Posts Tagged ‘WildKat’
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In today’s news: An airline refused to let orchestra on board with instruments. RPS gives support for young musicians totalling £42,000. Original Elgar Manuscript on Antiques Roadshow. Premier trombonists to descend Iowa City. Symphonic flashmob in Berlin. 121 applications for Eisler scholarship in Leipzig. Orchestra of Valencia and Ramón Tebar to give free open air concert. Oliver Knussen – his life.

Classic FM

An airline refused to let this orchestra on board with their instruments – and they protested in the best way

This orchestra – Pokrovsky Opera on Facebook – were travelling from Riga airport in Latvia to Moscow, Russia, when they were stopped at security with their instrument cases.

Rhinegold

RPS gives support for young musicians totalling £42,000

The programme offers a range of support to outstanding instrumentalists, ensembles and composers, including non-repayable grants for students in financial need to afford quality instruments.

Classic FM

Original Elgar manuscript valued at £100,000 on Antiques Roadshow

A woman who appeared on Antiques Roadshow has been sitting on an incredibly valuable musical item: the original drafts and revisions of Elgar’s Enigma Variations.

The Daily Iowan

Premier trombonists to descend on Iowa City for international festival

For the first time, the University of Iowa will host the annual International Trombone Festival to bring world-class trombonists together for a special four-day event to celebrate the many facets the trombone has to offer.

Pizzicato

Ng Tian Hui named Music Director of the Pioneer Valley Symphony

The Pioneer Valley Symphony, an orchestra in Greenfield, Massachusetts, has announced as its new musical director 38-year-old Ng Tian Hui.

Frankfurter Allgemeine

Er lehrte die wilden Kerle das Singen

Seine erste Sinfonie schrieb er mit Fünfzehn – und dirigierte sie gleich mit dem London Symphony Orchestra. Jetzt ist der englische Komponist und Dirigent Oliver Knussen gestorben.

Concerti

Sinfonischer Flashmob

Die Aktion Symphonic Mob verwandelt am 23. September die Piazza der Mall of Berlin zum Konzertsaal, wenn Laienmusiker auf Profis des Deutschen Symphonie-Orchesters Berlin und des Rundfunkchors Berlin treffen

Musik Heute

121 Bewerbungen für Leipziger Eisler-Stipendium

Für das erstmals ausgeschriebene Hanns-Eisler-Stipendium der Stadt Leipzig haben sich 121 Komponisten angemeldet.

Platea Magazine

La Orquesta de Valencia y Ramón Tebar ofrecen un concierto gratuito en la Playa de Las Arenas

El próximo 13 de julio, a las 22 horas, la Orquesta de Valencia prolongará la celebración de su 30 aniversario con un concierto gratuito al aire libre, en el marco de la Playa de Las Arenas.

Twitter:

Deutsches Symphonie-Orchester Berlin, Symphonic Mob © Kai Bienert

(Written on July 11, 2018 )

In today’s news: Composer Oliver Knussen dies aged 66 after a short illness, Jeremy Wright replaces Matt Hancock as DCMS following “Brexodus”, and Love Islanders get a dose of classical music. Hamburg State Opera releases audience numbers for 2017/18 season. Rudolstadt-Festival for folk, world and roots music. The underwater concert to raise environmental awareness. Five finalists for directorship of Palus de les Arts in Valencia. The sound island in Madrid encouraging children to create music as they play.

The Guardian

Composer Oliver Knussen dies aged 66

British composer and conductor Oliver Knussen has died age 66, his publisher has announced.

The Drum

Jeremy Wright appointed new secretary of state for digital, culture, media and sport (DCMS)

The MP used to play the trumpet, “but can barely get a note out of the instrument these days”.

Classic FM

Love Island and classical music: what’s been played on ITV2 so far?

Classic FM have noticed that a few pieces of classical music have cropped up in Series Four of Love Island, 2018. Here are all the pieces they’ve used so far.

EurekAlert

The ideal of equality makes opera thrive in Finland

The number of operas composed during the 21st century is higher than during the 150-years of previous Finnish music history.

Bloomberg

Huawei Takes a Trip to the Opera in a Break From Trade Wars

Deputy Chairman Ken Hu is heading to the French capital to unveil a technology partnership involving a 900,000-euro ($1 million) investment over three years into a content-sharing platform at France’s national opera company.

Süddeutsche Zeitung

Konzert für Fische und Korallen

Tauchausrüstung oder Schnorchel waren ein Muss beim Unterwasser-Festival vor den Florida Keys. Die am einzigen lebenden US-Korallenriff abgespielten Rhythmen sollten die Aufmerksamkeit auch auf den Schutz des Ökosystems lenken.

Klassik Heute

Hamburgische Staatsoper gibt die Besucherzahlen der Spielzeit 2017/18 bekannt

Mit der Vorstellung der 44. Nijinsky-Gala des Hamburg Ballett am vergangenen Sonntag, den 8. Juli 2018, ging die Spielzeit 2017/2018 der Hamburgischen Staatsoper zu Ende.

Bayerische Rundfunk

Ruth-Preis an Ethno-Jazz-Sängerin

Zehntausende sind am vergangenen Wochenende zu rund 300 Konzerten ins thüringische Rudolstadt gereist.

Platea Magazine

Dos españoles, dos italianos, un alemán y un argentino, finalistas para dirigir el Palau de Les Arts

Tal y como publica el periódico Las Provincias, el Palau de Les Arts ya contaría con cinco finalistas para dirigir el coliseo, tras la dimisión de Davide Livermore.

El País

Una isla sonora para jugar a través de la música

Un volcán sonoro se ha instalado en Matadero. Está ubicado en una isla en la que todos los elementos que la conforman hacen ruido y, en conjunto, producen música.

Twitter

© Press Association

(Written on July 10, 2018 )

We are delighted that tickets for Tête à Tête: The Opera Festival 2018 are now on sale and the programme is as daring and “scream-worthy” as ever.

“The Modern Prometheus” theme extends into the festival with more of a Black Mirror edge, following Tête à Tête’s collaboration with Royal College of Music earlier this year: WEAR is an immersive opera about time travel, high fashion, ecological disaster and love, taking place in The Crossing at King’s Cross; NIBIRU!, a concept album about the apocalypse, social networking and conspiracy theories; Vicky & Albert is the story of an app, which convinces people that the user has a boyfriend…

In what promises to be both hilarious and thought-provoking, audiences are given an insight into the trials and tribulations of being two and three quarters, with a double bill of two operas: I Do Need Me explores the intensity of emotion that small children experience; I’m Not A Bit Like A Clown is a playful work that captures the joy and freewheeling energy of a toddler, whilst exploring and exploding our received ideas of gender, offering a delightful child’s eye view of the world.

More opera, this time for children the story of a fossilised hippo from 250,000 years ago, involving an interactive workshop and opera, The Lost Box of Stories, presenting new music and storytelling with Mid Wales Music Trust.

Tête à Tête welcomes its first Artist-in-Residence, with Li-E Chen’s Proposition for a Silent Opera at an Invisible Museum – I am a museum, a development of the 2017 work that encompasses an art exhibition in the foyer of The Place between 16th – 18th August, plus performances throughout the week.

Cubitt Sessions open the festival again this year, offering free servings of opera for the King’s Cross area with BISHI, Errollyn Wallen, Juice Vocal Ensemble, plus Aubergine from Muziektheater Transparent, and Tête à Tête’s very own operatic disaster, TOSCATASTROPHE!

As always, taking a journey through the past with new opera eyes on, Mary’s Hand is an immersive, biographical take on Mary “Bloody Mary” Tudor (featuring playing cards); Love Me To Death is based upon Ruth Ellis, the last woman hanged in Britain, plus a new collaboration with the Wellcome Collection for Dear Mary Stopes, a story told through letters, responding to her controversial sex manual ‘Married Love’.

This year’s festivals offers operatic treats, both reflective and pioneering, from both long-standing Tête à Tête alumni and new companies and artists. With a focus on Artist Development and support, with the “For Artists” hub on the website, the company continues to provide more opportunities for artists worldwide.

Tickets are now on sale! Where tickets are required we recommend booking early for the best price online at tete-a-tete.org.uk. Early Bird Online until 10th July £5.00 /  In Advance Online £7.50 / In Person, On Phone, On The Door at the venue £9.50. Lots of shows are free so just turn up and enjoy!

(Written on June 20, 2018 )

We are delighted to welcome celebrated classical guitarist Artyom Dervoed.

Image: © Kirill Karetin

Having won 16 prestigious awards in various international competitions, Artyom Dervoed is in a class of his own – or in the words of Universe Guitare, he truly is the “Tsar of the guitar”.

Born in Russia, Artyom learnt to play the guitar at the age of six with Sergey Annikov, then studied with Elena Svetozarova and Leonid Reznik. He later studied at several high-profile music schools, such as the Schnittke Music College and Gnesin Academy (Moscow), Koblenz Guitar Academy (Germany) with Aniello Desiderio, and Accademia Chigiana (Italy) with Oscar Ghiglia.

A milestone of his career was the release of his album in 2008, featuring Russian guitar music. Released by Naxos, it became one of the top ten bestselling chamber music records worldwide. Artyom Dervoed is a regular guest on the world’s most prestigious stages, including the Berliner Philharmonie, Carnegie Hall and Bunka Kaikan.

Among Artyom’s many awards is the first prize at the 39th Michele Pittaluga International Classical Guitar Competition in 2006, as well as the H.R.H. Princess Cristina 18th International Guitar Competition in 2009, making him the first Russian to win both competitions.

Image: © Kirill Karetin

His efforts in the classical music scene are not only limited to performing and recording amazing interpretations of works – one of his main ambitions is stepping into the footsteps of cellist Rostropovich and violinist Bashmet to present the classical guitar as a first-class solo instrument.
 He also regularly commissions new works and transcriptions to expand repertoires for the classical guitar, leading to world premieres.

Artyom is the founder of the Moscow Guitar Chamber Music Festival in the Bashmet Center and co-founder of one of the most important classical music festivals in the world – the annual Guitar Virtuosi Moscow International Festival, presented by the Moscow Philharmonic Society at the Tchaikovsky Concert Hall. As Artistic Director, Dervoed puts together an exciting program of national and international soloists, chamber and orchestral performances. For this year’s 13th edition, which will take place from 20th – 24th March, he will perform the world premiere of a new concerto for guitar and orchestra by contemporary Russian composer Alexander Tchaikovsky.

We are delighted to promote his upcoming performances at the Constella Festival in Cincinnati on February 23rd, 2018 and at the Embassy of the Russian Federation in Berlin on March 28th.

Moreover, Artyom Dervoed is the head of the classical guitar department at the Bashmet Center in Moscow and he teaches at the well-known Gnesin Academy.

“An outstanding figure.” La Provence — Dimanche (France)

(Written on February 23, 2018 )

Do you want to gain your first music industry experience working as part of a young and friendly team in Central London?

We are looking for a paid intern to join WildKat PR, starting as soon as possible.

WildKat PR
WildKat PR is a creative agency for classical music and the arts. We are a dynamic, forward thinking agency offering full services for public relations, marketing, artistic consultancy, event management, social media, and creative campaigns, specialising in both classical and contemporary music. We are a young, enthusiastic, creative, and music-loving company and our expertise and creativity allows us to devise innovative campaigns tailored to individual artists’ needs. With offices currently established in London, Berlin, and New York, and clients including the Ancient Academy of MusicBamberg Symphony OrchestraGstaad Menuhin Academy & Festival, and the Cincinnati Symphony Orchestra, our reach extends internationally to offer professional PR support worldwide.

Job Description
WildKat PR is offering a paid position for a motivated and confident individual to join our London team. Working with the Director and Account Managers on creative PR campaigns across the classical music and cultural industries, you will be expected to assist your colleagues in all aspects of the campaigns, and quickly establish an understanding of the industry and begin to build working relationships with press to generate media coverage for our clients. This position will provide an overview of all clients, demonstrating the different stages of PR campaigns, along with a range of different styles and approaches to the press, industry and social media packages our company offers.

Key duties
As a WildKat intern, your role will include:
– Compiling and posting our daily news round-ups and sharing on social media
– Research-based tasks to assist Account Managers on their campaigns
– Updating social media accounts on behalf of WildKat PR
– Writing blogs about topics of interest to be published on our website
– Writing and proofreading press releases for WildKat clients
– Creating and uploading interesting and new content for our social media platforms
– Inviting critics, journalists, and industry contacts to concerts
– Attending client events and meeting members of the press and industry
– Creating listings to websites for clients’ upcoming concerts
– Daily maintenance and upkeep of the office
– Tidying the office before/after meetings and at end of the week
– CD/DVD mail-outs to UK and international press

What you get from interning with WildKat PR:
– Your first work experience in a professional, innovative communications company
– Chance to expand your skill set rapidly (you get out of this role what you’re prepared to put in!)
– Gain wider industry experience by attending concerts and networking events
– Impress your colleagues with your fresh, new ideas
– Friday drinks with the team, yoga classes and 6-hour work days

Person Specification
Essential
– A keen interest and passion in classical music and the creative industries
– Strong written and verbal communication skills
– A creative and fun way of thinking
– An interest in the media
– Good eye for at socials (and an appreciation for classical music memes)
– Self-motivated and keen to use initiative
– Strong prioritisation and organisational skills

Desirable
– Speak an additional language
– Currently study music or related discipline (creative arts, Public Relations)

We are looking for someone to work for us for 4 hours per day, 10am-2pm, Monday to Friday. If these hours don’t quite fit with your timetable, we are happy to be flexible for the right person!

We will pay a salary commensurate with the London Living Wage for each 20-hour week worked. The timeframe for the length of this internship is flexible, but we’re looking for someone to start as soon as possible. Please also send your application in speculatively, as we have openings throughout the year. NOTE: if you are applying for an internship later in the year, you must state clearly in your covering letter when you will be available.

To apply, send a short C.V. and a covering letter (which can be in the body of the email) to elizabeth@wildkatpr.com with the subject title ‘WildKat PR Intern application’.

 

(Written on February 14, 2018 )

We are very pleased to welcome two fantastic new clients, and welcome back another, as we begin the new year!

The Gstaad Menuhin Festival & Academy is now in its 61st iteration, and its outstanding programme will take place between 13th July and 1st September 2018. In 1957, Yehudi Menuhin moved with his young family to Gstaad, Switzerland, and was overwhelmed by the beauty and power of the bucolic Alpine village. After being asked by the then head of tourism for Gstaad, Paul Valentin, to support the summer tourist season with some concerts, Menuhin rang in the inaugural festival in the summer of  the following year. Two of the performers in those first concerts were Benjamin Britten and Peter Pears! The high-calibre bookings continue, and in 2018 the festival looks to welcome Jonas Kaufmann, Hélène Grimaud, Nigel Kennedy, Sol Gabetta and Juan Diego Flóres, among a stellar line-up of stars from the opera, choral and instrumental worlds. WildKat PR is delighted to be leading their press campaign again in 2018.

The eminent Italian pianist and composer Roberto Cacciapaglia has enjoyed a varied and successful career to date. He performs his own compositions in the most prestigious theatres and institutions all over the world, sharing his innovative and inspiring compositions. Roberto blends electronic experimental music with the classical tradition, and for many years has been researching the powers of sound. He founded the Educational Music Academy in 2013, giving a voice to young musical talents, composers, musicians and pianists by way of support and mentorship. Roberto recently released the 10th Anniversary edition of his QUARTO TEMPO album, which was mastered at London’s Abbey Road Studios.

© Roberto Cacciapaglia

Lithuanian composer Gediminas Gelgotas embodies a unique musical language built upon modern, multi-stylistic influences that with a dream that combines austere melodic beauty with a stunning rhythmic drive. Once praised by Terry Riley for his ‘unique and compositional voice’, he embarked on the journey to creating his own legacy with works showcased and premiered all across Europe, while establishing his own ensemble – the New Ideas Chamber Orchestra (NICO) – and working closely with Kristjan Järvi of the Baltic Youth Philharmonic along the way. Adopting a traditional work ethic, Gediminas proudly works with pen and paper across all his compositions. He grows, chases and explores an organic idea when it comes to mind and injects his own unique blend of pop and classical cultures. With many of his pieces already performed at a number of prestigious events, Gediminas’ work defies all genres and makes it accessible to a wide audience.

© Gediminas Gelgotas

“Having myself worked on the Gstaad Menuhin Festival press campaign in both 2015 and 2016, I am delighted to welcome the festival team to work with us again,” our London Director, Olivia Brown, comments. “They present an inspired programme, in a truly beautiful setting, year on year.

“I’m also very pleased to be expanding our roster of contemporary composers by welcoming Roberto and Gediminas. We look forward to introducing their music to UK and European audiences, reaching and expanding on the broadening new audience of contemporary classical music.”

Keep up to date on new clients and others news via our socials:

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(Written on January 11, 2018 )

WildKat PR is delighted to welcome composer-pianist Alina K to our portfolio of artists.

Lithuanian-born Alina K came to London with the intention of developing and building on her piano playing skills, and with a dream that one day she might perhaps be able to turn her passion for music into a full-time career. Having recognised her talent early on, Alina K’s friends and family encouraged her to continue with her piano playing, but since she was working full-time in high-end retail concessions, she found very little time to devote to her true passion. However, encouraged by a close friend to compose her own music, Alina K discovered that she had the ability to compose, and this re-ignited her passion and her determination.

After a chance meeting in London with the founder of Vancouver Fashion Week who heard her music, Alina K was twice invited to perform at the opening ceremony of this prestigious event in Canada. With fashion being her second passion, she was delighted to accept this invitation and even more so when, on both occasions, she was unexpectedly asked to model on the catwalk for leading fashion designers.

Encouraged by this and championed and supported by friends and esteemed names across the music industry who recognised the immense potential that she had, Alina K threw herself into composing her own breathtakingly beautiful and emotionally engaging music. With the right people behind her, she became more determined than ever to pursue her dream of making music her full time occupation and of having her compositions used in films and on television. With this in mind, in early 2017 she made the brave and bold decision to leave her full-time day job in order to devote more time to her music.

The risk paid off because in February 2018, Alina K will release her debut EP ‘Awakening’, comprising four original tracks recorded in Studio Two at the world-famous Abbey Road Studios in North West London. With her refreshingly edgy, stylish demeanour and engaging personality, Alina K really is set to breathe fresh air into the contemporary music world with the launch of her groundbreaking debut EP.

(Written on November 17, 2017 )

In today’s news, Carnegie Hall welcomes youngest ever concert series curator, new survey highlights public concern on secondary ticketing sites, UK music venues are still not being inclusive enough for less able performers, audience members and staff. Making music in urban spaces, and musicians envisage a borderless world post-Brexit.

The Guardian

UK music venues still exclude disabled performers, audience members and staff

Why are so many disabled staff, performers and guests having to fight for access to music venues? The sector and the government needs to do more.

Music Week

New survey ‘highlights public concern on secondary ticketing’

A new consumer survey has found that 80% of the British public consider secondary ticketing to be a “rip-off”.

Classic FM

Cecilia Bartoli becomes first woman to record with the Sistine Chapel Choir

“Being the first woman to sing with the choir, and to record in the Sistine Chapel, is an immense privilege, I am at a loss for words. I am in seventh heaven, may I say that?” said Cecilia.

Varsity

Car park concerts, balcony bands and subway singing 

Thea Sands charts the social implications of music making in urban spaces.

Broadway World

Daniil Trifonov to Offer Seven-Concert Perspectives Series at Carnegie Hall

At 26 years of age, Mr. Trifonov is the youngest artist ever to curate a Perspectives series at Carnegie Hall.

Süddeutsche Zeitung

Je spektakulärer der Bau, desto höher die Aufmerksamkeit

Allein um die beste Kunst geht es beim Konzertsaalbau nicht. Oft zählen nur Aussehen und Aufmerksamkeit. Dieser Wettlauf wird weitergehen.

Berliner Zeitung

Konzerthaus München Keine kulturelle Sensation

Das also soll der lang ersehnte neue Münchner Konzertsaal werden: Eine von dem aus Vorarlberg stammenden Büro Cukrowicz Nachbaur entworfene, im Grundriss nach Vorgabe des Grundstücks streng rechteckige, steil, glatt und weich geschwungen ansteigende Glashaube, unter der die drei Säle, die Foyers und Probenräume, Restaurants und Tiefgaragen aufgestapelt sind.

Pizzicato

Eröffnung eines Gamelan-Ausbildungszentrums in der Schweiz

Zehn Jahre nach der Gründung einer aus jungen Studenten bestehenden Gruppe von javanesischen Gamelan-Musikern, wird die von Nicole Coppey gegründete und geleitete Pädagogische Schule für Musikalische Kunst ‘Un, Deux, Trois, Musiques …’ in Sion im November dieses Jahres ein Ausbildungs- und Leistungszentrum für Gamelan eröffnen.

Musicians against Brexit

With viola player Timothy Ridout and cellist Jacob Shaw, two excellent British musicians proudly took part in Alpenarte’s European Journey, representing their country in this exciting international ride through a border-less music world.

Le Figaro

Dans les pas de Stravinsky à l’Opéra Garnier

Soirée Royale. Le ballet de l’Opéra de Paris interprète Agon et Le sacre du Printemps, tandis que Teshigawara signe une création sur une partition de Salonen.

Twitter

@StevenIsserlis: When as a boy I refused to practice, my parents used to insist, adding: “Some day you’ll thank us.’ And the annoying thing is – I do!

@STNMC1 This from @PrivateEyeNews, doesn’t look good for Diocese of London: ‘Staggering vacuity’

© Burkhard Bartsch (c): Governatorato SCV – Direzione dei Musei

(Written on October 30, 2017 )

The digital revolution is still proceeding and affecting nearly every aspect of our everyday life. Talking about music industry, we consider streaming, podcasting concerts and interviews, social media campaigns and online music magazines. The majority of our generation is used to Spotify, Youtube, Instagram and Snapchat.

But what is the impact of digitalisation on classical and contemporary music? One may think that the classical music domain is archaic, old fashioned and still follows old standards. It is undoubtedly a big challenge to apply new technologies to an established sector. Then again, we should consider that new technologies might also bring new opportunities and even encourage the creativity.

Streaming

Music streaming is immediately overtaking downloading as the favoured method of accessing music digitally. Streaming has changed the way the majority of people now listens to music but also the way musicians, agents and companies deliver music to their recipients. Nowadays one can find a big amount of classical and contemporary music on platforms like Spotify and Apple Music. On the other hand there are also services that specialise in classical music streaming only, including Primephonic.

The main challenge in classical music streaming is the correct use of metadata. This field of music industry has some of the most complex metadata regulations. The rules are sometimes not clearly defined. Although, the information tagged to each file, is important for searching, matching and allocating music.

Networking

We are facing diverse and connecting times. Internet and peer-to-peer technology is essential in sharing ideas and creating more perspectives. Everyone is talking about communities and peer-to-peer. Networking on this new level connects different types of music genres and also encourages collaborations between different types of musicians on an international level.

There are several networking platforms for musicians like Hello Stage and Reverbnation to help musicians to collaborate and unfold their potential and creativity.

Podcasting

One more way to reach an auditory is podcasting. Podcasting is a digital recording of music, news or other media that can be downloaded from the Internet to a portable media player.

A popular synonym for podcasting is audio-videoblogging. Spotify, Google Play and some major labels are already benefiting from music podcasts. Classical and other musicians are using podcasts to transmit concerts, interviews and music sessions to their auditory. The advantage of podcasting is building a closer relationship to recipients, appearing more personal providing a face-to-face connection. A popular classical music podcast is Sticky Notes.

There are many ways digitalisation affects classical music. Also disciplines like archiving, composing, teaching etc. are driven by computer-based methods nowadays. Increasing number of musicians is using iPads instead of music sheets and musicologists are digitally combining early editions and manuscripts to get to the bottom of composer’s intentions. Some of the tools can help musicians, teachers, researchers or agents to work more dynamic and efficient. Any other may confuse some people or even slow down the creative process. Nonetheless, it’s necessary to acknowledge that the world is different from even 20 years ago. The digital age is networked, global, and constantly changing. Digitalisation has a huge impact on society, culture and music culture in particular and the utilisation of digital tools and computer-based methods in classical music may bring challenges but also benefits for all the participants.

________________________

See some our clients using digital tools in their creative process:

Corre (a marriage of sounds and visuals)

Inclusive Creativity (performance and composition for less able musicians through the development of new technologies and methodologies)

(Written on October 25, 2017 )

The ninth Planet Tree Music Festival kicks off tomorrow, running until 26th October in Hampstead, North London.


Founder and composer Lawrence Ball has curated the festival with the aim of creating an immersive experience for those wishing to connect to a higher sphere through deep engagement with classical music. Audiences are encouraged to lie down, meditate and experience the sound worlds presented, championing an alternative way of listening. The outdated rules employed in traditional concert halls are discarded in favour of a more accessible experience rooted in spirituality and relaxation. 

Similar in format to Max Richter’s sold-out ‘Sleep’, the 2017 Planet Tree Music Festival offers concert attendees the opportunity to lie down and relax into cosmic sound worlds, with a host of international musicians performing music specially written for this year’s programme.

 

The festival was opened by Terry Riley in 1996, establishing its ethos and reputation as one that showcases tonal, non-elitist contemporary music. The programme deals with the brighter side of contemporary classical music, featuring pieces by popular composers including Max Richter and Arvo Pärt.

Collaborator and performer James D’Angelo says: “The Planet Tree Music Festival has established a new forum for contemporary music that returns music to its spiritual roots and gets people in touch with their souls hungry for impressions of who and what they are… No composer could ask for anything more than the refined atmosphere that is the Planet Tree Music Festival.”

Tickets can be purchased on the door of each of the venues, namely the Rosslyn Hill Unitarian Chapel and All Hallows Church, Hampstead. Full concert details can be found here.

WildKat has, so far, secured coverage for Planet Tree Music Festival in PRS M Magazine, Culture Whisper, International Arts Manager, and local newspaper Camden New Journal. Stay tuned for more!

(Written on October 6, 2017 )