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Do you want to gain your first music industry experience working as part of a young and friendly team in Central London?

We are looking for a paid intern to join WildKat PR, starting as soon as possible.

WildKat PR
WildKat PR is a creative agency for classical music and the arts. We are a dynamic, forward thinking agency offering full services for public relations, marketing, artistic consultancy, event management, social media, and creative campaigns, specialising in both classical and contemporary music. We are a young, enthusiastic, creative, and music-loving company and our expertise and creativity allows us to devise innovative campaigns tailored to individual artists’ needs. With offices currently established in London, Berlin, and New York, and clients including the Ancient Academy of MusicBamberg Symphony OrchestraGstaad Menuhin Academy & Festival, and the Cincinnati Symphony Orchestra, our reach extends internationally to offer professional PR support worldwide.

Job Description
WildKat PR is offering a paid position for a motivated and confident individual to join our London team. Working with the Director and Account Managers on creative PR campaigns across the classical music and cultural industries, you will be expected to assist your colleagues in all aspects of the campaigns, and quickly establish an understanding of the industry and begin to build working relationships with press to generate media coverage for our clients. This position will provide an overview of all clients, demonstrating the different stages of PR campaigns, along with a range of different styles and approaches to the press, industry and social media packages our company offers.

Key duties
As a WildKat intern, your role will include:
– Compiling and posting our daily news round-ups and sharing on social media
– Research-based tasks to assist Account Managers on their campaigns
– Updating social media accounts on behalf of WildKat PR
– Writing blogs about topics of interest to be published on our website
– Writing and proofreading press releases for WildKat clients
– Creating and uploading interesting and new content for our social media platforms
– Inviting critics, journalists, and industry contacts to concerts
– Attending client events and meeting members of the press and industry
– Creating listings to websites for clients’ upcoming concerts
– Daily maintenance and upkeep of the office
– Tidying the office before/after meetings and at end of the week
– CD/DVD mail-outs to UK and international press

What you get from interning with WildKat PR:
– Your first work experience in a professional, innovative communications company
– Chance to expand your skill set rapidly (you get out of this role what you’re prepared to put in!)
– Gain wider industry experience by attending concerts and networking events
– Impress your colleagues with your fresh, new ideas
– Friday drinks with the team, yoga classes and 6-hour work days

Person Specification
Essential
– A keen interest and passion in classical music and the creative industries
– Strong written and verbal communication skills
– A creative and fun way of thinking
– An interest in the media
– Good eye for at socials (and an appreciation for classical music memes)
– Self-motivated and keen to use initiative
– Strong prioritisation and organisational skills

Desirable
– Speak an additional language
– Currently study music or related discipline (creative arts, Public Relations)

We are looking for someone to work for us for 4 hours per day, 10am-2pm, Monday to Friday. If these hours don’t quite fit with your timetable, we are happy to be flexible for the right person!

We will pay a salary commensurate with the London Living Wage for each 20-hour week worked. The timeframe for the length of this internship is flexible, but we’re looking for someone to start as soon as possible. Please also send your application in speculatively, as we have openings throughout the year. NOTE: if you are applying for an internship later in the year, you must state clearly in your covering letter when you will be available.

To apply, send a short C.V. and a covering letter (which can be in the body of the email) to elizabeth@wildkatpr.com with the subject title ‘WildKat PR Intern application’.

 

(Written on February 14, 2018 )

We are very pleased to welcome two fantastic new clients, and welcome back another, as we begin the new year!

The Gstaad Menuhin Festival & Academy is now in its 61st iteration, and its outstanding programme will take place between 13th July and 1st September 2018. In 1957, Yehudi Menuhin moved with his young family to Gstaad, Switzerland, and was overwhelmed by the beauty and power of the bucolic Alpine village. After being asked by the then head of tourism for Gstaad, Paul Valentin, to support the summer tourist season with some concerts, Menuhin rang in the inaugural festival in the summer of  the following year. Two of the performers in those first concerts were Benjamin Britten and Peter Pears! The high-calibre bookings continue, and in 2018 the festival looks to welcome Jonas Kaufmann, Hélène Grimaud, Nigel Kennedy, Sol Gabetta and Juan Diego Flóres, among a stellar line-up of stars from the opera, choral and instrumental worlds. WildKat PR is delighted to be leading their press campaign again in 2018.

The eminent Italian pianist and composer Roberto Cacciapaglia has enjoyed a varied and successful career to date. He performs his own compositions in the most prestigious theatres and institutions all over the world, sharing his innovative and inspiring compositions. Roberto blends electronic experimental music with the classical tradition, and for many years has been researching the powers of sound. He founded the Educational Music Academy in 2013, giving a voice to young musical talents, composers, musicians and pianists by way of support and mentorship. Roberto recently released the 10th Anniversary edition of his QUARTO TEMPO album, which was mastered at London’s Abbey Road Studios.

© Roberto Cacciapaglia

Lithuanian composer Gediminas Gelgotas embodies a unique musical language built upon modern, multi-stylistic influences that with a dream that combines austere melodic beauty with a stunning rhythmic drive. Once praised by Terry Riley for his ‘unique and compositional voice’, he embarked on the journey to creating his own legacy with works showcased and premiered all across Europe, while establishing his own ensemble – the New Ideas Chamber Orchestra (NICO) – and working closely with Kristjan Järvi of the Baltic Youth Philharmonic along the way. Adopting a traditional work ethic, Gediminas proudly works with pen and paper across all his compositions. He grows, chases and explores an organic idea when it comes to mind and injects his own unique blend of pop and classical cultures. With many of his pieces already performed at a number of prestigious events, Gediminas’ work defies all genres and makes it accessible to a wide audience.

© Gediminas Gelgotas

“Having myself worked on the Gstaad Menuhin Festival press campaign in both 2015 and 2016, I am delighted to welcome the festival team to work with us again,” our London Director, Olivia Brown, comments. “They present an inspired programme, in a truly beautiful setting, year on year.

“I’m also very pleased to be expanding our roster of contemporary composers by welcoming Roberto and Gediminas. We look forward to introducing their music to UK and European audiences, reaching and expanding on the broadening new audience of contemporary classical music.”

Keep up to date on new clients and others news via our socials:

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(Written on January 11, 2018 )

We are looking for an Account Manager to join WildKat PR in London!

 

Do you think you would be suitable for this position? Have a read through our job description below.

WildKat PR

WildKat PR is a game-changer in the classical music industry. We believe in changing the status quo of our industry, embracing creative values both on- and offline.

WildKat PR is the only classical music PR agency to spread worldwide, having established ourselves in London, Berlin, and New York, with further plans for expansion in 2018. We are deeply devoted to seeking out and using online platforms to reach and engage substantial new audiences, producing all-encompassing, bespoke, international PR campaigns that are data-driven.

 

Job Description

WildKat PR is offering an exciting opportunity to join our London team. Working with the Founder, Director of the London Office, they will learn how to develop and execute creative PR campaigns across the classical music and cultural industries in order to generate coverage and publicity for our clients.

Key Duties

As an Account Manager:

  • To manage your set of clients and work with them to help achieve their PR goals. This includes: gaining press, attracting new audiences, helping to improve their brand, organising events
  • To think creatively about how you (and your colleagues) approach campaigns. You will be asked to continually make new connections and approach your work in innovative ways. You will be expected to challenge how we, and the industry, are doing things
  • To integrate digital media into campaigns. This means exploring new technology and developing ways to include it in client campaigns
  • To take a leading role in the development and execution of unique, creative campaigns to promote your clients and the company
  • To write copy in relation to your clients’ needs, including: fact sheets, bios, blogposts, newsletters, brochures
  • To liaise with journalists to generate and secure media coverage for clients
  • To organise client events, as needed. This includes: concerts, VIP receptions, industry networking events
  • To attend all relevant artists’ events (which regularly occur outside of office hours) including meetings and performances
  • To network within the industry to build your reputation and that of the company
  • To oversee the work of others when required, and to be willing to grow into a more senior role

Opportunities of working with WildKat PR:

  • Small, open plan office
  • Chance to do diverse things within the role and expand your skillset quickly
  • Gain wider industry experience, not just PR
  • Supportive colleagues and management welcoming your fresh ideas
  • Personalised creative skills training and coaching
  • Collaboration with mainstream brands and projects
  • Opportunities for travel
  • Sociable atmosphere
  • Staff benefits, which include annual ski trip, Friday drinks, office yoga, opportunity for sabbatical and 6 hour working days

 

Person Specification

Essential

  • At least one year’s experience working in arts PR
  • Interest in classical music, culture, and the arts
  • A fast learner, able to absorb information quickly and confidently put it into practice
  • Ability to remain calm when working under pressure and to manage conflicting deadlines
  • Proven administrative and organisational skills
  • Excellent verbal and written communication skills
  • Ability to take initiative and responsibility when working alone
  • Ability to work as part of a team
  • High degree of accuracy and attention to detail
  • A strong interest in online media
  • Self-motivated
  • Good standard of computer literacy (Word, Excel, WordPress)

Desirable

  • Education to degree level
  • Fluency in another language

Salary: Competitive – dependent upon experience

WildKat PR is an equal opportunities employer and welcome applications from all suitably qualified persons regardless of their race, sex, disability, religion/belief, sexual orientation, or age.

To apply, please send your CV and covering letter to olivia@wildkatpr.com with the subject title ‘WildKat PR Account Manager application’ by 5pm on 19th January 2018.

(Written on January 3, 2018 )

It’s been an incredibly busy year at WildKat and we are so excited to continue our successes into 2018. As always, we’ve tried to pack as much as we can into a blog post for you all. The projects and clients mentioned below are a tiny portion of our highlights – Enjoy! 😊

First, a message from our Founder, Kat, who is already in the Austrian alps, ready to start the holidays:

“2017: you beast! I must admit I am quite glad to see the back of it… We launched and worked on so many projects and events, it felt like we somehow skipped the usual “quiet periods”. It has certainly been a challenging year; the uncertainty of the cultural and creative industries was felt across our sector and so internally we had to rethink our offerings, our staffing and general structure.

We have had some fantastic new clients and projects signed up to WildKat. Some personal highlights have been:

And so many more.

Mostly this year has been for me expanding the WildKat offices, opening a new one in Paris next year and working on our non-profit arm, Noted.

I have travelled for both companies to all corners of the world, and have had some great meetings and events take place, centred around the ethos of sharing and forwarding our industry. I think there is amongst all the anticipation on what future events (including Brexit, US etc) will bring a sense of renewed movement forward. I am encouraged to see so many positive ideas. The Noted Fellowship is in the next stage with announcements to follow in the New Year and our roundtables have come to life in Berlin, London and New York with fascinating thoughts and exchanges. My vision of having the newly graduates give the artistic director ideas on the future of our sector, is coming to life and its VERY rewarding!”

 

Internally we also have some great news:
  • Carolin is embarking on the ultimate WildKat perk: a 2 month paid sabbatical to New Zealand. (We are all just a tad jealous (“a tad” is putting it very lightly!! – Olivia)
  • Great staff have joined our teams all over the world, waving at at Eliza, Rachel, Alex, Nicolo, Maddie, Katja, and our continually growing pool of freelancers, consultants, and collaborators
  • Olivia was promoted to our UK Director and is, as expected, thriving in her new role. She also hits the 5 year anniversary mark next year and will at some stage embark on her sabbatical

Olivia says, “2017 has been a pretty turbulent year on all counts – whilst we have celebrated some truly inspiring projects, and championed everything that is BRILLIANT in our sector, and what it has to offer, we have all had to face a heavy and consistent hailstone of, let’s face it, awful news in the general media and across socials.

Saying this, one thing that our sector does best is use these events to inspire creativity, and to reflect and respond using our art and passion. Following the development of the “B-word”, we had the hilarious “The United Kingdom of Earth: A B***** Opera” at Tête à Tête’s 10th festival. Soosan Lolavar’s “ID, please” had its UK premiere at the same festival, reflecting on Trump’s travel ban. Ariana Grande sold out the Manchester arena for a benefit concert, following the bombings. There are many, many more examples, and there will continue to be.

As we look ahead to 2018, it’s important to remember the important of collaboration, cooperation, and participation. We have had such fresh ideas in discussion and have started to make change happen. We want to continue to work together, create conversations, involve diverse & conflicting voices, and create progress for classical music and the arts. I’m so excited for what is to come…”

Olivia visits New York for the first time!

Before Carolin heads off on her travels, she says, “Launching the Noted Fellowship this year was a real highlight, and I was so inspired to see all the innovative ideas that came through the application process. The only downside was choosing who would go on to stage 2. Good luck, everyone!

I’m very excited to make the most of my 2-month sabbatical, part of the WildKat perks, to not only have a long holiday (!) and travel the world, but also to return to the company and the industry with a refreshed and revived perspective.”

We are all really looking forward to 2018, particularly as we are celebrating 10 years of WildKat with a big party (joint with Music in Offices – happy birthday to you too!) and lots of fun events.

Thank you to everyone: clients, industry, friends, colleagues – the ones who champion us, critique us, support and dismiss us. We love you all and we look forward on what’s to come!

Happy holidays! 🎄🎄🎄

(Written on December 22, 2017 )

In today’s news: Artists support rising cryptocurrency Monero, early 20th-century classical music made Spotify’s list of ‘emerging genres’ and a new online library of concert videos and feature documentaries by Quincy Jones. Also, the Calgary Philharmonic Orchestra to make a free web-based music education platform, the Opernhaus in Berlin reopens today and the construction of the new Konzerthaus in Munich is postponed.

Classical Music

Ian Skelly to join Suzy Klein on Radio 3’s Essential Classics

Ian Skelly is to replace Rob Cowan as a co-presenter of Radio 3’s Essential Classics. He will begin his new role on Christmas Day, sharing the position with Suzy Klein.

The Guardian

The sound of mega orgasms: the female composers taking music into intimate places

A soundtrack to an erotic feminist film, the crunch of crisps in your own mouth, a composition for ‘strap-on and electric guitar’ … meet the women who are making music and telling stories on their own terms

Serialism: how early 20th-century classical music made Spotify’s list of ‘emerging genres’

The streaming site’s list of big sounds of 2017 includes the challenging form pioneered by Arnold Schoenberg – nestled alongside chillhop, trap Latino and future funk

Digital Music News

Cryptocurrency Monero Jumps 25% as 40 Major Artists Jump on Board

Over 40 artists have signed-on to support rising cryptocurrency, Monero.

The New York Times

Netflix for Jazz? Quincy Jones’s Qwest TV Takes Concerts and Films Digital

Quincy Jones, the jazz musician and impresario, is helping to start Qwest TV, an online library of concert videos and feature documentaries, most of them unavailable on YouTube or any other streaming site.

Calgary Herald

Calgary Philharmonic Orchestra to give all Canadians gift of music literacy with free nation-wide education program

The Calgary Philharmonic Orchestra is looking to boost musical literacy in Canada with an ambitious program that will make a web-based music education platform free to anyone with a Canadian IP address for a year.

Klassik.Com

Münchner Konzerthaus: Haushaltsausschuss gegen Baubeginn im kommenden Jahr

Der Baubeginn des neuen Münchner Konzerthauses, den Ministerpräsident Horst Seehofer (CSU) gerne noch vor den Landtagswahlen im kommenden Jahr terminiert hätte, muss verschoben werden.

Der Tagesspiegel

Blattgoldene Zeiten

Vor 275 Jahren wurde das Opernhaus Unter den Linden eingeweiht. Mit dem Geburtstagskonzert startet endlich der Regelbetrieb im sanierten Gebäude.

Musik Heute

Münchner Kandidatenkarussell: Wer übernimmt die Staatsoper?

Im Münchner Kulturbetrieb müssen gleich drei hochkarätige Posten neu besetzt werden, an der Staatsoper und am Staatsschauspiel.

Twitter

Music History @today_classical in 1873 FP of symphonic poem Phaeton in Paris

Deutsche Grammophon @DGclassics On this day in 1980, Herbert von Karajan celebrated his 25th anniversary as principal conductor of Berlin Philharmonic in a wonderful Celebration Concert in Berlin. Find out more about the biography of this outstanding conductor:

Image: www.gordonwelters.com

(Written on December 7, 2017 )

WildKat PR is delighted to welcome composer-pianist Alina K to our portfolio of artists.

Lithuanian-born Alina K came to London with the intention of developing and building on her piano playing skills, and with a dream that one day she might perhaps be able to turn her passion for music into a full-time career. Having recognised her talent early on, Alina K’s friends and family encouraged her to continue with her piano playing, but since she was working full-time in high-end retail concessions, she found very little time to devote to her true passion. However, encouraged by a close friend to compose her own music, Alina K discovered that she had the ability to compose, and this re-ignited her passion and her determination.

After a chance meeting in London with the founder of Vancouver Fashion Week who heard her music, Alina K was twice invited to perform at the opening ceremony of this prestigious event in Canada. With fashion being her second passion, she was delighted to accept this invitation and even more so when, on both occasions, she was unexpectedly asked to model on the catwalk for leading fashion designers.

Encouraged by this and championed and supported by friends and esteemed names across the music industry who recognised the immense potential that she had, Alina K threw herself into composing her own breathtakingly beautiful and emotionally engaging music. With the right people behind her, she became more determined than ever to pursue her dream of making music her full time occupation and of having her compositions used in films and on television. With this in mind, in early 2017 she made the brave and bold decision to leave her full-time day job in order to devote more time to her music.

The risk paid off because in February 2018, Alina K will release her debut EP ‘Awakening’, comprising four original tracks recorded in Studio Two at the world-famous Abbey Road Studios in North West London. With her refreshingly edgy, stylish demeanour and engaging personality, Alina K really is set to breathe fresh air into the contemporary music world with the launch of her groundbreaking debut EP.

(Written on November 17, 2017 )

In today’s news, Carnegie Hall welcomes youngest ever concert series curator, new survey highlights public concern on secondary ticketing sites, UK music venues are still not being inclusive enough for less able performers, audience members and staff. Making music in urban spaces, and musicians envisage a borderless world post-Brexit.

The Guardian

UK music venues still exclude disabled performers, audience members and staff

Why are so many disabled staff, performers and guests having to fight for access to music venues? The sector and the government needs to do more.

Music Week

New survey ‘highlights public concern on secondary ticketing’

A new consumer survey has found that 80% of the British public consider secondary ticketing to be a “rip-off”.

Classic FM

Cecilia Bartoli becomes first woman to record with the Sistine Chapel Choir

“Being the first woman to sing with the choir, and to record in the Sistine Chapel, is an immense privilege, I am at a loss for words. I am in seventh heaven, may I say that?” said Cecilia.

Varsity

Car park concerts, balcony bands and subway singing 

Thea Sands charts the social implications of music making in urban spaces.

Broadway World

Daniil Trifonov to Offer Seven-Concert Perspectives Series at Carnegie Hall

At 26 years of age, Mr. Trifonov is the youngest artist ever to curate a Perspectives series at Carnegie Hall.

Süddeutsche Zeitung

Je spektakulärer der Bau, desto höher die Aufmerksamkeit

Allein um die beste Kunst geht es beim Konzertsaalbau nicht. Oft zählen nur Aussehen und Aufmerksamkeit. Dieser Wettlauf wird weitergehen.

Berliner Zeitung

Konzerthaus München Keine kulturelle Sensation

Das also soll der lang ersehnte neue Münchner Konzertsaal werden: Eine von dem aus Vorarlberg stammenden Büro Cukrowicz Nachbaur entworfene, im Grundriss nach Vorgabe des Grundstücks streng rechteckige, steil, glatt und weich geschwungen ansteigende Glashaube, unter der die drei Säle, die Foyers und Probenräume, Restaurants und Tiefgaragen aufgestapelt sind.

Pizzicato

Eröffnung eines Gamelan-Ausbildungszentrums in der Schweiz

Zehn Jahre nach der Gründung einer aus jungen Studenten bestehenden Gruppe von javanesischen Gamelan-Musikern, wird die von Nicole Coppey gegründete und geleitete Pädagogische Schule für Musikalische Kunst ‘Un, Deux, Trois, Musiques …’ in Sion im November dieses Jahres ein Ausbildungs- und Leistungszentrum für Gamelan eröffnen.

Musicians against Brexit

With viola player Timothy Ridout and cellist Jacob Shaw, two excellent British musicians proudly took part in Alpenarte’s European Journey, representing their country in this exciting international ride through a border-less music world.

Le Figaro

Dans les pas de Stravinsky à l’Opéra Garnier

Soirée Royale. Le ballet de l’Opéra de Paris interprète Agon et Le sacre du Printemps, tandis que Teshigawara signe une création sur une partition de Salonen.

Twitter

@StevenIsserlis: When as a boy I refused to practice, my parents used to insist, adding: “Some day you’ll thank us.’ And the annoying thing is – I do!

@STNMC1 This from @PrivateEyeNews, doesn’t look good for Diocese of London: ‘Staggering vacuity’

© Burkhard Bartsch (c): Governatorato SCV – Direzione dei Musei

(Written on October 30, 2017 )

The digital revolution is still proceeding and affecting nearly every aspect of our everyday life. Talking about music industry, we consider streaming, podcasting concerts and interviews, social media campaigns and online music magazines. The majority of our generation is used to Spotify, Youtube, Instagram and Snapchat.

But what is the impact of digitalisation on classical and contemporary music? One may think that the classical music domain is archaic, old fashioned and still follows old standards. It is undoubtedly a big challenge to apply new technologies to an established sector. Then again, we should consider that new technologies might also bring new opportunities and even encourage the creativity.

Streaming

Music streaming is immediately overtaking downloading as the favoured method of accessing music digitally. Streaming has changed the way the majority of people now listens to music but also the way musicians, agents and companies deliver music to their recipients. Nowadays one can find a big amount of classical and contemporary music on platforms like Spotify and Apple Music. On the other hand there are also services that specialise in classical music streaming only, including Primephonic.

The main challenge in classical music streaming is the correct use of metadata. This field of music industry has some of the most complex metadata regulations. The rules are sometimes not clearly defined. Although, the information tagged to each file, is important for searching, matching and allocating music.

Networking

We are facing diverse and connecting times. Internet and peer-to-peer technology is essential in sharing ideas and creating more perspectives. Everyone is talking about communities and peer-to-peer. Networking on this new level connects different types of music genres and also encourages collaborations between different types of musicians on an international level.

There are several networking platforms for musicians like Hello Stage and Reverbnation to help musicians to collaborate and unfold their potential and creativity.

Podcasting

One more way to reach an auditory is podcasting. Podcasting is a digital recording of music, news or other media that can be downloaded from the Internet to a portable media player.

A popular synonym for podcasting is audio-videoblogging. Spotify, Google Play and some major labels are already benefiting from music podcasts. Classical and other musicians are using podcasts to transmit concerts, interviews and music sessions to their auditory. The advantage of podcasting is building a closer relationship to recipients, appearing more personal providing a face-to-face connection. A popular classical music podcast is Sticky Notes.

There are many ways digitalisation affects classical music. Also disciplines like archiving, composing, teaching etc. are driven by computer-based methods nowadays. Increasing number of musicians is using iPads instead of music sheets and musicologists are digitally combining early editions and manuscripts to get to the bottom of composer’s intentions. Some of the tools can help musicians, teachers, researchers or agents to work more dynamic and efficient. Any other may confuse some people or even slow down the creative process. Nonetheless, it’s necessary to acknowledge that the world is different from even 20 years ago. The digital age is networked, global, and constantly changing. Digitalisation has a huge impact on society, culture and music culture in particular and the utilisation of digital tools and computer-based methods in classical music may bring challenges but also benefits for all the participants.

________________________

See some our clients using digital tools in their creative process:

Corre (a marriage of sounds and visuals)

Inclusive Creativity (performance and composition for less able musicians through the development of new technologies and methodologies)

(Written on October 25, 2017 )

The ninth Planet Tree Music Festival kicks off tomorrow, running until 26th October in Hampstead, North London.


Founder and composer Lawrence Ball has curated the festival with the aim of creating an immersive experience for those wishing to connect to a higher sphere through deep engagement with classical music. Audiences are encouraged to lie down, meditate and experience the sound worlds presented, championing an alternative way of listening. The outdated rules employed in traditional concert halls are discarded in favour of a more accessible experience rooted in spirituality and relaxation. 

Similar in format to Max Richter’s sold-out ‘Sleep’, the 2017 Planet Tree Music Festival offers concert attendees the opportunity to lie down and relax into cosmic sound worlds, with a host of international musicians performing music specially written for this year’s programme.

 

The festival was opened by Terry Riley in 1996, establishing its ethos and reputation as one that showcases tonal, non-elitist contemporary music. The programme deals with the brighter side of contemporary classical music, featuring pieces by popular composers including Max Richter and Arvo Pärt.

Collaborator and performer James D’Angelo says: “The Planet Tree Music Festival has established a new forum for contemporary music that returns music to its spiritual roots and gets people in touch with their souls hungry for impressions of who and what they are… No composer could ask for anything more than the refined atmosphere that is the Planet Tree Music Festival.”

Tickets can be purchased on the door of each of the venues, namely the Rosslyn Hill Unitarian Chapel and All Hallows Church, Hampstead. Full concert details can be found here.

WildKat has, so far, secured coverage for Planet Tree Music Festival in PRS M Magazine, Culture Whisper, International Arts Manager, and local newspaper Camden New Journal. Stay tuned for more!

(Written on October 6, 2017 )

In today’s news, have you ever wondered why people don’t clap between movements in a symphony? Classic FM investigates. Lang Lang relies on his assistant to lend a hand mid-performance, and a Welsh opera company is under fire for its racist casting. Orchestra carries on without a conductor, and Delnon and Nagano extend their contracts in Hamburg.

The Guardian

Assistant lends a hand to Lang Lang

Pianist plays Gershwin at the New York concert hall with a 14-year-old protege literally his left-hand man.

Classic FM

Why don’t we clap between movements?

There’s a bit of a tradition in classical music that you only clap after a piece has finished – and never in between movements. But why does this ‘rule’ actually exist?

The Stage

Welsh opera under fire for racist casting

Industry figures, including the artistic director of Yellow Earth Theatre Kumiko Mendl and actor Daniel York, have slammed “yellowface” casting in the touring production.

The Sun

Writer of hit BBC drama ‘Doctor Foster’ has plans to make it into an opera

Playwright Mike Bartlett has written 17 works for the stage, including hits in the West End and on Broadway.

Codex Flores

Delnon und Nagano verlängern ihre Hamburger Verträge

Der Aufsichtsrat der Hamburgischen Staatsoper hat die Verträge mit dem Schweizer Georges Delnon und Kent Nagano an der Hamburgischen Staatsoper um fünf Jahre zu verlängert.

Broadway World

Shortlist Announced For The 2017 BroadwayWorld UK Awards; Voting Now Open!

Today, the shortlist is announced for the 2017 BroadwayWorld UK Awards, celebrating the best long-running West End productions and best new productions from around the country.

NMZ

Klang der Revolution – Orchester spielen ohne Dirigent

So klang die Oktoberrevolution: Im Jubiläumsjahr der russischen Revolution von 1917 ist in Düsseldorf das Experiment des «herrschaftsfreien Musizierens» neu zu erleben.

Twitter

@TrinityLaban  is today! Find out why ballet is good for everyone! http://bit.ly/2yIzQHW

@BBCIntroducing Think Introducing only supports indie music? Think again. 

© Zack Seckler/Getty

 

(Written on October 5, 2017 )