Brian Field’s music is an eclectic fusion of lyricism and driving rhythm that brings together elements of post-romanticism, minimalism and jazz that Gramophone notes “has a winning melodic flow and harmonic translucency,” and Fanfare comments “stretches tonality to and beyond its limits, but always in a soaring, lyrical manner.”

He has received a host of awards, including a McKnight Foundation Fellowship, the Benenti Foundation recording prize; First Prize, Briar Cliff Choral Music Competition; and First Prize, Victor Herbert ASCAP Young Composers’ Contest among dozens of others.

Mr. Field began his musical endeavors at age eightwith the study of piano, and began his first serious compositional efforts at sixteen, earning his undergraduate degree in music and English literature from Connecticut College, where he graduated Magna Cum Laude, Phi Beta Kappa. At Connecticut, he studied composition with Noel Zahler, piano with the Polish pedagogue Zosia Jacynowicz, organ with John Anthony, and harpsichord/figured-bass realization with Linda Skernick.

Mr. Field’s compositions include music for television and stage; solo acoustic, chamber, ballet, choral, vocal, electroacoustic and orchestral works. His compositions have been performed extensively throughout the United States and internationally and are recorded on RMN Classical, Olim Music, Navona Recordings and Ablaze Records.