy, and Chi-Chi Nwanoku talk about what this meant to them.  A strong feeling of community pervaded every session, and it was heartening to be surrounded by so many like-minded people, all of whom want to see classical music engage with new and diverse audiences.”

As civil servants face curbs on office ‘cake culture’, here at WildKat we know that everything works well in moderation and with plenty of balance. Are you considering some new perks for your company? How do you manage to balance work and life as a freelance? Feel free to send us your thoughts at @WildKatPR or comment below!

(Written on January 31, 2017 )

Classical News

In today’s classical news, members of Royal Albert Hall have been criticised by reselling unwanted tickets using sites such as Viagogo and StubHub for a profit, instead of returning the tickets to the hall’s official ticket system. Bogdan Roscic has been appointed as the Vienna State Opera’s next director from 2020 and New York’s Metropolitan Opera has cancelled a new production of Verdi’s La forza del destino by the Catalan director Calixto Bieito. Germany saw music sales increase over 2% last year, with vinyls and paid streaming being the largest contributors.

Classical Music Magazine

Royal Albert Hall members criticised for reselling tickets

Royal Albert Hall members have been criticised by a former president for reselling tickets outside of the hall’s official ticket return system.

Opera Now Magazine

Vienna State Opera appoints new boss

Bogdan Roscic has been appointed as the Vienna State Opera’s next director from 2020. Roscic, a senior executive in the recording industry, was considered an outsider for one of opera’s most coveted positions since he has no experience of running an opera house.

Met cancels Bieito production

In what has been described as a ‘cost-cutting measure’, New York’s Metropolitan Opera has announced that it has cancelled a new production of Verdi’s La forza del destino by the Catalan director Calixto Bieito.

Opera by 11-year-old receives ovation in Vienna

An 11-year-old British composer Alma Deutscher has received a standing ovation in Vienna for the premiere of her opera, Cinderella.

The New York Times

100 Years of New York Philharmonic Milestones, by the Earful

It was 100 years ago this Friday — on Jan. 20, 1917 — that the New York Philharmonic cut its first record.

The Washington Post

American music for an inaugural week

The National Symphony Orchestra is getting better at connecting to the world outside its doors. On Thursday night, the day before the inauguration, Gianandrea Noseda, its music director designate, led an all-American, presidentially focused program, including Copland’s “Lincoln Portrait” and suites from John Williams’s scores to “Lincoln” and “JFK.”

Klassik.com

US-amerikanische Sopranistin Roberta Peters gestorben

Die US-amerikanische Sopranistin Roberta Peters ist tot. Nach Angaben ihrer Familie starb die Sängerin im Alter von 86 Jahren an den Folgen einer Parkinson-Erkrankung.

Musik Heute

Ádám Fischer wird Ehrenmitglied der Wiener Staatsoper

Der ungarische Dirigent Ádám Fischer (67) wird Ehrenmitglied der Wiener Staatsoper. Das teilte das Haus am Donnerstag mit. Die Ernennung soll am 26. Januar nach einer Aufführung von Mozarts “Don Giovanni” erfolgen.

Musikexpress

Vinyl-Umsatz steigt auch in Deutschland auf höchsten Wert seit 25 Jahren

Der deutsche Musikmarkt ist im vergangenen Jahr um über zwei Prozent gewachsen. Vor allem bezahltes Musikstreaming (+73%) und Vinylverkäufe (+41%) konnten zulegen, während für CDs (-9,6%) und Downloads (-19,4%) im Jahr 2016 weniger Geld ausgeben wurde als im Vorjahr.

Neue Musikzeitung

Generationswechsel bei Breitkopf & Härtel

Lieselotte Sievers, geschäftsführende Gesellschafterin, hat die Geschäftsführung des Musikverlages Breitkopf & Härtel an Sebastian Mohr und Nick Pfefferkorn übergeben

Le Figaro

Investiture de Donald Trump: comment les stars américaines lui ont tourné le dos

Douche froide pour le nouveau président américain. Il imaginait son arrivée sur les marches du Capitole comme une intronisation à paillettes, avec stars à gogo et tubes à sa (dé)mesure… Le magnat de l’immobilier a vite déchanté. Retour sur la très laborieuse organisation de cette cérémonie.

France musique

La programmation du Festival d’Aix-en-Provence 2017 dévoilée

Sur son site internet, le Festival d’Aix-en-Provence a publié le programme de sa prochaine édition. Et cette année encore, création mondiale, Mozart, et de grands noms du monde lyrique s’y croiseront.

El Mundo

Más de cien Grammys para el ADDA

Claro y conciso, el presidente de la Diputación de Alicante, César Sánchez, resaltó esta cifra durante la presentación de la programación estival del Adda y de la temporada sinfónica 2017-2018 en la feria Fitur de Madrid.

Twitter

Music History @today_classical  in 2014 Death of Italian Claudio in Milan.

Music History @today_classical  in 1855 Birth of French Amedee-Ernest

BR_KLASSIK @BR_KLASSIK Die Stimme von ist zurück! Gestern in “Lohengrin” an der . Freude und Applaus!

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Photo: New York MET Opera/ Rhinegold

(Written on January 20, 2017 )

 Classical News

In today’s classical news, in order to raise money for young musicians facing challenging circumstances, National Orchestra for All is inviting members of the public to play as part of a professional orchestra. Winners of International Classical Music Awards 2017 have been announced and applications are now open for the 1st Bartok World International Violin Competition, taking place in Budapest, Hungary, later this year. Festival Ultraschall is underway in Berlin, which this year focuses on the voice, and The Elbphilharmonie’s first piano evening featured Mitsuko Uchida. Also, listen to the Konzerthausorchester Berlin’s recreation of the sounds of Berlin.

Classical Music Magazine

NOFA announces Musical Chairs event details

The National Orchestra for All is offering members of the public the chance to play as part of a professional orchestra and raise money for young musicians facing challenging circumstances.

The Violin Channel

Applications Open for Inaugural Bartok World International Violin Competition

Applications are now open for the inaugural 2017 Bartok World International Violin Competition, which is to be held at Budapest, Hungary from September 10th to 17th.

Pizzicato

ICMA Awards 2017: The Winners

The Jury of the International Classical Music Awards (ICMA) today announced the winners for 2017.

CMUSE

Berlin orchestra recreates the sounds of the city

Most classical music fans, when asked their opinion of the sound of Berlin, would likely assume you meant the acoustics in the Berlin Philharmonie or the sound of the city’s world famous Berlin Philharmonic. But, the Konzerthausorchester Berlin has different ideas.

The Strad

Man arrested for throwing mobile phone at orchestral musicians

The Madrid Community Orchestra was performing at National Auditorium of Music in Spain when the incident took place.

Music Teacher Magazine

University of Liverpool launches MA course with Royal Liverpool Philharmonic

The University of Liverpool and the Royal Liverpool Philharmonic are launching a new postgraduate course in the business of classical music.

The New York Times

Obama Understood the Power of Art. And He Wanted You to Get It, Too.

Mr. Obama brought all kinds of art and culture into the White House, and he sought culture out.

Broadwayworld

Seoul Philharmonic to Perform Asian Premiere of Rediscovered Work by Stravinsky

The Seoul Philharmonic Orchestra (SPO) presented the program of its subscription concerts on January 20-21, featuring the recently rediscovered work by Igor Stravinsky (1882-1971).

Deutschlandradio Kultur

Die Stimme als Spiegel der Gesellschaft

Ganz im Zeichen der Stimme steht das diesjährige “Ultraschall”-Festival von Deutschlandradio Kultur und RBB-Kulturradio. 14 Veranstaltungen präsentieren das “persönlichste aller Instrumente”: vom Liederabend bis zur experimentellen Performance, sagt Rainer Pöllmann.

Musik heute

Erster Klavierabend in der Elbphilharmonie: Mitsuko Uchida umjubelt

Der erste Klavierabend in der Hamburger Elbphilharmonie ist am Mittwoch vom Publikum gefeiert worden. Mitsuko Uchida, britische Pianistin japanischer Herkunft, spielte im 2.100 Besucher fassenden Großen Saal Werke von Wolfgang Amadeus Mozart, Robert Schumann und dem zeitgenössischen deutschen Komponisten und Klarinettisten Jörg Widmann.

klassik.com

Goldmünzenschatz in altem Klavier entdeckt

In einem rund 110 Jahre alten Klavier ist im englischen Shrophire ein versteckter Goldmünzenschatz entdeckt worden. Die Entdeckung wurde beim Versuch gemacht, das Instrument zu stimmen.

Twitter

Ultraschall Berlin @UltraschallB Bis heute Abend:Karten gewinnen für Abschlusskonzert am So mit #MarisolMontalvo, @DSOBerlin & #DennisRussellDavies! https://ultraschallberlin.de/kartenverlosung/ …

Music History @today_classical in 1955 Birth of English Simon

Classical Music @ClassicalMusic8 Hitting the right note: the orchestra helping stroke survivors recover – video – The Guardian https://t.co/9vXxhWAw3P

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Photo: International Classical Music Awards

(Written on January 19, 2017 )

Bold opera pioneers Tête à Tête has announced its upcoming plans for the 2017 season, 20 years since the company was founded.

“What amazing adventures we have enjoyed across these the past two decades, realising bold and brave experiments, creating opera really up close, establishing a really strong and intimate relationship with our audiences and revelling in the theatricality of the form”

– Bill Bankes-Jones, Founder and Artistic Director

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2017 also marks the Anniversary of the company’s first Opera Festival. To celebrate, they have planned the 10th Anniversary of Tête à Tête: The Opera Festival. It will take place at King’s Cross from 24 July – 13 August 2017, at both The Place and King’s Place. They are also delighted to announce that the well-received Cubitt Sessions will be back as a centre-piece of the festival. Full details on productions and tickets will be announced in May 2017. Watch this space!

Besides announcing its 2017 season, Tête à Tête also released a Tête à Tête: The Opera Festival 10th anniversary report, demonstrating their outstanding commitment to inclusivity and diversity: 22% of composers in 2015 were BAME or coming from minority backgrounds.

You can read the full report here.

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This year, they will also be launching ‘MyNewOpera’, a global platform featuring the work of producers from all over the world, ready to watch. They already have an archive of over 400 videos for the launch, with many more to be added before then. It turns out that the explosion of small-scale new opera and music theatre is a global trend, and online, without barriers, it can start to happen worldwide.

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WildKat PR is very excited to be working with Tête à Tête again this year. For the latest news and releases on this year’s festival, follow WildKat PR on Twitter, and Tête à Tête on Twitter. Also, check out their brand new website and full announcements here.

(Written on January 19, 2017 )