My name is Céleste Briant, and I’m currently completing a work-study placement at WildKat PR in the French office. I work as a press officer and also manage several digital clients. Alongside this role, I’m pursuing a Master’s degree in Influence and Public Relations at ISCOM, a renowned communications school in Paris.

Sustainability is becoming a major trend in the classical music world, prompting artists, orchestras, and festivals to adopt more environmentally friendly practices. From reducing the frequency of international tours in favor of local collaborations to using digital scores instead of printed ones, the classical music sector is beginning to rethink its ecological footprint. Many ensembles now opt for low-carbon travel methods, such as trains or buses, when touring within regions or across nearby countries.

For example, the Orchestre National de France recently launched a regional tour using exclusively rail transportation, significantly cutting down their emissions. Meanwhile, ensembles like the Scottish Chamber Orchestra are working with local communities to host concerts that require minimal travel, both for the musicians and the audience.

Record labels are also making strides. Some now use recycled materials for CD packaging or are moving entirely to digital releases to reduce plastic waste. The German label Deutsche Grammophon has begun offering “eco-friendly” editions of its major releases, including sustainable packaging and carbon-offset production processes. These efforts are aligned with broader movements in the music industry to reduce dependency on single-use plastics and non-recyclable materials.

Concert halls are also becoming greener. The Elbphilharmonie in Hamburg, for instance, has implemented advanced energy efficiency systems, including optimized heating and cooling, and a rainwater recycling program. Similarly, the Southbank Centre in London has invested in solar panels and energy efficient lighting to reduce its overall carbon output.

These initiatives reflect a growing awareness across the sector, one that seeks to balance artistic excellence with environmental responsibility. Some musicians are integrating sustainability directly into their programming. Composer and pianist Rolf Hind, for example, curated a concert series focused on climate change, featuring works inspired by nature and incorporating discussions with environmental scientists.

Furthermore, orchestras and musicians are increasingly partnering with climate activists to raise awareness through performance. In 2024, the BBC Symphony Orchestra collaborated with climate organizations during the Earth Prom at the Royal Albert Hall, highlighting the impact of global warming through music and storytelling. This blend of art and advocacy is resonating strongly with younger audiences who expect cultural institutions to take a stand on global issues.

Some festivals are also leading by example. The Aldeburgh Festival in the UK has adopted a “green rider” policy, encouraging performers to use public transport and reducing energy consumption across venues. Food served at the festival is now sourced locally, with an emphasis on plant-based options to minimize environmental impact.

The transition to sustainable practices is no longer seen as optional, it has become central to the future of classical music. As audiences become more environmentally conscious, the classical world is responding with innovation, commitment, and creativity. By embedding sustainability into their operations, musicians and institutions are not only helping the planet, but also ensuring the longevity and relevance of their art in a rapidly changing world.

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