Posts Tagged ‘speakers’
« Back to E-News

In today’s news: Yukata Sado conducts DSO, and Dresdner Symphoniker play at the mexican side of the wall between the USA and Mexico. Mendelssohn and the Protestant Reformation at the centre of Music Festival Speyer, and NSO announces new executive director. Apple unveils a new ‘HomePod’ speaker system, the real-life influence behind ENO’s ‘Yardbird’ opera, ‘One Love’ concert raises £2million for victims of hate attack, and Warner Music Group announce new non-pop division.

The Guardian

My journey to Charlie Parker: ENO’s Yardbird

Bridgette Wimberly’s uncle idolised his jazz-legend friend so much that he took up the saxophone – and copied his heroin use.

M Magazine

‘One Love Manchester’ raises £2million for victims of Manchester bombing attack

Ariana Grande’s benefit concert on Sunday has, to date, raised over £2million.

The Week

NYPD sergeant connects with the community through classical music

Over the course of a decade, New York Police Sgt. Chris Yip went from not knowing how to play a note to being a classically trained pianist who performs at venues across New York City to benefit nonprofit organisations.

Billboard.com

Warner Music Group creates arts music division and joint venture with Sh-k-Boom

Kevin Gore joins as as president of new division focusing on classical, musical theatre, jazz and non-pop genres

Independent

Apple-designed ‘HomePod’ is the latest release at the WWDC to join the smart home market

Apple has officially launched HomePod, a Siri-powered talking music system for the home. It looks unusual, like a cross between Google Home and the Mac Pro, wrapped in mesh.

Tagesspiegel

Echos des anderen Amerika – Yutaka Sado dirigiert das DSO

Ein transatlantischer Gedankenflug: Der japanische Dirigent Yutaka Sado und das Deutsche Symphonie-Orchester zwischen „Apalachian Spring“ und „Aconcagua“

Spiegel.de

Anti-Trump-Konzert am Grenzzaun -Dresdner Sinfoniker in Mexiko

Musizieren gegen Trump: Die Dresdner Sinfoniker traten am Grenzzaun zwischen Mexiko und den USA auf. Ein Parallelkonzert auf der anderen Seite des Bollwerks hatten die US-amerikanischen Behörden verboten.

Concerti

Eine Sinfonie als Glaubensbekenntnis

Das Musikfest Speyer stellt dieses Jahr Mendelssohn und die Reformation ins Zentrum.

Le Monde

Disparition du chef d’orchestre Jeffrey Tate

Le grand chef britannique, qui avait fait une partie de sa carrière en France, s’est éteint en Italie à l’âge de 74 ans, le 2 juin.

The Washington Post

NSO announces new executive director

The National Symphony Orchestra named its next executive director, Gary Ginstling, currently the chief executive of the Indianapolis Symphony Orchestra, on Monday morning.

Twitter

Clash Music (@clash_music): Listen: Bob Dylan’s Nobel Prize lecture is online now and it is simply incredible http://bit.ly/2sMLdLJ

The Telegraph (@TeleMusicNews): ‘I Think It’s Going To Rain Today’: 30 great songs about rain  http://bit.ly/2sMSpI1 

Photo credit: Dominic Mercier

Photo credit: Dominic Mercier

(Written on June 6, 2017 )

Daisy Evans

Opera Director – Silent Opera

Jude Christian

Theatre Director

Dominic Dorin

Film Director – I Owe Youth

Last night’s Noted event hosted by WildKat PR and Sane & Able took an informative and engaging look at the world of Directing, with three professionals from the industry. These speakers included Daisy Evans – Opera Director at Silent Opera – Jude Christian – Freelance Theatre Director who has worked for the Royal Opera House Youth Opera Company and the National Theatre Studio – and Dominic Dorin – Film Director at I Owe Youth.

Discussion at the event was inspiring and helpful to people of a variety of professions that are linked into this area of the industry, ranging from those interested in Directing, to trained or aspiring actors/actresses, film producers and much more. The speakers described their differing beginnings in studying, experience and directing, and how they got to the level of success that they have reached at this stage of their careers. Daisy Evans of Silent Opera trained at the Royal Academy of Music as a singer but soon realised that she wanted to become a director, Dominic Dorin on I Owe Youth came from a background in design and found his way into film through a sound design internship and a directorship in fashion, and freelance director Jude Christian studied English at university where she started directing and then followed up this interest with a directing course at the Royal Academy of Dramatic Art in London.

When asked about financing their dreams and ambitions, the topic of sponsorship was raised along with some helpful ‘dos and don’ts’. Daisy suggested that the Arts Council should not be the first go to for launching a business or production, funds such as sponsorship and bursarys can be imperative for realising directing dreams and generating the finance necessary create a successful production. Jude made the important point that: “when asking people for money, be specific about what it is for”, as you are not likely to be sponsored without having made your creative aims and budget clear. Daisy added that it is important not to “think about sponsorship as money” and instead consider what resources might be useful to you such as the hiring of stage equipment or batteries. Dominic described how using creative ideas and presenting them practically can help the sponsorship process: “To help get sponsors we create beautiful story boards to help us get people on the same page visually”. It’s industry savvy thinking such as this that has aided all three of these young and successful professionals.

How do you as a Director encourage everyone involved to give their interpretation, but also retain the authority to make the final decisions? Ultimately, it seems that the actor/actress has the last say in what happens on ‘the night’ of a production in both theatre and opera as Jude pointed out in an amused tone. She made the quite practical point that as a Director you need to make it your business to get all those involved in a production on board with your aims and vision. However there is a manner in which to do this which is loaded with respect, patience and understanding amongst your ultimate authority. Dominic described how: “When you’re on set the director’s decision should be respected, but the director shouldn’t abuse that position.” The speakers agreed that is important to be authoritative, but ultimately you have to earn the respect and trust of those you are working with and the company at large.

One answer that is only born from a career of learning from success and mistakes is to the question: ‘If you could go back in time. What advice would you give yourself?’ Interestingly a variety of answers arose. A good piece of advice for those still studying came from Dominic who said that he would tell himself: “not to waste time. While you’re at uni, do as much as possible and start making decisions.” Where attitude and approach is concerned Daisy described how pacing yourself is important – be driven but try not to do everything all at once. Jude mentioned how a calm approach helps: “When I came to London I just said yes to everything. I’d definitely tell my past-self to chill out.”

The evening was not just an informative success due to the talk and excellent speakers, but the WildKat PR and Sane & Able offices were a buzz with enthusiastic arts and business individuals who have a passion for the industry and a hunger to learn more.

Take at look at our next event ‘Building your App’ on Wednesday 26th February. The Noted March event on Successful Social Media has also been announced on Eventbrite.

Check out Noted via Twitter or Facebook for more quotes from the speakers and information about the event.

Check back soon for a video blog from last night’s guests!

IMG_4761

(Written on January 23, 2014 )

BBC News

Esa-Pekka Salonen: 10 tips to becoming a conductor

Esa-Pekka Salonen’s career took off when he stood in at the last minute for a sick conductor when he was just 25. Almost 25 years later, he was recently named conductor of the year

The Guardian

Maria Callas: Google gives singer a solo

The 90th anniversary of the legendary soprano’s birth is marked in the latest Google doodle

Why there’s nothing wrong with being bored by opera

Do you find opera tedious? Do bits of Shakespeare send you to sleep? Well, you’re not alone. David Hare, Julian Barnes and John Eliot Gardiner talk to John Crace about the importance of being bored

ABC News

Homeless Man’s Music Moves Listeners to Tears at a Thrift Store

A homeless man who says he cannot read music and has had no formal musical training has stunned staff and customers at a Vancouver second hand store with his virtuoso piano playing

Fast Company

How This Group Of London Hackers Made Musical Instruments From Converse All Stars

What do you get when you put a crowd of creative Londoners in a garage with DIY speaker kits and Converse All Stars sneakers? Musical instruments made from Chucks

The Wall Street Journal

Music to Really Young Ears

New York Philharmonic’s Concerts Cater to Toddler Set

The Independent

Classical and pop audiences can mix

There’s nothing wrong with trying to make classical music more accessible to younger audiences

The Globe and Mail

Why Rufus Wainwright is turning a Roman emperor into a COC opera

On Monday, the Canadian Opera Company will announce that that opera – simply titled Hadrian– with a libretto by Canadian playwright Daniel MacIvor will have its world premiere as the opening production of the COC’s 2018 mainstage season at the Four Seasons Centre

Die Welt

Maria Callas – Inbegriff der dramatischen Sängerin

Maria Callas brachte es vom griechischen Einwandererkind in New York zum Megastar der Klassik. Nur in der Liebe hatte sie kein Glück: Der Reeder Onassis betrog sie, Filmemacher Pasolini war schwul

BBC News

BBC News

(Written on December 2, 2013 )

As Aldeburgh Music reaches the climax of its year marking the centenary of its founder, the composer Benjamin Britten, it hosts the latest in its Faster Than Sound series of innovative, cross-genre and cross-artform events. The installation Nocturnal, which will turn part of Aldeburgh Music’s Hoffmann Building into a camera obscura, will be open from this Saturday until 24th November 2013, taking in Britten’s 100th birthday (22 November) and Aldeburgh Music’s Britten Centenary Weekend (21 – 24 November).

Nocturnal is a newly-commissioned video and sound installation created collaboratively by acclaimed Canadian film-maker and theatre director Atom Egoyan and Canadian-born, UK-based sound artist John Wynne, winner of the 2010 British Composer Award for his installation for 300 speakers, Pianola and vacuum cleaner at the Saatchi Gallery. Nocturnal is inspired by the performance of Britten’s piece Nocturnal after John Dowland (1963) by the brilliant guitarist Julian Bream, who is 80 this year. Egoyan and Wynne will use rare footage spanning nearly 40 years of Bream’s performances.

The piece arises from Egoyan’s long-held fascination with Bream’s performance of Nocturnal. To find out more about Nocturnal, take a look at the Faster Than Sound website or follow on Facebook and Twitter.

Faster Than Sound

Faster Than Sound

(Written on November 14, 2013 )