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WildKat PR welcomes new music collective, Corre.

We are very happy to be working with Corre on their upcoming singles and album releases. ‘A Spark, A Beginning’ and ‘Proceed’ will be released on streaming sites on Wednesday 2nd August 2017.

Corre formed earlier in 2017 and aims to bridge the gap between electronica and classical music with a contemporary synthesis of light, movement and sound. The unnamed collaborators behind Corre wanted to create a multi-media, cross-genre alliance, inspired by the likes of Nils Frahm and Max Richter. With a background in electronic music, Corre’s composer was inspired by the possibility that the two seemingly contrasting elements of electronic and contemporary classical music could coalesce.

To create the fusion of natural and synthetic sounds, Corre uses Korg-created synthesiser loops paired with traditional, acoustic instruments such as violin, piano and classical guitar. The visual element takes naturalistic photography and melds it with digital manipulation and overlays to create modern and visually stunning films.

The two singles will be released on 2nd August, with a video premiere of ‘A Spark, A Beginning’ to follow.

© Corre 2017

(Written on July 31, 2017 )

WildKat PR is extremely excited to be working with the Sacconi Quartet, a string quartet who are consistently recognised for communicating with a fresh and imaginative approach. The quartet aims to create truly immersive chamber music experiences that draw the audience into the music in a way never seen or heard before.

The Sacconi Quartet’s latest project, HEARTFELT, does just this. Audience members will hold robotic, wired hearts and will be able to feel the heartbeat of one of the players and so follow the same highs and lows as the musicians during the performance of Beethoven’s String Quartet in A minor Op, 132. It promises to be a uniquely interactive performance. This information will then be transformed in real time into a lighting display that is exclusive to that performance. The robotics and lighting are all made possible by: Silas Adekunle of Reach Robotics, responsible for the initial robotics concept; robotic and system designers, development and manufacturers, Rusty Squid; and interactive lighting designer, Ziggy Jacobs-Wyburn. It will be premiered at the 2015 Spitalfields Festival before being performed at Lichfield International Arts Festival and the Bristol Proms. The idea came about during the inaugural Bristol Proms in 2013 when the Sacconi Quartet spent two days with leaders in the technology and creative fields exploring how to make chamber music more immersive. With Arts Council funding, the result was HEARTFELT. Moments of darkness and a considered lighting design allow the focus of the performance to be on the music itself, with digital technology providing a way for audiences to engage with the music in a direct, physical way. HEARTFELT moves the concert experience beyond sight and sound, introducing tactility into live performance.

Formed in 2001, the Sacconi Quartet are a firmly established and respected ensemble, passionate about repertoire for string quartet. They are the winners of various awards including the Trondheim International String Quartet Competition and Second Prize at the London International String Quartet Competition, alongside two extra prizes at the same event. The Sacconi are the Quartet in Residence at the Royal College of Music and Associate Artists at the Bristol Old Vic. They are also regulars on the UK and European concert scene and have played at Manchester’s Bridgewater Hall and the Musikverein in Vienna, to name but a few. Their 2014/15 season includes residencies at the Lichfield Festival and Salisbury International Arts Festival alongside collaborations with Miloš Karadaglić, Ksenija Sidorova and Vertavo Quartet.

Keep up to date with news about the Sacconi Quartet, HEARTFELT and their other upcoming projects through their website, Twitter and Facebook.

Sacconi_Shot3-299Hv2_bw-landscape-credit-Emilie-Bailey The Sacconi Quartet. Photo: Emilie Bailey

(Written on April 22, 2015 )

The Huffington Post

Can Women Save Classical Music?

Changing statistics on classical music listeners

NPR

Classical Couples: Sweethearts Sharing The Stage

Happily, the arrows are still flying and the roster of musical matchups keeps growing. For this Valentine’s Day, NPR offer a few contemporary couples making beautiful music.

Milwaukee Wisconsin Journal Sentinel

For violinist Frank Almond, ‘disorienting’ experience brings gratitude

Frank Almond reunited with his 1715 Lipinski Stradivarius, performs with pianist William Wolfram at Wilson Center for the Arts. Monday’s performance was Almond’s first with the violin since it was recovered.

Classic FM Online

HRH the Prince of Wales guests on Classic FM

His Royal Highness the Prince of Wales tells of his love of classical music and, specifically, Hubert Parry.

The Guardian

We need to move beyond the cliches about ‘elitist’ opera

Why is opera routinely styled as the antithesis of everyday life? Let’s change the conversation and focus on the real thing, says Alexandra Wilson

‘Japanese Beethoven’ faces the music after admitting he is no longer deaf

Mamoru Samuragochi, who admitted paying professor to write symphonies, says he has regained some of his hearing

How video saved the opera star

Opera is waking up to the power of video. For his new production of Don Giovanni, the Royal Opera House’s Kasper Holten collaborated with a designer who turned U2 tours and the 2012 Olympics into visual spectaculars. Stuart Jeffries goes behind the screens

Limelight Magazine

Bryce Dessner: An American in Perth

All-round musician Bryce Dessner shares insight ahead of his Perth Festival classical gig.

Classic FM Online

Classic FM Online

(Written on February 12, 2014 )

Daisy Evans

Opera Director – Silent Opera

Jude Christian

Theatre Director

Dominic Dorin

Film Director – I Owe Youth

Last night’s Noted event hosted by WildKat PR and Sane & Able took an informative and engaging look at the world of Directing, with three professionals from the industry. These speakers included Daisy Evans – Opera Director at Silent Opera – Jude Christian – Freelance Theatre Director who has worked for the Royal Opera House Youth Opera Company and the National Theatre Studio – and Dominic Dorin – Film Director at I Owe Youth.

Discussion at the event was inspiring and helpful to people of a variety of professions that are linked into this area of the industry, ranging from those interested in Directing, to trained or aspiring actors/actresses, film producers and much more. The speakers described their differing beginnings in studying, experience and directing, and how they got to the level of success that they have reached at this stage of their careers. Daisy Evans of Silent Opera trained at the Royal Academy of Music as a singer but soon realised that she wanted to become a director, Dominic Dorin on I Owe Youth came from a background in design and found his way into film through a sound design internship and a directorship in fashion, and freelance director Jude Christian studied English at university where she started directing and then followed up this interest with a directing course at the Royal Academy of Dramatic Art in London.

When asked about financing their dreams and ambitions, the topic of sponsorship was raised along with some helpful ‘dos and don’ts’. Daisy suggested that the Arts Council should not be the first go to for launching a business or production, funds such as sponsorship and bursarys can be imperative for realising directing dreams and generating the finance necessary create a successful production. Jude made the important point that: “when asking people for money, be specific about what it is for”, as you are not likely to be sponsored without having made your creative aims and budget clear. Daisy added that it is important not to “think about sponsorship as money” and instead consider what resources might be useful to you such as the hiring of stage equipment or batteries. Dominic described how using creative ideas and presenting them practically can help the sponsorship process: “To help get sponsors we create beautiful story boards to help us get people on the same page visually”. It’s industry savvy thinking such as this that has aided all three of these young and successful professionals.

How do you as a Director encourage everyone involved to give their interpretation, but also retain the authority to make the final decisions? Ultimately, it seems that the actor/actress has the last say in what happens on ‘the night’ of a production in both theatre and opera as Jude pointed out in an amused tone. She made the quite practical point that as a Director you need to make it your business to get all those involved in a production on board with your aims and vision. However there is a manner in which to do this which is loaded with respect, patience and understanding amongst your ultimate authority. Dominic described how: “When you’re on set the director’s decision should be respected, but the director shouldn’t abuse that position.” The speakers agreed that is important to be authoritative, but ultimately you have to earn the respect and trust of those you are working with and the company at large.

One answer that is only born from a career of learning from success and mistakes is to the question: ‘If you could go back in time. What advice would you give yourself?’ Interestingly a variety of answers arose. A good piece of advice for those still studying came from Dominic who said that he would tell himself: “not to waste time. While you’re at uni, do as much as possible and start making decisions.” Where attitude and approach is concerned Daisy described how pacing yourself is important – be driven but try not to do everything all at once. Jude mentioned how a calm approach helps: “When I came to London I just said yes to everything. I’d definitely tell my past-self to chill out.”

The evening was not just an informative success due to the talk and excellent speakers, but the WildKat PR and Sane & Able offices were a buzz with enthusiastic arts and business individuals who have a passion for the industry and a hunger to learn more.

Take at look at our next event ‘Building your App’ on Wednesday 26th February. The Noted March event on Successful Social Media has also been announced on Eventbrite.

Check out Noted via Twitter or Facebook for more quotes from the speakers and information about the event.

Check back soon for a video blog from last night’s guests!

IMG_4761

(Written on January 23, 2014 )