Posts Tagged ‘soloist’
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In today’s news: Oboist Nicholas Daniel performs Britten in the middle of a boating lake, the winners of the 2017 St Magnus Composers Competition are announced, composition for the victims of the Grenfell Tower tragedy, and how to cope with the pressures of life as a soloist.

The Guardian

Britten’s water music: recreating a world premiere with midges, vintage cars and an iPad

Oboist Nicholas Daniel loves Britten and his Six Metamorphoses after Ovid. But why is he performing them on a punt in the middle of a boating lake?

Classical Music Magazine

Winners of 2017 St Magnus Composers Competition announced

Andra Patterson and George Stevenson were jointly awarded the first prize for the over 18 category, and Gareth Flett and Joseph Rognvald Pickering won first prize for the under 18 category.

Classic FM

An incredibly poignant composition for the victims of the Grenfell tower tragedy – for 20 cellos and piano

As London mourns those lost in the Grenfell Tower fire, young composer Thomas Hewitt Jones has been moved to put pen to manuscript and compose a piece of music.

The Violin Channel

New Guinness World Record Set for Fastest Piano Playing Fingers

Portuguese-American pianist Domingos-Antonio Gomes has set a new Guinness World Record for the most piano keys hit in one minute

The Strad

How I cope with the pressures of life as a soloist – Jordi Savall

The viola da gamba player and conductor advocates concentrating on the little things rather than stressing about the whole

Pizzicato

Film composer wins Shostakovich Prize

Russian film composer Eduard Artemyev, as well as film director Nikita Mikhalkov were awarded the Shostakovich Prize on Saturday evening at Moscow’s Tchaikovsky Concert Hall.

Der Tagesspiegel

Berlin zahlt Sing-Akademie 11,37 Millionen

Viel Geld für die Sing-Akademie: Der Chor wird vom Land für sein ehemaliges Gebäude Unter den Linden entschädigt. Das Abgeordnetenhaus hat jetzt die Einigung gebilligt.

Frankfurter Allgemeine Zeitung

Der größte Komponist seiner Zeit

Der Todestag von Georg Philipp Telemann jährt sich zum zweihundertfünfzigsten Mal. Siegbert Rampes exzellente Biographie erzählt vom Ansehen eines Komponisten, das selbst über Eheskandale erhaben war.

neue musikzeitung

Lichtspielszenen zwischen Wald und Meer – Wim Wenders’ Operndebüt mit Bizets, Perlenfischern“ an der Staatsoper

Gerade diese Oper zu inszenieren, war Wenders’ expliziter Wunsch – da er ihre Musik so liebt.

El Mundo

La intimidad de los grandes del ‘jazz’

Un libro recoge las imágenes del francés Jean- Pierre Leloir, que fotografió a corta distancia a las grandes figuras del ‘swing’ de los años 50 y 60

Los Angeles Times

Evolution, revolution, smevolution: The future of classical music

Classical music may be the art of the sublime, liquid architecture and all the rest, but it has nonetheless always been a long-suffering kingdom of kvetching.

Twitter

in 1902 Birth of American and conductor Antonia

Classic FM: ‘In Memoriam: Grenfell’, by composer Thomas Hewitt Jones.

(Written on June 26, 2017 )

NME

Radiohead’s Jonny Greenwood Q&A – Blending Classical Music With Rock

Jonny Greenwood is playing Wapping Hydraulic Power Station this Sunday (February 23) with London Contemporary Orchestra soloists and very excitingly he’ll be premiering new material. NME question him about his classical influences.

BBC Music Magazine

ENO’s Peter Grimes to be broadcast live in cinemas this Sunday

Andy Morahan on the art of bringing Britten to the big screen

LA Observed

KCRW buys classical music station in Santa Barbara

KCRW is acquiring KDB, a longtime Santa Barbara classical music station at 93.7 FM. KCRW gets a stronger signal along the Santa Barbara coast, using 88.7 FM, while classical music will continue at 93.7 in a partnership between KDB and KUSC.

Just Jared JR

Charlie White Plays Violin on ‘Today’ After Winning Gold at Sochi Olympics with Meryl Davis

Gold Medalist Charlie White breaks out his violin on The Today Show during the 2014 Sochi Winter Olympics on Tuesday morning (February 18) in Sochi, Russia.

SU Independent

Silent film meets classical music at OSU ‘Flickers’

The Orchestra of Southern Utah is celebrating vintage silent movies such as Charlie Chapin’s “The Tramp,” George Meles’ “A Trip to the Moon” and “Out West” by “Fatty” Arbuckle from 1918.

Die Welt

Was macht Karl Lagerfeld eigentlich in der Oper?

Vor 250 Jahren starb der Barockkomponist Jean-Philippe Rameau. Jetzt wird sein Werk wiederbelebt. Das Theater an der Wien verlegt seine Eitelkeitskomödie “Platée” in die Welt des Pariser Modezirkus.
Just Jared JR

Just Jared JR

(Written on February 20, 2014 )

Classic FM Online

Megadeth’s Dave Mustaine to be guest soloist with San Diego Symphony

The guitarist with heavy metal band Megadeth, Dave Mustaine, will take centre stage in a concert with the San Diego Symphony Orchestra

Eric Whitacre reveals sketches for Nine Inch Nails a capella cover

The choral composer uploaded initial sketches of his version of Trent Reznor’s ‘Hurt’ on YouTube yesterday, performed on piano

The Washington Post

Classical music: dead or alive?

Questioning the statement: “Classical music is dead”

Reuters

Mozart museum seeks to debunk evil Salieri poison myth

It’s one of the great mysteries of music – did composer Antonio Salieri poison his onetime protege Wolfgang Amadeus Mozart with arsenic?

The Telegraph

Lorde fed up with ‘lecherous gaze’ of music industry

Grammy-winning teenage pop star Lorde says that ‘the price tag of fame sucks’ and bemoans the ‘lecherous gaze’ of music industry

PR Week

Scarlett Johansson and Oxfam fall out over controversial SodaStream work

Global charity Oxfam has accepted the resignation of Hollywood actress Scarlett Johansson after a spat over her commercial work for SodaStream, which has a controversial factory in an Israeli settlement in the West Bank

Der Tagesspiegel

Peer Gynt als Oper

Werner Egks Opernversion von Henrik Ibsens Drama “Peer Gynt” war bis in die sechziger Jahre ein viel gespieltes Stück. Dann geriet der Komponist in Verruf – wegen der Rolle, die er im “Dritten Reich” gespielt hatte. Das Staatstheater Cottbus stellt die Oper nun erneut zur Diskussion.

 

Classic FM Online

Classic FM Online

(Written on January 31, 2014 )

New York Times

Detroit Symphony Agrees to New Contract With Musicians

The Detroit Symphony Orchestra, which endured a bitter six-month strike a few years ago, settled its latest contract eight months early, orchestra officials announced Wednesday

BBC Music Magazine

HMV closes flagship Oxford Street store

HMV’s flagship store in Oxford Street has been shut down this week. Covering over 60,000 square-feet and set over three floors, the iconic HMV store at 150 Oxford Street has been at the forefront of the company’s UK presence since it was opened in 1986

NPR Music

A Gramophone And Mozart, Or How I Fell For Opera

British conductor Nicholas McGegan celebrates his ‘Beatle’ birthday today (64, that is). To mark the occasion, he recalls how he first fell in love with opera.

The ‘Ode To Joy’ As A Call To Action

Candaele has turned his obsession with Beethoven’s Ninth into a documentary film called Following the Ninth: In the Footsteps of Beethoven’s Final Symphony. He follows the Ninth around the world, to Chile and China, where it became an empowering anthem of solidarity, and to Japan, where performances of daiku — the Great Nine — are a cherished annual tradition.

The New York Times

The Echoes of War, From One Century to the Next

‘Shostakovich for the Children of Syria,’ a Benefit Concert “to promote the awareness of significant international humanitarian crises and other public interest issues”

The Metro

A real-life fairytale: Peter Pan performer proposes to his Wendy on stage

A Peter Pan performer surprised his very own Wendy when he got down on one knee near the end of a packed show in Glasgow

The Metro

The Metro

 

(Written on January 17, 2014 )

Following the release of a second album, a disc of American works, acclaimed flautist and recent Classical Music Magazine cover star Katherine Bryan performed a lunchtime recital at St Giles in the Fields today at 1:10pm at the enchanting St-Giles-in-the-Fields church.

She performed a selection of works taken from both her second album and her debut disc, “Katherine Bryan plays Liebermann and Nielsen”, including Hue’s Fantasie, Schumann’s 2nd Romance, and Paganini’s Caprice no 24 as well as Messiaen’s Le Merle Noir, and the staples of flute repertoire: Debussy’s Syrinx and Poulenc’s Sonata.

Of the prospect of performing such a diverse programme, Katherine said, “I am thrilled to have brought both well and lesser known works together in this concert. I feel the programme shows the flute in so many different lights, with pieces demanding drama, beauty and virtuosity.”

Katherine Bryan’s performing career was quickly established studying at the Chetham’s School of Music, Manchester and took flight when she won a full scholarship to study flute at the Juilliard School of Music, New York. She has been a prize – winner at the Young Concert Artists International Competition in New York and was a finalist in the BBC Young Musician of the Year for three consecutive competitions. She was awarded the Julius Isserlis Scholarship by the Royal Philharmonic Society.

Notably, she made her concerto debut at the tender age of 15 with Daniel Harding and the Orchestra of the Academy of St. Martin-in-the-Fields, London and her American concerto debut with the Juilliard Orchestra at the Lincoln Centre, New York. Katherine has been in high demand as a concerto soloist since, performing with Helsinki Philharmonic, Hallé, Nurnberger Symphoniker, New York Philharmonic and English Baroque orchestras, as well as the Royal Scottish National Orchestra with whom she is still in residence as Principal Flute. In addition, she is also a lecturer in flute at the Royal Conservatoire of Scotland and has played as Guest Principal Flute with the Philharmonia, London Philharmonic, BBC Scottish, Scottish Chamber, Royal Philharmonic, Swedish Radio, Northern Sinfonia, Hallé, and London Symphony Orchestras.

She has enjoyed success with her debut disc ‘Katherine Bryan plays Liebermann Flute Concerto’, which was released to great acclaim in 2010 and has been followed by a second disc including concertos by Rouse and Ibert in 2013, which achieved a high position in the UK Classical Charts, and was a Gramophone Choice disc in August 2013.

This performance at St Giles in the Fields celebrated Katherine’s recent successes and showcased her diversity, virtuosity and unique ability to bring the flute to life – especially in her encore, Gershwin’s It Ain’t Necessarily So.

CM 10 October 2013 - lowphoto 1 photo 3photo 2

 

 

(Written on October 15, 2013 )