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We are delighted to announce that the Cincinnati Symphony Orchestra will be performing at the Royal Albert Hall on Sunday 27th August as part of the 2017 BBC Proms programme.

Led by Musical Director Louis Langrée, the programme for the evening will be in keeping with the CSO’s history of championing American music, with a performance of Leonard Bernstein’s ‘Symphonic Suite’ from On the Waterfront, a highly descriptive symphonic portrait of New York City. In 1942, at the height of World War Two, the CSO premiered Aaron Copland’s ‘Lincoln Portrait’ written as a musical tribute to the former president, and will perform it again with a special guest speaker to be announced soon. Tchaikovsky’s majestic Symphony No. 5 will conclude the second half of the concert.

Founded in 1895, the CSO is the sixth oldest orchestra in the United States, and the first to be broadcast to a national radio audience in 1921. This concert coincides with an extensive European tour in which the CSO will visit countries including Scotland, Spain, and others to be announced soon.

Details of all concerts and events in the 2017 Proms season were announced today. Tickets are now available to purchase from the Royal Albert Hall website.

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(Written on April 20, 2017 )

Classical News

In today’s classical news, Royal College of Music partners with Shanghai Conservatory of Music to establish a joint institute, offering collaborative projects between the two institutions. Sound and Music partners with Sage Gateshead and NMC Recordings to launch ‘Next Wave’, a programme designed to promote and support composers in higher education. Sir Simon Rattle talks about a new home for London Symphony Orchestra, as the current venue Barbican restricts the orchestra’s repertoire. Also, violinist Anne-Sophie Mutter was presented with The 23rd annual World Economic Forum’s Crystal Awards for her leadership in providing opportunities for young people to develop careers as musicians.

Music Teacher Magazine

RCM announces collaboration with Shanghai Conservatory

The Royal College of Music (RCM) and the Shanghai Conservatory of Music (SHCM) are to establish a new Joint Institute in China.

Classical Music Magazine

Sound and Music launches Next Wave programme

Sound and Music has joined forces with Sage Gateshead and NMC Recordings for Next Wave, a programme designed to promote and support composers in higher education.

Producer faces pay accusations

World on Stage producer Stephen Leatherland has been accused of failing to pay singers and production staff involved in the 2016 tour of A Night in Venice, according to The Stage.

Evening Standard

Sir Simon Rattle says plans for a new venue for the London Symphony Orchestra are coming together

Sir Simon Rattle says the London Symphony Orchestra’s home in the Barbican restricts its repertoire and that the case for a new concert hall was “slowly and surely” coming together.

Opera Now Magazine

Applications open for Glyndebourne Academy

Applications are invited for the Glyndebourne Academy, which will run for the third time in 2017.

Music Business Worldwide

PRS and PPL Launch Joint Licence For Non-profit Radio Stations in the UK

UK music licensing organisations, PPL and PRS for Music, have introduced a new joint licence, which came into effect on 1 January 2017, for Ofcom-licensed community radio stations broadcasting on AM or FM.

Pizzicato

Geneva Finally Able To Build Its Cité De La Musique

The UN have now approved the resolution granting a land right in favour of the new Cité de la Musique in Geneva.

The Herald

Passing the baton

SCO conductor Robin Ticciati on the power of music, the beauty of silence and preparing to say goodbye to Scotland.

The New York Times

The Weeknd’s ‘Starboy’ and the ‘La La Land’ Soundtrack Top the Chart

This week on the Billboard album chart, the Weeknd holds at No. 1, while the “La La Land” soundtrack shoots to No. 2 after the film won seven Golden Globe Awards.

nmz

Donald sucht den Superstar: Künstler boykottieren Trumps Vereidigung

Hollywood attackiert ihn, Musiker distanzieren sich: Die Suche nach Stars zur Vereidigung wird für Donald Trump zur Blamage.

klassik.com

Anne-Sophie Mutter mit Crystal Award ausgezeichnet

Die Auszeichnung honoriert insbesondere Mutters Engagement im Bereich der musikalischen Bildung bzw. Erziehung und der Förderung junger Musiktalente im Rahmen der Anne-Sophie Mutter Stiftung.

klassik heute

Benefizkonzert für Syrien mit Musikern und Musikerinnen aus Syrien und Europa

Kommenden Freitag findet in der Kaiser-Wilhelm-Gedächtniskirche in Berlin ein Benefizkonzert für Syrien mit dem Titel „Berlin steht auf!“ statt. Es treten junge, internationale Musiker_innen des Berliner Orchesterprojekts „STEGREIF.orchester“ mit syrischen, geflüchteten Musikern und Musikerinnen gemeinsam auf.

Twitter

Classic FM @ClassicFM ‘We can do wonderful work in the Barbican, but about 20 per cent of the repertoire won’t work there’ – Simon Rattle

BBC Music Magazine @MusicMagazine Gustav Mahler… an unlikely optimist?

klassik.com @klassikcom Mutmaßliches Portrait von Frederic  entdeckt 

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Photo: RCM/ SHCM

(Written on January 17, 2017 )

The 15th Van Cliburn International Piano Competition will be taking place at the Bass Performance Hall in Fort Worth, Texas, from 25th May to 10th June 2017.

We had the chance to catch up with Jacques Marquis, CEO of The Cliburn, to find out what makes The Cliburn so special, as well as how it aims to attract a wider global audience.

Have a look at the interview here!

Screening auditions are underway, having already visited London and Hannover. So far we’ve seen and heard many talented young pianists.

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Photo from London screening auditions

Besides the screening auditions, The Cliburn also held a launch event in London, with The Cliburn 2013’s semi-finalist Jayson Gillham showcasing his beautiful playing in Bach arr. Rachmaninoff and Chopin.

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Photo: Pianist Jayson Gillham rehearsing at The Cliburn 2017 launch event in London

 

In addition, The Cliburn’s new partnership with medici.tv, who will be live-streaming the competition this year, will help realise the competition’s goal of reaching new international audiences.

WildKat PR sends its best wishes to this year’s participants! We can’t wait to see the 30 pianists that will make it to the Preliminary Round in Fort Worth, Texas, later this year.

Remember to follow WildKat PR on Twitter, and The Cliburn on Twitter and Facebook, for the latest news on The 15th Van Cliburn International Piano Competition!

(Written on January 13, 2017 )

2016 – what a year it has been! 

It’s been a year full of political and cultural changes and we look forward what 2017 holds in store. 

We have also had to adapt WildKat’s set up and services towards the current climate. Artists and organisations, as well as independent projects, look for even more value for money, and for smarter, more effective approaches towards reaching audiences. 2016 is the year we truly went into number crunching, exploring what and how coverage converts into ticket sales, which platform drives different types of traffic, what will guarantee a sell-out and what is worth an investment for the future. 

We have brought in a new set of Account Managers and created new roles to cater to a renewed interest in broader press and online targets. 

I am optimistic about 2017. Change always means opportunity. It means we are in motion, and the arts are the first place we will see that. I look forward to new pieces being created, new companies being formed and new ideas coming to fruition.

Thank you to all our partners, clients, journalists and the wonderful staff across all our WildKat offices. We finish the year on a high with our annual skiing trip to Austria! Let’s slide merrily into the New Year.

Managing Director, Kat Alder

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Photo of London Team

In 2016, WildKat PR continued to expand our roster with lots of diverse projects and campaigns, from Ancient Academy of Music to Metal’s production of Steve Reich’s Different Trains with the London Contemporary Orchestra. We also worked with a wide range of fantastic organisations on unique projects, including projects with The European Union Youth Orchestra, Help Musicians UK and Live Music Now. Also, across the Atlantic Ocean in our New York office, we began campaigns with the world-renowned The Cliburn and Cincinnati Symphony Orchestra.

WildKat

Here are some highlights from our fantastic year:

In Spring 2016, Sacconi Quartet and Sacconi Chamber Music Festival returned to WildKat, and it was another very successful year for them, highlights include a 5-star review by The Guardian and also an awesome review by Financial Times. They also premiered Jonathan Dove’s ‘In Damascus’, a brand new work for Tenor and String Quartet.

Photo: Emilie Bailey

In Summer 2016, another year, another weird and wonderful set of Tête a Tête performances, including Toni Castells‘ ‘2045: The Year Man Becomes Immortal?‘, which featured in The Guardian‘s top classical picks, and on BBC Radio 3: In Tune, amongst other outlets. They also ran six productions, forming part of the Cubitt Sessions at the heart of King’s Cross this year. Looking ahead to 2017, lots are going to happen in January with Tête a Tête, so keep reading our blog to follow their latest news!

Photo: Tête a Tête

In August, BitterSuite launched their crowd-funding campaign on Kickstarter, and successfully reached their target. They were featured in Vice, and they also debuted in New York at Brooklyn Academy of Music in December.

Photo: BitterSuite

In Autumn 2016, we worked with Metal Liverpool on Steve Reich’s Different Trains. We gained a huge range of alternative coverage, including The Sunday Times, live-streaming on Boiler Room, and BBC Radio 6 Music.

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Photo: Martin Godwin

In Winter 2016, Ailie Robertson‘s classical debut single ‘Haven’ was a big hit, reaching No.2 on iTunes Classical Chart. She also made appearances on BBC Radio Scotland and BBC Radio 3: In Tune.

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The Academy of Ancient Music received a very strong set of reviews for our first concert with them, recording 4 and 5 stars.  They also continue to receive excellent reviews for their disc of music by Dario Castello, which proves to be increasingly popular following the concert and broadcast and is encouraging in supporting their aim to bring neglected music to a wider audience.  We now very much look forward to the release of the second volume in 2017.

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Accentus Music also has had an incredible year with us, with over 50 pieces of coverage throughout the year, and several productions nominated in several categories for the International Classical Music Awards 2017, including a CD by the Polish National Radio Symphony Orchestra and Alban Berg’s opera ‘Wozzeck’ DVD performed by Opernhaus Zürich. We look forward to further collaborations with Accentus in the new year.

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Photo: Accentus Music/ Berg Wozzeck

We also had a great year with Dartington – this year’s festival saw musicians, writers and artists of all ages and abilities descend upon the beautiful medieval Dartington estate, to take part in courses, watch and participate in masterclasses, create new works, and attend concerts and performances, of which there were over eighty over the four week period!  We are excited to have the chance to work with them again for their International Summer School and Festival 2017, which promises to be just as, if not even more exciting.

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Besides our usual Press and Promotion service, we are also developing a wider range of services. We introduced our full Social Media packages and more Creative Campaigns.

We have recently worked with ECC100, a vinyl-only record label founded by Lush, on their release of ‘Set in Stone‘, music inspired by ancient stone circles in Dorset, UK. As well as a press campaign, we also organised a creative campaign, inviting journalists and bloggers to travel on a journey through their senses, with fragrances created by Gorilla Arthouse, which were inspired by the music from the album, live performance from Simon Richmond and John Metcalfe, and the screening of a film by Patrick Dunn.

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Photo: ECC100

Now that the year is almost over, we are very much looking forward to announcing new partnerships in January 2017! To follow our latest news and updates, keep reading WildKat PR Blog, or follow us on our Facebook page and Twitter.

Have a very Merry Christmas and a great start to 2017!

(Written on December 21, 2016 )

Account Manager Victoria Cappelletti’s views on working as a PR in Paris and London: Differences, difficulties & evolution

Over one year ago I moved to London to start working at WildKat PR as an Account Manager. I had previously worked for two years in the music industry in Paris, at a major record label and also in an independent PR agency with a similar structure to WildKat.

Being aware of the stakes of promoting independent and emerging artists in Paris, I was curious to see and experience the differences between the industries, seeking new professional challenges and looking forward to tame British journalists.

As I had previously worked with UK and international clients, I already had an insight into some of the differences, however, after a year of working as a press officer in London, I was able to find distinctive quirks.

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In my opinion, big record labels and majors rule music industries. That’s the case in both the UK and France. Independent, alternative and emergent artists thus struggle (more) to rise and thrive with their art.

As the French government cuts budgets for culture, the media has to focus on bigger artists, or at least on the ones that will gain a more significant audience. I could see that they were sliding dangerously from programming artists that they are personally passionate about, to generating profit for the media. As someone who is, and has always been so passionate about music, spending entire evenings digging for unknown tunes on Soundcloud, it makes me quite sad.

My knowledge of the UK government’s decisions for culture (apart from Brexit which will have an important impact on diversity in my humble French opinion) is limited, but it seems quite obvious that there are way more opportunities for new artist, to perform but also to be featured in the media.

Regarding live performances, for example, maybe it comes from the fact that all things cultural don’t happen in central London, as it is in Paris intra-muros, but alternative, emergent, underground cultural opportunities blossom in zone 2 and 3, whereas it is almost impossible to make Parisians cross the city centre’s limits.

Hence, there is a profusion of music venues, from established concert halls to basements and Pizza Express, that allow emerging bands and underground composers to perform their music or art, get visibility and improve their talent.

It also seems that there are more channels and ways to promote artists in the UK.

For example, I was able to secure a piece in a national newspaper for my first campaign, whereas the journalist had never heard from me before, and my sharp French accent couldn’t fool anyone.

Of course relationships with the media are the key to being a good and efficient PR. But here in the UK, I’ve felt like journalists are more open-minded and if you pitch to them right, offering an interesting idea, they will say yes.

In France, it’s more difficult to offer something original, and journalists are not likely to respond to you unless they know you. Maybe it’s also the case here, but simply in my experience, it’s not.

I’ve learnt that here anything is basically possible, if you put enough creativity and resources into it. This is an integral part of the culture at WildKat and has taught me a new way to approach to PR. The French music industry is obviously still strong, and there are still great things to do – it just seemed to me that without a strong record label behind them, emerging artists had less chances to be promoted in media and programmed in a venue, even the smallest.

 

Note: Beyond the PR and media industry, I think the differences between the two countries are probably beyond business. It’s social, it’s a way of working, communicating, and thinking.

The UK has seen the birth of major underground musical movements such as punk, grime and trip-hop. It’s the home of beautiful weirdos, from Elton John to Boy George to David Bowie, among so many others.

wildkat-pr-david-bowie-vystava-berlinPhoto: DesignMagazin.cz

I believe that all these cultural developments and their leaders ‘used’ people’s minds to be more open, accepting, experiencing and enjoying alternative and underground music and art movements.

Generally, the UK is known for being a cool country, where people won’t judge you for your half-balled turquoise haircut, wearing shorts in January, or the music you are listening to. I’ve seen youngsters sing along to rock songs next to quiet old men in the pub.

I am not saying France is behind in terms of music – it has the 2nd best hip-hop scene, many other amazing weirdos and a new generation of artists that are now making their way across the Channel and beyond – for example, Christine & The Queens whom I’m always glad to see on billboards here in London.

wildkat-pr-christine-and-the-queens-refuse-proposalsPhoto: momo.works/ refuse proposals

We have a great new wave of music, which I think and hope will go far.

I believe Paris should open its ‘borders’ offer more exciting opportunities to emerging artists through reopening old venues, rehabilitating others, and take (some) inspiration in London’s music life’s landscape.

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Photo: Victoria Cappelletti

(Written on December 15, 2016 )

Classical News

In today’s classical news, Paul Lewis and Adam Gatehouse, joint Artistic Directors of Leeds International Piano Competition, talk about the reinvention of the competition. David Teie, an US composer and cellist, released Music For Cats after years of research. Also, Santa Barbara Chamber Orchestra launched the “Classical Connections” program to study cognitive benefits of classical music.

The Guardian

Paul Lewis: how we’re transforming ‘the Leeds’ to nurture tomorrow’s pianists

The Leeds piano competition is being given a radical, creative reboot. Paul Lewis, one of its new directors – alongside Adam Gatehouse – explains the plan.

Today Online

Album for cats tops classical music charts

David Teie, an US composer and cellist, released Music For Cats after years of research.

Broadway World

Santa Barbara Chamber Orchestra Launches Program to Study Cognitive Benefits of Classical Music

The Santa Barbara Chamber Orchestra (SBCO) has launched “Classical Connections,” an innovative program to study the therapeutic benefits of classical music for individuals suffering cognitive or neurological impairment.

Classical Music Magazine

RSNO Composers’ Hub announces 2016/17 intake

The Royal Scottish National Orchestra has announced the second intake for its Composers’ Hub scheme.

Help Musicians UK announces latest career development grants

Help Musicians UK has announced the latest recipients of its career development bursaries.

Voice 2.0 – Peninsula Arts Contemporary Music Festival 2017

The three-day festival, which will take place 24-26 February 2017 at Plymouth University, will showcase new technologies and novel approaches to composition, performance and participation in music under the theme VOICE 2.0.

Washington Post

Russian city cancels ‘Jesus Christ Superstar’ after protest

A theater in Omsk, one of Russia’s largest cities has cancelled a planned performance of the musical “Jesus Christ Superstar” following protests by an organization of conservative Orthodox Christians. Local group “Family, Love, and Fatherland” filed a complaint that the musical mocked religious faith.

24-Year-Old Conductor Makes History at Broadway

Madeline Smith made her Broadway debut October 14 conducting the Broadway production of Waitress. At age 24 she is believed to be the youngest woman to conduct in a Broadway pit.

Der Tagesspiegel

Iván Fischer verlässt das Konzerthaus nach 2018

Iván Fischer, Chefdirigent des Konzerthausorchesters Berlin, wird seinen Vertrag nicht über 2018 hinaus verlängern – zum Bedauern seiner Musiker. Mit neuen Formaten und spannenden Ideen konnte Iván Fischer das Konzerthausorchester profilieren.

Codex Flores

Heidelberger Frühling zeichnet einen Hotelier aus

Klaus Lauer, Gründer und Leiter der Römerbad Musiktage und Intendant der Badenweiler Musiktage, erhält den mit 10.000 Euro dotierten Musikpreis des Heidelberger Frühling 2017. Das Musikfestival vergibt die Auszeichnung jährlich an Persönlichkeiten, die sich «substanziell und nachhaltig für die Vermittlung von klassischer Musik einsetzen».

Musik Heute

Yuja Wang wird Musical Americas “Künstlerin des Jahres”

Die chinesische Pianistin Yuja Wang ist von “Musical America” zur Künstlerin des Jahres 2017 ernannt worden. Die Karriere der 29-Jährigen übersteige die jedes anderen Pianisten in der heutigen Öffentlichkeit.

Twitter

Classical Music @ClassicalMusic_ .@PRSFoundation announces New Music Biennial 2017 composer residencies & Minute of Listening

The Royal Opera @TheRoyalOpera How the musical tide turned against Shostakovich: http://www.roh.org.uk/news/knocked-b… #ROHnose

Classic FM @ClassicFM This clip of a Liverpool NHS Emergency Medical Technician casually belting out some opera is going viral: https://t.co/xVhfKz9ubX

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Photo: Leeds International Piano Competition

(Written on October 19, 2016 )

Classical News

In today’s classical news round-up, Pittsburgh Symphony cancelled more shows due to the ongoing strike of its musicians. An English cello bow by James Tubbs, which was presumed to have been in the possession of Jacqueline du Pré, has been withdrawn from auction due to a lack of ‘confidence’ in its provenance. The 15th International Henryk Wieniawski Violin Competition, which is currently taking place in Poland, has announced its 13 semi-finalists. In addition, Caroline Dollimore has been appointed the Director of Publicity of Atlantic Records UK, effective November 2016.

The Times

Pittsburgh Symphony cancels more shows due to strike

Due to the ongoing strike by the Pittsburgh Symphony Orchestra musicians, additional symphony concerts through Nov. 18 have been canceled. The musicians’ union went on strike last month after unanimously rejecting calls for 15 percent pay cuts.

The Strad

Jacqueline du Pré cello bow withdrawn from sale due to doubt over provenance

An English cello bow by James Tubbs, ‘presumed to have been in the possession of Jacqueline du Pré’, has been withdrawn from auction due to a lack of ‘confidence’ in its provenance. The bow was to be sold by Tarisio in London this October with a sale price estimate of £20,000-£30,000.

2016 International Wieniawski Violin Competition names 13 semi-finalists

The 15th International Henryk Wieniawski Violin Competition, taking place from 8-23 October in Poznań, Poland, has named the 13 candidates selected to progress to the semi-finals.

Opera Now Magazine

Glyndebourne announces winners of new awards for young singers

Glyndebourne has announced the winners of two new biennial awards for young singers, launched to mark 30 years since the creation of its education department. The Gus Christie Award is for a young singer who has demonstrated outstanding vocal talent, while the Bill Weston Young Singers Award is for a promising singer who would benefit from financial support to continue their development.

Music Business Worldwide

Caroline Dollimore Named Director of Publicity at Atlantic Records UK

Atlantic Records UK announced the appointment of Caroline Dollimore as Director of Publicity, effective November 2016. Reporting to General Manager Mark Mitchell, Dollimore will oversee the strategic direction for all artist publicity campaigns on Atlantic’s roster.

South China Morning Post

Hong Kong group to strip down operas and bring them to the people

A new non-profit opera company in Hong Kong will soon be producing condensed versions of Western classical operas away from the formality of concert halls so that more people may be lured by the genre’s passion and music.

Musik Heute

Bamberger Symphoniker: Intendant Axt bleibt bis 2023

Der Intendant der Bamberger Symphoniker, Marcus Rudolf Axt (42), bekommt eine zweite Amtszeit. Der Stiftungsrat habe die Verlängerung seines Vertrages bis 2023 unterzeichnet, teilte das Orchester am Montag mit. Axt war 2013 mit einem Fünfjahresvertrag angetreten.

Berliner Morgenpost

Manacorda wird nicht neuer Generalmusikdirektor

Die Suche nach einem neuen Generalmusikdirektor an der Komischen Oper Berlin geht weiter. Das Orchester des Hauses hat sich gegen die Postenvergabe an Antonello Manacorda ausgesprochen.

RBB Kulturradio

Hans Pischner ist tot

Der frühere Intendant der Staatsoper Unter den Linden starb am vergangenen Samstag im Alter von 102 Jahren. Die Staatsoper führte Pischner in der DDR auch gegen kulturpolitische Widerstände sei es als stellvertretender Minister für Kultur oder später als Vizepräsident der Akademie der Künste.

Klassik.com

Schweizerischer Nationalfonds fördert Webern-Ausgabe mit 1,3 Millionen Franken

Bei dem Editionsprojekt handelt es sich um eine hybride Ausgabe, die sowohl im Druck erscheint wie auch digital zugänglich ist. Das Open-Access-Projekt enthält nicht nur Weberns gedruckte Werke, sondern auch frühe Fassungen, Jugend- und Studienkompositionen, Skizzen, Fragmente sowie Bearbeitungen.

Twitter

Classical Music @ClassicalMusic8 In Yo-Yo Ma concert with LA Chamber Orchestra, simplicity outshines the showmanship – Los Angeles Times: https://t.co/LgbRHzNmS5

Music History @today_classical #Today in 1879 Birth of Polish #composer Gregor #FITELBERG in Latvia #MusicHistory #classicalmusic

Classical Diary @ClassicalDiary This Season discover Wales’ composers with this fantastic series from @BBCNOW https://lc.cx/4CuQ #music #concert #contemporary

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Photo: Three Rivers Arts Festival

(Written on October 18, 2016 )

WildKat PR is very excited to announce that we are working with the Van Cliburn International Piano Competition.

Established in 1962, the Van Cliburn International Piano Competition is widely-recognised as “one of the world’s highest-visibility classical-music contests” and remains committed to its original ideals of supporting and launching the careers of young pianists and sharing the transformative powers of music with a wide global audience. The Cliburn aims to advance classical piano music throughout the world. Its international competitions, education programs, and concert series embody an enduring commitment to artistic excellence and the discovery of young artists.

In addition to the competition, the Cliburn established the International Piano Competition for Outstanding Amateurs in 1999, which The Boston Globe proclaimed “a celebration of music, and the people who have to make music, no matter what.” Then in January 2014, it announced the inaugural Cliburn International Junior Competition and Festival.

Since its inception in 1962, the Cliburn has remained committed not only to identifying young pianists who represent the highest in artistic achievement, but also to nurturing these artists and launching their careers. To this end, the Cliburn arranges for hundreds of recital, festival, and orchestra concert engagements across the United States for the winners in the three years following the Van Cliburn International Piano Competition. Medalists are also available for solo, chamber, and orchestra concerts, as well as for master classes, outreach activities, and other education programs.

Vadym Kholodenko, age 26 Ukraine, performs in the first Preliminary Recital of the 14th Van Cliburn International Piano Competition at Bass Hall in Fort Worth, Texas, USA on Saturday May 25, 2013. (Photo Ralph Lauer/The Cliburn)

(Photo: Ralph Lauer/The Cliburn)

WildKat is looking forward to working with Cliburn on its launch event taking place in London in January 2017, as well as running press campaigns in the UK and Germany for the 15th Van Cliburn International Piano Competition, which will run from 25th May to 10th June 2017.

See the Cliburn’s website, Facebook, Twitter and YouTube, as well as WildKat PR Blog, for its latest news .

(Written on October 7, 2016 )

WildKat PR is very happy to announce and welcome our newest client, The Cincinnati Symphony Orchestra.

CSO is a dynamic ensemble of some of the world’s finest musicians. As the sixth oldest symphony orchestra in the U.S. and the oldest orchestra in Ohio, it has played a leading role in the cultural life of Greater Cincinnati and the Midwest since its founding in 1895.

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Louis Langrée, CSO’s current Music Director, began his tenure as the CSO’s 13th Music Director in the 2013-2014 season with a celebrated program. The New York Times said “deftly combined nods to the orchestra’s history, the city’s musical life and new music.” Over the Orchestra’s 120-year history, it has also been led by Leopold Stokowski, Eugène Ysaÿe, Fritz Reiner, Eugene Goossens, Max Rudolf, Thomas Schippers, Jesús López-Cobos, and Paavo Järvi, among others.

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During the 2015-16 season, the CSO continued the tradition of commissioning new music with the world premieres of seven works including three Concertos for Orchestra, by composers Sebastian Currier, Thierry Escaich and Zhou Tian. Live recordings were made out of each of these new concertos for commercial release, and is the second CSO recording with Music Director Louis Langrée. The album will be released on 17th November by the Orchestra’s own record label Fanfare. A short web documentary will soon be released in three parts, covering each of the three pieces and featuring interviews with Louis Langrée and the three composers who come from three different continents.

WildKat PR will be providing PR service for The CSO in the US, UK and France. Keep up to date with the orchestra’s latest news on its website, Facebook, Twitter, YouTube and WildKat PR blog.

(Written on September 30, 2016 )

Classical News

In today’s news, the Sydney Opera House proposed to allow sleep-overs, three new front desk string players for Scottish Chamber Orchestra & Elizabeth Fayette appointed Vega String Quartet first violinist. Also, pro-EU protest planned for Last Night of the Proms.

The Daily Telegraph Australia

Sleep-overs proposed for Sydney Opera House

Fans could have the chance to spend a night with Sydney’s most famous icon if a proposal to allow exclusive sleepovers in the Sydney Opera House goes ahead.

The Strad

Scottish Chamber Orchestra appoints three new front desk string players

The Scottish Chamber Orchestra has appointed three new principal players to its string section from the beginning of the 2016-17 season in October.

Elizabeth Fayette appointed Vega String Quartet first violinist

Elizabeth Fayette has been appointed first violinist of the Vega String Quartet, currently quartet in residence at Emory University in Atlanta, US.

The Guardian

Pro-EU protest planned for Last Night of the Proms

It includes rousing performances of Land of Hope and Glory, Rule Britannia and Jerusalem always accompanied by a sea of union jacks, but this year’s Last Night of the Proms is also expected to offer a pro-EU backlash against Brexit.

The National

James Morrison coming to Dubai Opera

James Morrison will be the first big western pop act to grace the stage at Dubai Opera, when the soulful singer-songwriter performs there on October 7.

Sioux City Journal

Symphony Orchestra receives $100,000 grant

The Sioux City Symphony Orchestra has been awarded a $100,000 grant from the Gilchrist Foundation through Security National Bank of Sioux City. The grant will support the orchestra’s season finale concert on April 29 featuring composer and pianist Conrad Tao.

nmz

„Wege der Musikwissenschaft“ – XVI. Internationaler Kongress der Gesellschaft für Musikforschung

Vom 14. bis zum 17. September 2016 richtet die Abteilung Musikwissenschaft der Johannes Gutenberg-Universität gemeinsam mit der Akademie der Wissenschaften und der Literatur Mainz den XVI. Internationalen Kongress der Gesellschaft für Musikforschung aus.

RBB Kulturradio

Staatsballett erhält Doppelspitze

Die Choreographin Sasha Waltz wird künftig zusammen mit dem Schweden Johannes Öhman das Staatsballett Berlin leiten. Mit Waltz und Öhman bekomme Berlin zwei international renommierte Persönlichkeiten des internationalen Tanzes.

Berliner Zeitung

Kulturhaus „Peter Edel“ soll 2019 wieder öffnen

Nach jahrelangen, erfolglosen Verhandlungen wird der gemeinnützige Bildungsträger Kommunales Bildungswerk das Gebäude mit seinen 25 Räumen und dem über 300 Quadratmeter großen Veranstaltungssaal per Erbbaurechtsvertrag übernehmen.

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M Magazine @M_magazinePRS .‘s ‘ Fund is open for a 2nd round of funding – find out more + apply now!

London Philharmonic @LPOrchestra Are you a student passionate about classical music? Apply now to become a student rep for the LPO!

Opera Anywhere @OperaAnywhere Bring your family for free to an performance 5.30pm

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Photograph:  John Grainger

(Written on September 8, 2016 )