Posts Tagged ‘Synergy Vocals’
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Last night, Kat, Olivia, James and Eliza attended the BBC Music Magazine Awards at Kings Place in London.

After a couple of glasses of fizz, we began the awards ceremony.  Oliver Condy, Editor of BBC Music Magazine, hobbled on stage to open proceedings, explaining how crowd-surfing at a Couperin-fuelled rave was the cause of his broken ankle a month before. Oliver then introduced his co-presenter Sara Mohr-Pietsch, (standing in for James Naughtie), and things got underway.  See below for a summary of winners.

We were especially delighted to attend to see our client, Accentus Music, pick up the Best DVD Award.  Paul Smaczny, Director of Accentus Music and producer of the winning release of Berg’s Wozzeck was there to accept the award.  He gave his heartfelt thanks to his team, and read the following from soloist Christian Gerhaher:  “I feel so incredibly satisfied that this Wozzeck production, which was—and every director should please forgive me—the most exhilarating in my life, receives the greatest acclamation. The result of visualising this extraordinary staging in that simple but nearly fully conveying way is just admirable. It brings to life the wonderful months that we and the audience spent with Berg’s masterwork one and half years ago. I would definitely call this a defining criterion of opera DVDs. Thank you all!”

 

 

 

 

 

 

 

 

 

 

Special guest presenters included all-round fahionista and style guru, Gok Wan, who recently released his own curated album of opera entitled ‘Gok’s Divas’.  Comedian Alastair McGowan tickled the audience with a series of stunning impressions and tenuous puns, before presenting Best Instrumental Award to Mahan Esfahani for his recording of Bach’s Goldberg Variations. With his customary loud-mouth, Mahan gave an impassioned and thoughtful acceptance speech, leaving us with a call to action: ‘Extend classical music, and it will be limitless in what it gives back to you.’

Dame Joan Bakewell, who presented the Recording of the Year Award offered a thought-provoking address on the great value the BBC has in the classical music world, and the impact it had on her own appreciation of music. She announced the Royal Liverpool Philharmonic with Vasily Petrenko performing Tchaikovsky Symphonies as Recording of the Year.

Throughout the evening, a number of references were made to the Proms Launch, which takes place today. BBC Radio 3 Controller, Alan Davey, slightly let the cat out of the bag when he said there would be lots of concerts in a big round hall.  Unfortunately, we can’t confirm this at the moment, but watch this space.

Vocal Award Matthias Goerne, Synergy Vocals, BBC SO, Josep Pons

Opera Award Mozart Don Giovanni, MusicAeterna, Teodor Currentzis

Chamber Music Award Martinu Piano Trios, Smetana Trio

Orchestral Award Tchaikovsky Symphonies, Royal Liverpool Philharmonic, Vasily Petrenko, Onyx

Instrumental Award Bach Goldberg Variations, Mahan Esfahani, Deutsche Grammophon

DVD Award Berg Wozzeck, Christian Gerhaher, Opernhaus Zurich, Accentus Music

Newcomer Award Prokofiev and Tchaikovsky Piano Concertos, Beatrice Rana, Antonio Pappano, Orchestra Dell-Accademia Nazionale Di Santa Cecilia

Concerto Award CPE Bach Cello Concertos, Nicolas Altstaedt, Jonathan Cohen, Arcangelo, Hyperion

Premiere Award Julian Anderson, Vladimir Jurowski, Carolin Widmann, London Philharmonic Orchestra and Choir

Choral Award Jonathan Harvey, Deo, The Choir of St John’s College Cambridge, Andrew Nethsingha, Signum Records

Record of the Year Award  Tchaikovsky Symphonies, Royal Liverpool Philharmonic, Vasily Petrenko, Onyx

Many congratulations from all of us at WildKat PR to Accentus Music, and all the other winners! We’re looking forward to next year’s awards already.

 

(Written on April 20, 2017 )

Ensemble BPM are proud to announce the brilliant performers that will be joining them for their production of Steve Reich’s video opera in April.

Incorporating live orchestra and singers, sampled audio, re-processed historical film and interviews with prescient cultural thinkers, Three Tales is a video opera that examines man’s deepening relationship with technology.

Joining Ensemble BPM on 22nd and 24th April will be the Ligeti Quartet (Patrick Dawkins, Phillip Granell, Richard Jones and Valerie Welbanks), percussionists Dave Burgoyne and Oliver Butterworth as well as vibraphone players Oliver Lowe and Tom Lee, and pianists Nathan Mercieca and Katherine Tinker.

The group are also proud to be working with Sound Intermedia and Synergy Vocals on the production.

The production will be presented in association with a conference at the Institute of Historical Research entitled Being Modern: Science and Culture in the early Twentieth Century. The first performance, on 22 April 2015, will mark the centenary of the first use of chemical weapons in warfare.

Ensemble BPM is only the second group to stage Three Tales since the work’s 2002 premiere. The production will be conducted by Artistic Director Nick Sutcliffe, directed by Matthew Eberhardt and produced by Amanda Carrick. It is supported by the London Science MuseumArts Council EnglandArts and Humanities Research Council – AHRC and The Hinrichsen Foundation.

 

(Written on March 30, 2015 )

WildKat PR is delighted to announce the upcoming project of their newest client Ensemble BPM. Multimedia performance specialists, Ensemble BPM will present the first ever opera staged live at an IMAX cinema this year with performances of Pulitzer prize-winning composer Steve Reich and video artist Beryl Korot’s Three Tales at the London Science Museum’s IMAX Theatre.

Incorporating live orchestra and singers, sampled audio, re-processed historical film and interviews with prescient cultural thinkers, Three Tales is a video opera that examines man’s deepening relationship with technology.

The work will be presented in association with a conference at the Institute of Historical Research entitled Being Modern: Science and Culture in the Early Twentieth Century, led by Dr Robert Bud, Chief Curator at the Science Museum. Performances take place on 22 and 24 April 2015 – the former date marking the centenary of the first use of chemical weapons in warfare.

Composed in 1998-2002, Three Tales recalls three events from twentieth-century history, exploring technology’s growing dominance in society: the crash of the Hindenburg zeppelin in 1937, nuclear bomb testing on Bikini Atoll in 1946-1958 and the cloning of Dolly the Sheep in 1996.

Ensemble BPM is only the second group to stage Three Tales since the work’s 2002 premiere. The production will be conducted by Artistic Director Nick Sutcliffe, directed by Matthew Eberhardt and produced by Amanda Carrick. It is supported by the London Science Museum, Arts Council England AHRC and The Hinrichsen Foundation.

Tickets

Adults £22.00, Concessions £12.00

Book tickets online www.sciencemuseum.org.uk/threetales or call 0870 870 4868

For more information on Ensemble BPM and to keep up to date with news, visit their website, Twitter and Facebook.

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(Written on January 12, 2015 )